Flavia the Heretic (1977)

Waste of time

The greatest movie ever made..!

People are voting emotionally.

While it doesn't offer any answers, it both thrills and makes you think.

One of the more notorious films to come out of the 'nunsploitation' sub- genre, Flavia the Heretic is certainly a curious oddity, obeying the traditions of the genre with titillation and torture, while at the same time producing moments of art, exploring themes such as feminism, religion and sex. It tells the story of a 14-century nun, Flavia Gaetani (Florinda Bolkan), who after being placed into the church by her overbearing father, embarks on a journey through a world dominated by men. She witnesses one of her fellow nuns being brutally tortured after losing her way during a visit from the 'tarantula sect', sees rape at the hands of powerful men, and is even captured and whipped by her own father.After the Moslems invade, Flavia falls in love with one of their leaders Ahmed (Anthony Higgins) and the two start a love affair. Returning to her convent, Flavia, with a band of Moslem warriors behind her, wreaks revenge on all those who have wronged her and succumbs to an orgy of sex and violence. It is here, within the last forty minutes where the film certainly ignites the interest. The juxtaposition of sexual violence (which includes male rape and sex with swords) with the violence is quite disturbing in the same way as Pasolini's Salo (1975) was, but came out the year before. Pasolini's controversial movie is by far a better film, but Flavia did surprise me with its world cinema attitude and scenes of almost avant-garde strangeness (a naked woman crawls inside a hanging animal carcass as the violence explodes around her).Although I would say it is unfair to label this as simply 'exploitation', the film does succumb to the Grindhouse audiences desire for cheap thrills. The endless array of 1970's flesh does become tiresome in the first half, where the events that are supposed to be developing Flavia's feelings of injustice come across as nothing more as an excuse to get more tits on the screen. This causes the majority of the first film to be extremely slow-moving and often quite tiresome. Yet overall, when you peel back the layers of exploitation, there is an interesting movie beneath that does a lot with its apparent small budget, just as long as you can stomach scenes of sexual mutilation and human skinning.www.the-wrath-of-blog.blogspot.com

"Flavia, la monaca muslmana" aka. "Flavia the Heretic" of 1974 is a truly disturbing and uncompromising piece of Italian Exploitation cinema that, to a certain extent, follows a somewhat feminist premise (though the level of sleaze and brutality would probably disgust the majority of feminists). Set mostly in a convent, and with a nun as the eponymous central protagonist (great performance by the wonderful Florinda Bolkan), "Flavia the Heretic" may be referred to as a 'Nunsploitation' film. However, this film differs quite drastically from the typical Nunsploitation flicks from the time, as it doesn't so much focus on the nunsploitation elements such as lesbianism, sadistic lesbian punishments, etc. Personally, I saw more similarities to the Hexploitation flicks of the time, such as "Mark of The Devil", (even though this one doesn't treat the topic of witch-hunts), which focus on the brutal execution of Christian fundamentalism in the middle ages and early modern period.Italy around 1600: After witnessing her despotic father behead a wounded Muslim soldier, young Flavia is forced to become a nun in a convent. When her father condemns a fellow nun to a torturous death for a small misdemeanor years later, Falvia's disgust with male violence against women turns into hatred against the despotic church, and she joins a band of Arabic scavengers...One thing is for sure, "Flavia the Heretic" is not for the faint-hearted, and neither is it for those who want happy endings. Director Gianfranco Mingozzi obviously tried to make his film as realistic and disturbing as possible, especially in its nasty scenes. The many torture- and execution-scenes are extremely disturbing, with skinnings, spikings and other gruesome scenes in explicit detail, the most shocking scene probably being the torture of the young nun quite in the beginning of the film. The violence here is never superfluous, however. After all, this gruesome methods actually were reality in the time the film is set in. The film is very well-made, with realistic costumes, fantastic settings an elegant cinematography and a great score by Nicola Piovani. The stunningly beautiful and great Florinda Bolkan has proved her talent in many great Italian cult-productions (including Lucio Fulci's Giallo-masterpiece "Non Si Sevizia Un Paperino" of 1972). She delivers another great, charismatic performance here, and I couldn't imagine another actress fitting as well in the role as she does. The film has some minor inconsistencies (E.g. why does the rigid church let bizarre cult-followers into convents in the first place). However, it is overall amazing how realistic this film is. "Flavia the Heretic" should definitely not be missed by my fellow fans of Italian Exploitation Cinema. This is a great Exploitation flick overall, though it definitely is a deeply depressing one and therefore should be watched in the right mood. Highly recommended to fans of disturbing exploitation cinema. 7.5/10

