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Small Town Girl

Small Town Girl (1936)

April. 10,1936
|
6.6
|
NR
| Comedy Romance

Kay is a girl living in a small rural town whose life is just too dull and repetitious to bear. One night, she meets young, handsome, and rich Bob Dakin, who asks her for directions while drunk and then proceeds to take her out on a night on the town. Kay likes the stranger, and when the drunken Bob decides that they should get married, Kay hesitates little before consenting. The morning after the affair, Bob, once sober, regrets his mistake. His strict and upright parents, however, insist that the young couple pretend marriage for 6 months before divorcing, in order to avoid bad publicity. Bob resents Kay for standing in the way of him and his fiancée, Priscilla, but Kay still hopes that he'd have a change of heart.

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Redwarmin
1936/04/10

This movie is the proof that the world is becoming a sick and dumb place

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Jeanskynebu
1936/04/11

the audience applauded

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FuzzyTagz
1936/04/12

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

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AnhartLinkin
1936/04/13

This story has more twists and turns than a second-rate soap opera.

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mark.waltz
1936/04/14

When big city folk invade the New England town of Carvel for a big game, STG Janet Gaynor ends up on a sudden date with BTB Robert Taylor and after a night of champagne, ends up in front of a JIP. It's a definite case of WTH the next morning when they wake up in his car with a marriage license sitting between them. This Carvel is no relation to the home of Andy Hardy in the series which began the following year at MGM, but like some omen (bad or good), Lewis Stone is cast here as Taylor's very serious father. He's a doctor who works at a Boston clinic, and is involved with the snooty and selfish Binnie Barnes who agrees to go away for six months to avoid the scandal while Taylor and Gaynor pretend to be on their honeymoon and attempting to make their marriage work.Comedy erupts on Taylor's yacht as Gaynor deals with sea sickness, even though she's ordered the most magnificent of foods she feels are typical high society cuisine. But once they settle into their marriage, Gaynor's feelings become clear even though Barnes' sudden return from her trip means nights alone as he neglects her and the clinic (especially a young patient who adores him) and Barnes simply hangs up the phone when Gaynor desperately tries to get ahold of him. "Uncle Henry" Charley Grapewin is dapper here as the well dressed head of the clinic who has no faith in Taylor's future as a top doctor, thinking him a fool and warning Stone that he may not have a long future if his frivolous behavior continues.This is at its most entertaining during the first half, although at over 100 minutes, it does tend to drag a bit. At times, Gaynor's small own girl is totally like Esther Blodgett during the early scenes, even though she adds some glamour along the way covering provincial innocence that Barnes considers non-threatening. But classic Hollywood always gave the underdog the man, and while Taylor may seem at home in fancy nightclubs (the one in Carvel seems way out of place) and on yachts, he's certainly not going to find happiness with the selfish Binnie no matter how much she tries to manipulate him. It's no surprise to discover that "A Star is Born's" William Wellman directed this, and it would be Gaynor's next role which brought her screen immortality.Joining Taylor, Gaynor, Barnes and Stone are James Stewart as Gaynor's small town admirer (really given nothing to do), Nella Walker as Taylor's kindly society matron mother (who sees through Barnes and obviously would prefer Gaynor), as well as Frank Craven and Elizabeth Patterson as Gaynor's parents and Andy Devine as their son-in-law whose seemingly giant baby pelts everybody with rice pudding and potatoes. It's typical MGM light romantic fare where the praises of home and family explodes off the screen, city people are presented as pretentious and short-sighted to the rest of the world, and the sweet country folk are praised as only as Louis B. Mayer could demand them to be.

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PudgyPandaMan
1936/04/15

I didn't like this film as much as the other reviewers. I love a good love story, but this one left me cold. I found the entire plot totally predictable, from beginning to end. There is not a single surprise throughout the entire movie. It almost became laughable predicting what was going to happen next.The cast, however, was quite good in their performances in spite of the script. So I give them kudos for making the most of it. Gaynor is very likable, so much so that you find yourself rooting for her. Taylor of course is smashingly good-looking, but also has an approachable charm to him that endeared him to so many movie fans. I think they did a horrible job on his makeup though. His eyebrows looked painted on and the eyeshadow was too noticeable at times. Binnie Barnes was easy to hate in her portrayal as the ruthless fiancé, so she did her role justice.I think the ending was worst of all. I hated that they brought Gaynor's boyfriend, Jimm Stewart, back in the picture and had him gushing over her again. She gives the impression she might be interested, only to have Taylor show up in his fast sports car and whisk her off. I think it makes women look flighty and trifling with men's hearts. I think it did Gaynor's likable character an injustice.

