Captive (1986)

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

The acting is good, and the firecracker script has some excellent ideas.

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

A surprisingly svelte Oliver Reed stars in this bizarro, artsy thriller from cinema renaissance man Paul Mayersberg. Reed plays Gregory La Vey (any relation to Anton?), the moneyed father of poor little rich girl Rowena (Irina Brook, who is easy to look at but not so easy to believe as an actress). When Rowena wanders out onto the palatial grounds of her estate one misty moisty night, she's kidnapped by three villains who appear to be dressed for the village panto or university rag week. The threesome then subject Rowena to a series of 'ego-stripping' exercises, including sensory deprivation, exposure to white noise, and waterboarding. Forget the panto--this lot should be working for George Bush's Department of Justice! Pretty soon she does a Patty Hearst and starts taking naked baths with her captors. There are echoes here of the over-egged grandiosity of Merry Christmas Mr. Lawrence, which Mayersberg wrote for director Nagisa Oshima, including a morose Sinead O'Connor song in place of David Sylvian's Forbidden Colours, and a lot of operatic interludes. Captive lacks the powerhouse performances that made Mr. Lawrence a success, but it's still a unique, fascinating and occasionally disquieting viewing experience. There's also enough good photographic work here from DoP Mike Southon (Paperhouse, Ken Russell's Gothic) to justify a DVD release at some point.

This film is a moderately chilling suspense film. It is also an apt illustration of the psychology behind kidnapping and yet the thing that sticks out for me still to this day is the haunting soundtrack.This was provided by U2's Dave Evans ( The Edge) and a brief appearance on one track by yet unknown in the states Sinead O'Conner. Very nice work by Evans at complimenting the various mood swings of a psychological thriller.The filmmaker takes time to carefully light this film and the music follows as a synchronized back-drop. In true minimalist fashion Evans accompanies moments of poignancy with stripped, warm guitar tones and builds tension with true late 80's keyboard and tribal drum infusion.U2 was still freshly blazing their trail across the American consciousness and this side-bar by the Edge was intriguingly welcomed by close fans. Much like Tangerine Dream's colorful sound-scape for Risky Business and the Chicago Loop's El trains, this soundtrack seems in touch with the over-all mood of the piece and not to personally connected to character. This is as it should be. The movie musical may devote a theme song to every character but the score, the sonic back-drop, should simply over- and under-shadow the flow of moments. The musician who scores a film has this concern, even to the point of deciding when not to include music at all. This soundtrack is available and worth revisiting.

I didn't get this movie, even after the end. This movie is about a lady that lives with her rich father and hates him because of the way he treats her and the fact that he doesn't understand her. She then is kidnapped by two lovers and a Japanese man that listen in on her conversations and look through her window. Why they kidnapped her I have no idea except for the fact that her father is rich. She is tortured and soon becomes brainwashed into believeing the fact that her father does not care if she is missing even after viewing news coverage about him looking for her and offering a reward for her return. As time passes, the lady cares less and less of her chances of returning home and desides to stay and live with the kidnappers and falls in love with the Japanese man. they teach her how to rob banks and kill. This part becomes corney to the sight of seeing her from being rich to robbing banks. Eventually the police come looking for them and she is then caught and put into prison for two years. Her father tries to frre her and takes her back home but she still does not love him. I will not reviel the ending but it leaves you with a "oh, thats it". sence of feeling. This movie is boring, dull and slow.

Basically,this is a variation on the Patty Hearst story set in England.It even opens with a shot of a castle where the rich girl lives with her rich father.After around 20 minutes,the rich girl gets kidnapped by three bizarros in strange costumes,and is subjected to all kinds of mental and sexual torture in order to brainwash her.There's also an operatic score to liven things up.In my opinion,this is one of the stupidest movies Oliver Reed ever made.