Warriors (2003)

I like the storyline of this show,it attract me so much

I wanted to but couldn't!

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

The conflict in Kossovo serves as backdrop for this Spanish film. Directed by Daniel Calparsoro, whose "Asfalto" we recently saw, is an intense film that takes the viewer behind the horrible war in that part of Europe. How similar is the movie in comparison to the real events, we can't say, for sure.We are presented with a group of Spanish soldiers that are sent to restore electric power to a small town. As the group approaches the Serbian border, they encounter an unexpected turn of events as they are attacked by one of the factions and end up straying into a no man's land where no one is supposed to enter. The soldiers are faced with the horrors of a war they were just supposed to stay away from.Vidal, the daring soldier, is instrumental for getting them back in track after the Lt. Alonso suffers what appears to be a shock. Alonso turns out to show all signs of a coward when he is captured. It's only Vidal who at the start appears to be the one that wants to be sent home in order to avoid any confrontation; this young man proves to be a natural born leader who finds a way to get back after experiencing some tense moments in that forbidden zone.The best thing in the film is Eloy Azorin, a talented young actor who is perfect for the role of Vidal. Eduardo Noriega, an actor who has done better in other films, is quite a puzzle as the cowardly lieutenant. Ruben Ochandiano, Carla Perez and Jordi Vilches are seen as part of the platoon of Spanish soldiers.Daniel Calparsoro seems to be getting better and better all the time.

We often watch world conflicts on TV and think they could never occur in our own country: we're too civilized to surrender ourselves to such brutal behaviour. This thought is one of many that haunts a group of Spanish peacekeepers in the embattled Serbian province of Kosovo. The troops represent a spectrum of personalities: the pacifist, the trigger happy, the professional soldier, the UN translator with conflicting loyalties, the soldier who wants no part of somebody else's conflict and who just wants to go home. As they undertake their duties - rebuilding a Church, restoring electricity to a town - the conflict becomes their reality. They are swept into it, and far from being the placid observers & peacekeepers they think they ought to be, they now must fight for their own survival. They slowly begin to lose that veneer of civilization that they though only they possessed, the same patina these embattled locals once had, but lost long ago. The director based many of the stories on actual events as told to him by Spanish soldiers returning from the region. It is filmed in a very gripping and heavy way - drawing you into it all, along with the lost soldiers. It drew great acclaim at the Toronto International Film Festival, 2002. For those who followed (or survived) the events of the last decade in the Balkans, it is a stark and honest portrayal that will leave many re-thinking the versions they may have formulated in their own minds, reading newspapers and watching TV, comfortable, in their own very civilized, and very insular, homes

I don't know if directors, screen players or others in the team ever go to analyze the culture of one nation before recording a movie, which has to do with the part of new world history. KFOR troops suffered first victim in 2001, in an accident shooting, and fact is that KLA has never attacked NATO troops, they were allies. Every movie that describes history in a wrong way is to be judged. I have seen the movie out of curiosity, but this production is far far away from qualitative movie. My tip for directors is: before you shoot a movie, analyze the culture of the people first... On the other hand, KFOR soldiers were not positioned in mountains and rural areas of Kosovo, they were positioned in towns, villages and populated areas. Serb soldiers have fled Kosovo one week after KFOR troops marched. If you make a movie just to show the action, then don't use someone else suffering to create so called art, but create a fiction story, don't mess with people feelings, or on the other hand, gather facts and then create a realistic movie, what has happened... but it looks like Spanish troops in Kosovo were partying more than others, and have done a movie just to show how "brave" they are.... pity, shame for world cinematography... Spain is not for action, I say stick with Almodavar

There has never been, or at least not in the recent years, a Spanish movie like this one. We are used to certain personal dramas (like Almodovar) or chilling thrillers (like Amenabar´s "Thesis" or "The Others"). In Guerreros, everything turns around the remains of Kosovo´s war and a group of Spanish soldiers that were sent there in a humanitary mission to take control of the situation. Calparsoro discovers us that, in the so-many-times-seen field of war, what it is really important is every man´s personal feelings.Guerreros is not only a war film. It goes further more than shots, blood or explosions to show us deep inside every soldier´s problems and reactions. You won´t find special effects (like in "Black Hawk Down") but you´ll really suffer as the movie goes on. And you will see how each character evolutionates according to what he sees or feels.I don´t want to spoil anything from the movie, so I won´t tell any more. If you like war movies, you shouldn´t miss this one. Probably, it will make you think and discover other points of view in a war.