Too many sources routinely lump this thought-provoking period drama in part based on historical fact together with the superficially similar "nunsploitation" which was a mainstay in '70s Euro trash cinema, overlooking the righteous anger that drives the whole endeavor. Perhaps coincidentally it was also director Gianfranco Mingozzi's singular attempt at narrative film-making outside of many well-received documentaries.Safely set within a historical context, FLAVIA charts the growing rebellion of an early 15th century Italian nun (Florinda Bolkan's career performance, even surpassing her sterling work in Lucio Fulci's devastating DON'T TORTURE A DUCKLING), locked away in convent by her not so nobleman father in a desperate attempt to curb the girl's budding sensuous nature. Wondering why women are relegated to secondary roles at best in life as in holy scripture, she is confronted by ways in which male domination can rupture female lives, inspiring revolt fueled by the ranting of semi-crazed older Sister Agatha (indelibly portrayed by veteran actress Maria Casarès from Marcel Carné's LES ENFANTS DU PARADIS) and - more constructively - by a Muslim invasion. Joining the oppressors and perhaps unwittingly manipulating them to do her bidding, Flavia truly becomes the outcast she already felt herself to be, with expected tragic results.With its breathtaking widescreen compositions by Alfio Contini, who shot Michelangelo Antonioni's ZABRISKIE POINT, this is an uncompromising and austere account of one woman's fierce yet ultimately futile fight against patriarchal society which allotted her no rights beyond childbearing or whoring as Sister Agatha wryly remarks. A lengthy drug-induced fantasy sequence clearly modeled on Ken Russell's otherwise far more flamboyant DEVILS notwithstanding, the movie turns out relatively stingy in the skin department, making something of a mockery out of its semi-porn reputation. This is a serious work deserving rediscovery and restoration of its unjustly tarnished reputation.

(aka: FLAVIA THE HERETIC)Finally Synapse releases the full, uncut version with the sex, torture and nudity intact. This is supposed to be the ultimate 'nuns in hell' movie, so it deserved a definitive version.In the 15th Century, Flavia is sent to a convent by her evil father in order to cleanse her soul. She questions why the rules are the way they are and why men have to be in charge of everything. She also questions why nuns are routinely tortured for even the slightest of transgressions.For instance, in a truly repellant scene, they dip cups of black tar on the stomach and breast of one nun and then cut her burned nipple off. Flavia can't stand any of this so she runs away with a local Jew who is an overseer of her father's dowry to the church. They are quickly caught and sent back to be punished. Flavia gets flogged with a whip while her Jewish companion is held in a dungeon with chains.Then Flavia takes up with a Moslem commander after an attack on a coastal church, thereby guaranteeing her revenge on the convent. The Moslems rape and pillage the nuns, leaving all of them dead except for Flavia. She also stands by while the Moslems push her father down a hole leading into the torture chamber they used to routinely punished the nuns. The scene where the blond woman climbs into a cow's carcass is classic, although I think Pier Paolo Pasolini did something similar to that in one of his films. No? In the end, her Moslem lover leaves her behind because she is disobedient, leaving her to her fate at the hands of the surviving Christians who torture her in an obscene manner. You the viewer will have to see it for yourself.The film does have it's flaws, however. The pace is a little slow-going at times and the battle scenes between the Christians and the Moslems looks amateurish. The Synapse DVD has an interview with Florinda Bolkan concerning her views on feminism and the making of this film. She's aged quite a bit in the last 25 years, although I think she was already in her mid-30s when she made this film.6 out of 10 for showing some originality in the nun genre.