Skellig (2009)

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Memorable, crazy movie

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

The acting in this movie is really good.

As far as children's fantasy films go, "Skellig" is excellent. One of the best ever, in fact. Unlike a lot of other such adaptations to come out in the past few years, this film is never overwhelmed by special effects or action sequences. Rather, it's quite grounded in reality as natural feeling. There's that certain combination of improbability and cinematic style that always keeps it from being an experience that transcends the genre, but that comes with the territory.Bill Milner (as Michael), who I'd seen previously in "Is Anybody There?" is what focuses the film. He offers up a performance that's at once easy to identify with and totally believable. Skye Bennett, who played his friend, was also very good. She has the kind of brilliance that makes you look forward to seeing more of her. Two actors I'd previously liked a lot (Kelly Macdonald and John Simm) play Michael's parents. Though less significant roles, it's their talent that makes the family aspect of the film so much more convincing.As for Tim Roth - he is what it all hinges on. The melancholy, fearfulness, emotional expression and power of his performance gives "Skellig" something beyond expectation. He takes the film to a higher level. The director, Annabel Jankel, who'd not previously made anything approaching decent quality, proves herself to be someone capable of telling a good story. I enjoyed this film, and I'd show it to my kids.If I had any.

A beautiful and compelling movie...I read the book when I was fourteen years old and never forgot it, in fact I loved it so much that I was determined to make a movie after it. Sadly this version was made first, but I'm not angry for it is truly a worthy adaption, I only wish it played in the cinema. Most kid movies nowadays are filled with rot and trash, this film however is packed with good morals and deep characters.A must see for fans of the book and certainly for any child around or adult for that matter. David Almond should be proud and I hope this film moves into the public's eye, cause a better kids movie I have yet to watch. The graphics are perfect and the book to screenplay format works wonderfully. Tim Roth does an excellent job, who would have thought Ted the bellhop/Mr Orange could have acted as an angel/bird, well the awesome Taurus pulled his weight and shines. The children also are great, in fact the cast and crew together made an amazing film!100 out 10

Unfortunately at present there isn't the function to give a rating for Skellig due to it's current status on IMDb, but if there was one I would rate it 10/10.I saw Skellig on Sky One last night, and although it was a little on the long side I thoroughly enjoyed it from start to finish.Tim Roth was brilliant as Skellig, and he captured the character brilliantly, keeping me interested throughout, which is a hard thing to do these days concerning the amount of rubbish on television at present.If you missed the airing on Sky One, then definitely find a way to watch this - it was rather unfair for those who do not have Sky and are left with only Freeview, but if all the others watching it enjoyed it as much as myself, I am sure it will soon be out on DVD.Definitely worth seeing whether you remember the book coming out like myself, or whether you're a young person looking for something compelling to watch.

Skellig was one of my childhood books and it has stuck with ever since I was 10 years old (at my school there were two camps for a little while, the Chamber of Secrets camp and the Skellig camp, I was in the latter). I was always sure that in the right hands it could translate into a great film, but was never sure who's hands those were.My mind certainly didn't ever even consider Annabel Jankel, especially after she aided in the insulting filmic version of one of my other childhood loves (Super Mario Bros.). But, all in all, I was very impressed. Casting was near perfection, especially Tim Roth and John Simm, relative newcomer Skye Bennett also did very well in what was probably the most difficult role of them all (Mina). Kelly Macdonald was also on good form as the mother, however she didn't get nearly enough face time and a good few of her better moments from the book were omitted.Luckily that and an amusing moment involved Michael's father desperately searching for the missing aspirin while in the grip of a hangover were the only parts cut from the tale. The ending felt a bit more blatant than it had been in the book, I would've like the 'dancing' scene and Skellig's curing of the baby to have felt more distant and dreamlike as they did in the novel. Still, Skellig himself looked fantastic and the production team did well to steer clear of the temptation of religious iconography, it was as David Almond likely intended it, a heartwarming tale of love, intrigue, the natural and the supernatural. All of those ideas translated perfectly, and I'm glad to see Skellig maintained his ever entertaining penchant for brown ale and 27 and 53.