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Jupiter's Darling

Jupiter's Darling (1955)

February. 18,1955
|
5.7
|
NR
| Adventure History Music Romance

Rome is on the verge of being conquered by Hannibal. While Rome's ruler, Fabius Maximus, plots a defense against Hannibal's armies, Fabius' fiancée, Amytis, is curious about the fearless conqueror. Amytis travels to Hannibal's camp just to get a look at him, but she ends up being captured. However, she is instantly smitten by the Carthaginian commander, so she tries to shift his attentions away from Rome -- and to her instead.

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Hellen
1955/02/18

I like the storyline of this show,it attract me so much

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Lawbolisted
1955/02/19

Powerful

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FeistyUpper
1955/02/20

If you don't like this, we can't be friends.

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Smartorhypo
1955/02/21

Highly Overrated But Still Good

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HotToastyRag
1955/02/22

Believe it or not, there's actually a song whose lyrics sing, "If this be slavery, then give me slavery. If this be slavery, I don't want to be free!" Not only did someone think to write it, but the song was given the green light by Hollywood producers, put into a film, performed by the dance duo Marge and Gower Champion, and not cut from the final film! That should give you an idea as to the quality of music featured in the Esther Williams vehicle Jupiter's Darling.Esther Williams is engaged to Roman leader George Sanders, but she's drawn to Howard Keel, who's made it his mission to attack and conquer Rome. It's quite a love triangle, because Howard Keel isn't the most likable guy ever written, but he sings powerfully seductive songs and even picks up and moves a real leopard guarding Esther's bed! My one question is why didn't George Sanders get any songs? He showed off his beautiful voice in Call Me Madam, but maybe Hollywood didn't want to give Howard Keel any competition-not that he'd really have any. He's clearly the manly macho one in the movie, and he's scantily dressed, giving audiences an up close and personal view of his macho manliness.Still, while Howard Keel is able to save a couple of songs in the movie, unless you're an Esther Williams fan, you probably won't end up renting this one. Underwater dancing is a very specialized talent, one that not everyone likes to watch. Then again, you might get a kick out of Richard Haydn sounding very much like his famous Caterpillar role from Alice in Wonderland. Or, you might enjoy looking at Howard Keel in a Greek warrior outfit that barely fits him. One more thing: This is a little criticism, but I do have it-there's a Marge and Gower Champion song performed alongside a couple of elephants, and I couldn't help but feel sorry for the animals. One was supposed to fall over and roll around, while the dancers make fun of it, but to me, it wasn't cute.

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atlasmb
1955/02/23

Unless someone tells you in advance that "Jupiter's Darling" is a spoof, you may be like me and wonder through the first part of the film exactly what you are watching. I thought it was a badly made "serious" musical. And I wonder if calling it a "spoof" forgives a film for its bad elements? Bad dancing. Stilted lyrics. Questionable artistic choices. Awkward moments. The beginning of this film is plagued with them. Once you take the film to be a spoof, some of them can be forgiven--IF you are sure that the silliness is intentional. I am not sure all of it is.When Esther Williams sings "I Had a Dream", you might be surprised to hear her sing. I was. Then I learned that it was dubbed by Jo Ann Greer. Good choice of singer, because it sounds like Esther's voice. Note that she sings while swimming. That's a little awkward. And then the number turns (appropriately) into a dream sequence. Even if you find the film less than excellent, it's a number that is interesting--filmed to give the illusion that it was done without coming up for air.Howard Keel, as Hannibal, is the romantic interest. He lends his booming voice to some silly lyrics. I had the recurring impression I was listening to The Grinch.Another interesting thing: the opening line of one song ("Don't Let This Night Get Away") sounded remarkably like the opening line of "A Woman in Love" from "Guys and Dolls", released the same year.Besides the underwater dance sequence I mentioned, there is another that is worth seeing for its uniqueness. Marge and Gower Champion sing "The Life of an Elephant" while dancing among elephants that perform tricks. Both sequences must have been tedious to film.One element that that I found superior throughout was the costuming.

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David T
1955/02/24

This film was a hoot! And for a spoof its humour was subtle (at times) and generally amusing.I just loved the opening splash screen - something along the lines of: "the year 216 BC Hannibal marched on Rome. The history of this great march has been confusing. This film will do nothing to clear it up" I giggled then and many more times throughout. Sad that it was a flop. If you want interesting aquatic action with wonderful Esther, then the first one is a cracker. The music, for me was pleasant and completely unmemorable. Loved it, made me smile for its self-indulgent silliness!The crowd scenes are impressive and the costumes impressive but the scene with the ballet dancing pachyderms was just too much. Damned shame Hannibal didn't appear naked in the river as he was gorgeous.

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Neil Doyle
1955/02/25

Even a good cast can't quite put this one over the top--elephants and all. The choreography is about as original as the score which includes not a single really memorable tune.Wasted in this nonsensical romp are Esther Williams and Howard Keel in the leads, both given only a few moments to shine. Esther does some interesting underwater swimming with statues that come to life and dives off a cliff with acrobatic skill. Keel struts around as Hannibal with energy and humor and even lifts his voice in song a few times, although the tunes are hardly worthy of his manly baritone.George Sanders, Richard Haydn, Norma Varden, William Demarest and Marge and Gower Champion are largely wasted and cannot overcome a script that is unintentionally funny even in serious moments. Uninspired direction from George Sidney is no help.Summing up: Attempt at originality utterly fails in this unusual Esther Williams film. The Champions have a truly wretched dance number with some elephants that takes up far too much time.

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