Half a Hero (1953)

So much average

it is finally so absorbing because it plays like a lyrical road odyssey that’s also a detective story.

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

MGM designs another 1953 B feature here. They put television director Don Weis behind the camera, and sitcom writer Max Schulman who would punch Dobie Gillis to write a forgettable script. One could only wish MGM got more committed to making a better film here.The cast here, while experienced is really not a lot of support, and that does not help this one. If you tune in for Red Skelton being funny, you get what you want out of this picture. Most of the cast is television actors. It feels like a summer vacation from TV movie.If you tune in looking for a classic film, this one is not even close.Splitting Diamonds is not the same as crop dusting, though both can be killers. The bad guys act like Ben Dobson (Red's) family. In the end the family all falls apart and breaks down while Red is still prepping to cut a large diamond.It is a hopeless tale with some humor.

Those who are expecting some of Red Skelton's more outlandish comedy routines will be somewhat disappointed in Half A Hero. In this film Red essays a role that just post World War II would have been offered to James Stewart. Who's to say this script wasn't seen by Stewart.Still he and Jean Hagen play a decent post war average couple with her doing the June Cleaver home making and Red working as a writer, or should I say rewriter at a magazine owned by Charles Dingle. One of my favorite character actors, Dingle is at his pompous tyrannical best as Skelton's boss who likes the fact that Skelton and Hagen live in a small New York City apartment and within their means. Listening to Dingle prattle on about that subject I could hear Lionel Barrymore as Mr. Potter talking about the merits of a thrifty working class.Anyway Skelton and Hagen do move to the suburbs and face the same problems a lot of post World War II young marrieds face, like my parents for instance. Dingle however wants an expose of these people who don't save who will turn the nation into a mass of suburban slums. Skelton tries to give him what he wants, but he's got his own ideas as well.The old and young Jimmy Stewart could have phoned in his performance if he had the lead in Half A Hero. Skelton does all right with the part even if it is offbeat casting. Outside of Dingle in the cast, the best performance is by Willard Waterman as a most unctuous real estate salesman.It's not typical Red Skelton, but it's more than all right.

Trite sitcom from director Don Weis and writer Max Schulman has Red Skelton cast as a harried husband and father over-his-head in trouble after his caustic spouse convinces him to move the family from New York City to the suburbs. As Skelton's wife, miscast Jean Hagen is all wrong for this scenario (she's so brittle, she makes poor Red look hen-pecked, deadly in a family comedy). Supporting cast (including Mary Wickes, Billie Bird, and Polly Bergen playing herself) is much more at ease with this kind of silly material; though, unfortunately, star Skelton isn't given very much to do. Extremely minor fare. *1/2 from ****

This is one of my favorite of the pre-60s comedies, up with It's a Mad, Mad, Mad, Mad World. Red Skelton gives one of his best performances, and the humour is still witty today in a naive sense.I also recommend Red Skelton's Public Pigeon #1!