Ladies In Love (1936)

Why so much hype?

Terrible acting, screenplay and direction.

I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Having rewatched "How to Marry a Millionaire" '53, recently, I was struck by how similar the plots of these movies are. In both films, we have 3 unrelated poor, but beautiful, single women who rent an upscale apartment together, rather than separate dingy apartments, in hopes that will suggest to their dates that they are better off than they are. Actually, between these films, there were several other films with the same basic plot, if differing in some details. This includes "Three Blind Mice" '38, "Moon Over Miami" '41, and "Three Little Girls in Blue", in which 3 sisters or other relatives, rather that unrelated women, are involved. Loretta Young, who is one of the women in this film, was also one of the women in "Three Blind Mice". Curiously, near the end of the present film, she was singing "Three Blind Mice". In addition, I just came across the '31 film "Three Girls Lost", which also includes Loretta(as well as John Wayne!) and, from the summary, sounds like it had a basically similar plot. Obviously, a popular plot to redo! ......Fortunately, Fox chose 3 charismatic beautiful actresses who are easy to tell apart at a glance. There is also a 4th girl(Simone Simon, as Marie) who worms her way into the relationship between wealthy John(Paul Lukas) and Constance Bennett(Yoli). Somehow, twice, she got into John's house to surprise John and Yoli when they arrived. Yoli doesn't want to go to South America, where John's business is about to take him, providing teenage Marie with an opening. John is quite hesitant, but eventually agrees, provide they marry before he goes. Yogi must find another wealthy prospect........Petite Janet Gaynor, as Martha, develops tenuous relationships with Don Ameche, as Dr. Rudi, and with Alan Mowbray, as magician Paul Sandor. Both are initially grouchy toward her, as she is an assistant to them. However, both eventually appreciate her company. But, apparently, Sandor said something that ticked her off, and she left him, going back to Rudi and his experimental rabbits. Martha would later become the victim of Susie's(Loretta) attempt to poison herself after losing handsome wealthy Karl(Tyrone Power) to his fiancé. Dr.Rudi was called to try to help resuscitate her, and this further cemented their attraction to each other. Not long after, they married. Martha had achieved at least part of her wish to snare a nice husband, who might not be very wealthy. By the way, Susie must have been kidding herself when, at the outset, she claimed she wasn't looking for a husband. She just wanted to run a hat shop. One look at Tyrone and she forgot about this claim! He escorted her to a few functions, not telling her that he was engaged to soon marry a countess(Virginia Field). Eventually, she found out, and tried to poison herself, only succeeding in poisoning Martha by mistake......The finale of the film is entirely too rushed! We know that Martha found her man, but what about the others? Martha mentions that Susie finally got her hat shop. But, how did this come about? Is she still looking? I think I heard Yoli mention a Ben, presumably Ben Horvath: a wealthy man she met at a party he gave. But, it would have been nice to confirm this suspicion, and detail the events leading up to this. Apparently, all were satisfied that they had accomplished their goal, as they simultaneously moved out of their apartment in a gay mood.

My husband and I watched this movie last night and really enjoyed it. The plot was intriguing and the acting was surprisingly superb, especially Janet Gaynor, Constance Bennett and Alan Mowbray as the magician. These three actors aren't as well known to modern audiences as Loretta Young, Tyrone Power and Paul Lukas; however, their performances in this film carry the film and give much greater depth and subtlety to the movie.We couldn't believe we had never heard of this movie before. I've read some of the more negative reviews on this website, and I don't agree with them. I recommend that you give this movie a try. It is most definitely NOT a screwball comedy or lightweight film like "Who Wants to Marry a Millionaire." One reviewer mentioned the "European" feel of the film. It is set in Budapest, Hungary and it is true to the mores of the place and time. An excellent movie! If for no other reason, please watch it so that you can better appreciate Alan Mowbray, who is so underused in "My Man Godfrey" and is not remembered much for his great supporting role as the butler in "Merrily We Live."

Although no one on this film got any closer to Budapest than the new 20th Century Fox studio's back lot, Ladies In Love is a nice romantic film about three women who agree to split the costs of an apartment in a swank Budapest neighborhood. The better for them to catch good husbands and the three go about to work.Janet Gaynor works as a lab assistant to Dr. Don Ameche who basically treats her like a doormat. She must like the idea because she then goes to work for egotistical magician Alan Mowbray as his assistant and general factotum. Mowbray is in a part that later on Clifton Webb would have specialized in.Loretta Young thinks she's found true love in Tyrone Power. But Power is a heel in this one and he's some kind of minor nobility. He trades up for Virginia Field who not only has title, but money. This was the role that made Darryl Zanuck decide that Power would be the franchise player of his new 20th Century Fox studio. Power would play a hero/heel in many of his films, but here he's a straight heel. Seventh billed in the cast list he got a lot of fan mail from this film that helped Zanuck in his evaluation.Constance Bennett is the oldest and most experienced of the three. She's got a thing going with another titled gent Paul Lukas. But one fine day a sly little minx from the country shows up in Simone Simon. She's supposed to be a teenager, but this girl is most mature in her wiles. She's got Lukas panting and wanting more.In the end one girl gets what she wants, the other two have to settle as they leave their apartment in the ritzy part of Budapest. A close call to tragedy also happens to one.Ladies In Love is a nice romantic film in which a whole cast gave a nice ensemble effort. Some futures were made because of this film.

Star-studded cast with three complete story lines make this tiny gem a fast-paced and absorbing flick. Bennett commands all her scenes with her trademarked regal assurance, Young does her gushing little girl routine, with one quick quip about being independent of men at the beginning, almost as if there was a coded assumption that she was a feminist at heart who had to be proved wrong by the overwhelming righteousness of patriarchal adherence to the masculine preferences inherent in the typical happy ending. Gaynor does her variation on Young's innocent routine, only mixing in the eager submissiveness of the thoroughly indoctrinated practitioner of standard femininity. The stories are set in Budapest, harnessed together by one of old Hollywood's most beloved artifices, the "three girls rooming together in poverty searching for husbands" plot. We are instantly thrown into the three romantic story lines, with the astonishing economy of old Hollywood that I fervently wish were still practiced today. Bennett is engaged in a open, sensible affair with Paul Lukas, and is showily worldly and cynical, while using subtle cues to clue us into the real state of her heart. Young has a storybook romance going with a young nobleman, played by the preternaturally handsome Power, who could have used a bit more screen time, or so many of us might wish. Gaynor is in love with a irascible, jealous control freak doctor, Ameche, but is discharged by him when she starts to work for the pompous, self-centered Alan Mowbray, who is a conceited magician and who does a wonderful character turn in the typically delightful Mowbray style, which is to say, as gay as pink ink on scented paper.I expected absolute fidelity to the standard Hollywood tropes and was pleasantly surprised to find the ending quite mixed. Young and Bennett reprise Young's comments about independence after being properly chastened by the absolute freedom enjoyed by the men in their lives, and Lukas is boldly tempted away from Bennett's side by Simon, playing a French schoolgirl who steals every scene she is in with her precocious grasp of the values of sexual audacity. There is a priceless moment, after she gets him to kiss her, a lingering kiss fraught with expectation and lacking in any visible restraint, where she looks at him in delight and barks a little laugh of knowing disdain and triumphant glee. Excellently put together and directed with great timing and sensitive performances, this film greatly exceeded my modest expectations.