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whpratt1
1936/04/16

Knew this would be a good film because it was directed by William A. Wellman who is a famous director. This story deals with a young girl named Kay Brannan, (Janet Gaynor) who lives in a small town and Kay is getting tired of the same people and the same things that they talk about and also having to marry the same type of man everyone else does. On night she is walking around her town and she meets up with Dr. Bob Dakin, (Robert Taylor) who takes her to a bar and they both get rather smashed. They wind up going to a justice of the peace in the middle of the morning and get married and you can just imagine what happens the next morning when they both wake up. There is plenty of comedy and a very cute love story which will warm your heart. Enjoy.

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HarlowMGM
1936/04/17

Janet Gaynor is best remembered for being the star of three silent classics, SEVENTH HEAVEN, SUNRISE, and STREET ANGEL, for which the then 22-year-old actress won the first Best Actress Academy Award and became the last superstar of the silent era. She was wildly popular in the 1930's as well, right up to her self-imposed retirement in 1938. In the early 1930's she was in fact the most popular young actress on the screen. Alas, because most of her films were made by Fox and have had little circulation since initial release (with the very notable exception of the classic A STAR IS BORN), she tends to be overlooked among the thirties stars today. SMALL TOWN GIRL, however, is better known than most of her films mainly because the MGM film airs quite often on TCM.SMALL TOWN GIRL is an excellent light romantic drama with an utterly endearing and empathic performance by Janet. She stars as a twenty-something girl who has become bored out of her mind by the daily routine of her life - working at her brother-in-law's "mom and pop" grocery, customers buying the same things every week, eating the same meals every specific day of the week, having to listen to mindless small talk of customers as well as the repetitive comments of friends and relatives. Perhaps worst of all is her utterly unromantic and unambitious semi-boyfriend James Stewart. Janet appears to be the only person in town who knows there's a better way of life out there but she's powerless to find it. When the kids of a nearby college and young football fans cause a slight traffic jam passing through town going to a game, Janet looks on with wistfulness at their carefree, fun, and promising lives. After almost being run down by handsome (make that gorgeous) Robert Taylor, he stops and they talk a bit. He asks is she knows a short cut to the tavern he's headed to and with his warm personality and obvious breeding has little difficulty persuading her to join him. They have a wonderful evening and Taylor gets quite plastered (apparently a frequent occurrence for him) and Janet herself imbibes in champagne for the first time but remains sober. Driving her home, Taylor impulsively decides to propose to her and drives to the justice of the peace where some of his friends were just married. Janet protests mildly but finds herself unable to turn away from this prince charming that dropped in her lap from out of nowhere and finally agrees to marry him.Driving away after becoming man and wife, the ever intoxicated Taylor runs off the road in a slight crash in a ditch and falls asleep. The next morning, he sobers up and doesn't remember anything but learns he is now a married man. When he learns Janet wasn't drunk at the time they married he suspects her of being a fortune hunter, meanwhile she learns he was already engaged to socialite Binnie Barnes and he's the son of a wealthy man and is a promising young doctor. Taylor decides to avoid scandal they will live as man and wife in-name-only for six months and then divorce. He is quite cool now to Gaynor whom he sees as an opportunist and his hostile demeanor has Janet now disliking him as well. But as time passes Janet recaptures the attraction and affection she initially felt for him whereas he is still waiting for the day the marriage will end and he can openly see Binnie Barnes.Janet Gaynor gives a wonderful performance in this movie, the viewer is completely with her at all stages. Her sincerity shines through every scene and shows you why 30's audiences loved her so much. She is very fine in the early scenes fully capturing small town discontentment as well as her impetuous first night with Taylor and she never makes a false move throughout the film. Robert Taylor is so dashing it's hard to imagine any woman who could resist his charms. He is excellent and like Janet, you can't help but being drawn to him even when he is unsympathetic because you know he is better than his actions. The supporting cast generally has insignificant roles but James Stewart (in one of his first films) is so credible as the bland boy next door it's a wonder he didn't end up typecast for good as the Ralph Bellamy of rural films, the perennial second placer. Elizabeth Patterson as Janet's mother and Lewis Stone as Robert's father do what they can with their small roles and it was fun to see a toddler on screen (Janet's sister Isabell Jewell's daughter) being a picky-eating little brat unlike most films of the era with perfectly mannered children. SMALL TOWN GIRL is a small gem in MGM's crown and most definitely worth seeing.

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