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Texas Carnival

Texas Carnival (1951)

October. 05,1951
|
5.5
|
NR
| Comedy Music Romance

A Texas carnival showmen team is mistaken for a cattle baron and his sister.

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Redwarmin
1951/10/05

This movie is the proof that the world is becoming a sick and dumb place

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Jeanskynebu
1951/10/06

the audience applauded

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Tedfoldol
1951/10/07

everything you have heard about this movie is true.

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Zandra
1951/10/08

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

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Michael O'Keefe
1951/10/09

This musical comedy stars Red Skelton as Cornie, who teams with the ever attractive Esther Williams as his partner Debbie, who work a dunk tank at a carnival...not successfully. Cornie comes to the aid of an oil baron Dan Sabinas(Keenan Wynn), who has had too much to drink and takes a cab to Mexico before giving his car keys to the carnival worker. When Cornie tries to return the car to Dan's hotel, he is mistaken for the tycoon. This is when the fun really begins. Howard Keel plays Dan's ranch foreman; Texas CARNIVAL now becomes a legitimate musical. (At some point you will think this could have been just as good as a straight comedy). Others in the cast: Ann Miller, Tom Tully, Hans Conried, Thurston Hall and Glenn Strange. One of the highlights is a water ballet sequence. Ms. Williams couldn't look any finer.

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vincentlynch-moonoi
1951/10/10

I'm a tremendous fan of Red Skelton. And that's what it takes to get very excited about this film -- being a fan of Skelton, Esther Williams, or Howard Keel.Red Skelton does fine here. Enough slapstick to keep you interested. Esther Williams doesn't have a great swim routine until after mid-way through the film...although it's a nice one that is a sort of dream sequence with a lovely white flowing gown. Howard Keel's numbers are sort of hick-ish. Ann Miller is there, though I still don't understand what MGM saw in her...a horse of a woman that, in my view, wasn't that good a dancer. Keenan Wynn is sort of annoying here.The plot centers around two carnival sideshow workers who are mistaken for a rich Texan, but can't seem to get themselves out of the misunderstanding.The saving graces of the film include the aforementioned Williams swim routine (the only one in the film), the great drunk scene in the bar (no one was better at playing drunk than Red Skelton), and the chuck wagon race finale (which includes some pretty spectacular stunt riding).

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bkoganbing
1951/10/11

Esther Williams set on the MGM lot must have been in repair, maybe the pool needed a chlorine refill because none of the spectacular aquatic scenes associated with her films will be found in Texas Carnival. In fact this is really a Red Skelton film and the powers that be at MGM who always liked to keep their contract players working said do this film while we clean the pool.It's not the greatest Esther Williams or even Red Skelton film, but it does have an amusing moment or two. Red and Esther are working at a dunk tank in a cheap carnival when an inebriated Keenan Wynn shows up and through a combination of circumstances Williams and Skelton wind up going to a Texas resort being mistaken for Wynn and his sister Paula Raymond.They both find love and trouble at the resort with Williams taking a real liking to Howard Keel who is the foreman of Wynn's ranch and Red falling for the tap dancing sheriff's daughter in the person of Ann Miller. Red also by playing up to the big Texas cattle baron manages to lose $17,000.00 dollars in what the Texans just call a friendly game among millionaires.As I said Texas Carnival is clearly more Red's film than Esther's and he dominates with a hilarious chuck wagon race finale and one of his patented drunk scenes. What's interesting is that in this film Skelton had Keenan Wynn to contend with in the inebriation competition. Both of these guys have played incredible imbibing scenes in their respective films.In his memoirs Howard Keel says that Red Skelton was a comic genius, but so much so that his contemporaries had trouble keeping up with him. In that barroom scene with Keenan Wynn it took half a day to shoot because Wynn couldn't help breaking up at his performance.Don't look for too much aquatics in this Esther Williams film, but it's a not bad Red Skelton comedy.

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Neil Doyle
1951/10/12

How to get ESTHER WILLIAMS wet and still have an entertaining musical must have finally gotten to whomever dreamed up this lackluster, shoddy script for the MGM swimming star. She seldom dips a toe into the water and when she does her swimming scenes are brief.In fact, the whole story is told in little more than one hour and seventeen minutes--and even then, it's exasperating to watch so little happen. The story is the tired old mistaken identity theme taken to ridiculous heights by RED SKELTON, who's mistaken for an obnoxious and wealthy oil baron (KEENAN WYNN) at a luxury hotel with a deluxe size swimming pool. HOWARD KEEL ambles into the story via horseback singing just one of several unmemorable songs and is soon ogling Esther poolside in a manner designed to get her to take a dip (for the sake of her fans).ANN MILLER pops up to add some breezy Texas charm to the proceedings, but even her lively dance numbers lack the usual splash MGM gave to its production numbers. Esther is supposed to be a carnival girl who gets dumped into water by any man who can throw a curve ball--and she's hungry, or so we're told, to the point where she faints in the arms of Howard Keel who then chases her until she's caught. Esther has to be one of the healthiest gals ever supposed to be suffering from malnutrition that I've ever seen.The hazy plot plods along until the predictable ending with the stolen identity cleared up and Esther is ready to melt into Keel's arms--none too soon.Summing up: At least Esther had MILLION DOLLAR MERMAID in her future--but this is one where she's just killing time. Very unworthy vehicle for the swimming star par excellence.

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