The Farmer Takes a Wife (1935)

Best movie of this year hands down!

The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

One of the most extraordinary films you will see this year. Take that as you want.

By the time the dramatic fireworks start popping off, each one feels earned.

The Erie Canal is the setting for this delightful slice-of-life drama that involves the romance between the cook on a barge (Janet Gaynor) and the farmer (Henry Fonda) she falls in love with. She's the target of the volatile Charles Bickford's unwanted affections and suffers a ton in order to realize it's Fonda she is meant to be with. Bickford is one of the most despicable bullies in film history, a character so vile you might find yourself hissing at him. In addition to Fonda (his film debut here), a ton of character performers also appeared in that year's "Way Down East" which takes melodrama to an entirely different level. Margaret Hamilton plays a much nicer character here than she did in "Way Down East", the type you'd later expect Marjorie Main to be playing, sort of a thinner Tugboat Annie. Andy Devine and Slim Summerville also would go on to appear in that film as well. Not as bratty as her recent "Bright Eyes" terror, Jane Withers is still pretty feisty.Under Victor Fleming's tough direction, this is memorable for its boat race towards the end of the film and certainly a manly man's film. Fonda's character (which he originated on stage) is the archetype for practically every role he'd play, the quiet everyman who must step up to the plate and show that underneath his seemingly docile nature is a force of nature ready to explode when the bully pushes him too far. It is a far cry from its musical remake which almost seems like an entirely different story.

Charles Bickford plays a muscular canal worker who fights his way through a community who enjoy watching a fight. It's like being at school where pupils relish the prospect of watching a fight in the playground.Henry Fonda makes his film debut in this Victor Fleming directed offering. He enters the scene as a passive farmer with no presence or personality. Janet Gaynor plays a charming cook with a half smile that Fonda falls for.Andy Devine plays a supporting role as his usual self.The tension between Bickford and Fonda doesn't ring true. They are not a match of equals, nor do you believe that Fonda would win a fight with Bickford. The film should have started with Bickford beating Fonda in a fight, and then the rest of the film having Fonda evolve into a man and a equal that can challenge and win a fight with Bickford. Fonda didn't prove himself in this film, and it was obviously a vehicle for him to be launched into Hollywood.

"The Farmer Takes a Wife" is remembered as Henry Fonda's film debut. He had previously starred in this story as a Broadway play. Reportedly, when Fonda met this film's director (Victor Fleming) for the first time during pre-production, Fonda asked Fleming why so many scenes featured a woman named Dolly who never said anything. Fonda then showed Fleming a line in the shooting script: "Dan and Molly cross the field. Dolly with them." He didn't know that this refers to a camera's dolly shot!The film and play are based on a novel by Walter D Edmonds, who specialised in novels about the early history of the United States. Here, we're on the Erie Canal in 1853. For nearly 30 years, the river people have prospered from the canal, which enabled easy transport between New York City and the Great Lakes. But now the railroads are coming, and the river barges may become obsolete...This film splendidly conveys that transitional moment in history, with only a few historic errors (Amerindians in New York State didn't wear Sioux war bonnets) and a few awkward examples of phony prole dialogue: I doubt that anyone ever actually referred to Utica as "Yoot-ickey".Fonda and Janet Gaynor give excellent performances, with splendid chemistry between them. Slim Summerville gives an astonishingly nuanced performance, and even perennial scene-chewers Charles Bickford and Jane Withers are good here.Margaret Hamilton, who was in the Broadway play with Fonda, repeats her stage role here: for once, she portrays a sympathetic character. I never thought I'd describe Hamilton as "pretty", but in this movie -- wearing a frilly gingham frock and an elaborate hairstyle -- she seems almost attractive for once.SLIGHT SPOILERS. There's one wince-worthy scene in this film (it wasn't in the novel or the play) when the bargees meet touring actor Junius Brutus Booth and his 15-year-old son John Wilkes Booth. The boy reads a newspaper article about a rising politician named Abraham Lincoln, and vows to become just as famous one day. Here's the truth: although Junius Booth toured with his elder son Edwin, younger son John Wilkes was kept home in Virginia ... and this is one reason why, in adulthood, the embittered John Wilkes Booth was inspired to commit the assassination that would make him more famous than his brother and their father.I also cringed at a scene when Andy Devine calls out to Janet Gaynor and she asks who's there. (Their characters have already met.) Devine had one of the most distinctive (and most annoying) voices in Hollywood, so Gaynor shouldn't have to ask him to identify himself.My all-time favourite character actress, Eily Malyon, is seen here in a very brief role ... and she actually sings, for perhaps the only time in her long acting career.There are many delights in this movie; I only regret that this is one more film in which a man must prove his manhood by getting into a brawl. I'll rate 'The Farmer Takes a Wife' 9 out of 10.

Bucolic and slow-moving in the '30s Fox tradition, this comedy-drama from a mild Broadway hit preserves what was probably best about it--Henry Fonda, in his film debut--and adds some beautiful photography that may be back-lot but sure looks like the real Erie Canal in the 1850s, complete with morning haze, small-town unpaved streets, and modest canal skiffs. Not a lot happens as would-be farmer Fonda romances a proud Canal gal (Janet Gaynor, feistier and less goody-goody than usual), but it gets by on mood and a gallery of vivid supporting roles, ably handled by Charles Bickford, Slim Summerville, Andy Devine, Margaret Hamilton, and the appealingly un-cute child actress Jane Withers. Victor Fleming brought a lot of feeling to this, and Alfred Newman's scoring, for a change, isn't overemphatic. It's a lazy, outdoorsy movie that builds nicely to an unsurprising, satisfying conclusion.