Cut and Run (1986)

I love this movie so much

Good concept, poorly executed.

It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...

Exactly the movie you think it is, but not the movie you want it to be.

So, this is it: the finally of Ruggero Deodattos „Amazonia"- (better known as „Cannibal")-trilogy. Almost needless to say that "Cut and Run" in no way lives up to the standards of the infamous "Cannibal Holocaust" but then again, I dare say that no other movie has achieved that to date.Apart from some very gory scenes of carnage and mayhem (decapitations, gutting and a man being ripped into half), the location, Deodattos misogyny and condescending attitude towards the indigenous crew, "Cut and Run" and "Cannibal Holocaust" haven't got much in common. The later is a hardcore horror-film, containing what some have termed "animal snuff", yet actually had a deeper meaning, that criticized the 1970's Mondo-genre (exploitive and often partially faked pseudo-documentaries) and the Medias attitude toward what they considered primitive cultures."Cut and Run" is a more straight action-thriller about a surviving Jonestown leader Colonel Horn (Richard Lynch) who, with the help of an Indio tribe, rips off American cocaine smugglers in the Amazon and a couple of journalists (Lisa Blount and Leonard Mann) out to interview Horn and rescue the missing son of their producer (Willie Ames).What speaks for the film (apart from the rather heavy violence and gore, presuming this is your thing and the reason to come across "Cut and Run" in the first place) is a very hostile, depressing, even misanthropic atmosphere. This is another thing that "Cut and Run" and "Cannibal Holocaust" have in common. Lynch, as a mix between insane Reverend Jones and drug-peddling General Kurtz, plays the role he has been born to play; same goes for Michael Berryman, who plays a psychopathic killer-Indio; albeit, both only have a few minutes of screen-time. John Steiner is a sadistic, sneering drug-runner, nothing we didn't come to expect from Steiner there. The rest of the are bit-players who go through the motions, trying hard not to embarrass themselves or, like in the case of Karen Black, aren't given much to work with.If at all possible, Deodatto managed to make the local Indios look even more ape-like than in "Cannibal Holocaust". The grimace, rape and hop from tree to tree, one is instinctively reminded of the sub-humans in Ralph Bakshi pre-stone-age cartoon "Fire and Ice". Like a participant in "Cannibal Holocaust" said: "Deodatto killed apes, turtles and iguanas, but he treated the animals with more respect than he did the natives." Five points from ten – that's one for Lynch, one for Berryman, one for the atmosphere and two for the gore-content and special-effects.And, on a ps-note, watch out for a very young Eric La Salle ("Coming to America", here playing a jive-talking', purple fedora-wearing pimp which, we had presumed, had died out with 1970's blaxploitation film) and try not to watch out for Hugo Weaving in an extra-role – he's nowhere to be found in "Cut and Run"; his participation is an urban legend.

Well, he was in this anyways. But, he was awful in a over-the-top cheesy way, so some of you may find it funny. I did a little, but it was pretty awful.My second venture into Deodato territory was an equally as entertaining movie as Cannibal Holocaust. Not as good or as important as CH, but it moved at a action movie pace, had plenty of violence and some nice gore. The story revolves around a tag team news reporter and camera man who are set on finding a so-called dead man who is supposedly in charge of some big time cocaine action. A side story involves a young Willie Aames who is attempting to get out of Rio Negro aka Cocaine Central aka where the bad guys are, all the while his Daddy, who is the boss of the New Tag Team, is stressing to no ends and wants his boy back and out of harm's way. Not sure if they were both initially connected, but it seemed to workout pretty smoothly.After watching Cannibal Holocaust I immediately realized that Deodato isn't just some exploitative bum who just films disturbing imagery and wants to shock the audience. I noticed in CH that he shows a fine eye in making a scene more compelling, powerful or just plain more attractive. Maybe I'm only saying this because I've only seen two lush-looking jungle movies made by him, but when he shows a corpse on scene, it just seems a little more "dead". Anyways, what I mean to say is that he's turning into one of my favorite directors and I can't wait to see another Ruggero Deodato film. To back up Deodato you've also got a pretty nice supporting cast including the beautiful Valentina Forte, a hammy Willie Aames, and a rambo-esquire Michael Berryman.From the dangers of the jungle, to the dart-blowing tribesmen, to a couple different lead baddies, this movie seriously brings a plethora of violent entertainment to the table. Cut and Run really surprised me in the end, and it should really be a cult-classic among the masses, but unfortunately it probably won't be anytime soon. Here's hoping.

Cut and Run is one of Deodato's strangest films due to the bizarre mix of genres. The film balances horror, action and adventure elements with gritty cocaine smuggling and hostage situation subplots. There is even an Apocalypse Now inspired crazy Colonel living with natives in the jungle. To say that the film bites off more than it can chew is an understatement, but that the fact that the film works at all is a great testament to Deodato's unique talent.There is little point passing comment on the film's plot because it virtually makes no sense. There is, for example, no explanation at how the Indian killings in the Amazon jungle simultaneously take place in Miami and the entire subplot involving Colonel Horne remains a mystery. The jumbled plot does have the advantage of giving Deodato the opportunity to dabble in different genres and he shows yet again why he is such an underrated filmmaker. Deodato's direction is technically brilliant and he brings his usual sense of flair to the film's action and horror set pieces. The dramatic moments are less successfully handled and unusually for a Deodato film, some sentimentality creeps in towards the end of the film.The film really picks up every time the Indians attack. Horror fans might be annoyed by the infrequency of the gore, but when the killings do occur, Deodato does not disappoint. There are beheadings, spears through the neck, darts in the neck and one of Deodato's best ever deaths when a man is literally ripped limb from limb (according to Deodato, inspired by the Vietcong). Part of the fun is watching legendary genre actor Michael Berryman camping it up as a demented Indian. He has several great moments in what is one of his more memorable roles. The other actors are also pretty good. Lisa Blount makes an impression as Fran and Richard Lynch always does a good job of acting crazy, making a perfect Colonel Horne.Also worth a mention are Claudio Simonetti's great synth score and the beautiful photography of the jungle landscape (Venezuela doubling for Colombia). Fans of Deodato should check out the accompanying "Uncut and Run" documentary in which Deodato rather amusingly talks about the shoot, stealing Wes Craven's job as the director and even bluntly says which actors he did not enjoy working with. Cut and Run might lack cohesion but it remains a highly enjoyable minor work from a truly great director.

Not a cannibal in sight in this jungle, but that doesn't keep the almighty Rugero Deodato from making another nasty action movie, largely set in sweltering swamps and amidst brutal savages. The plot is weak compared to "Cannibal Holocaust" and a lot less shocking, but the action is merciless and exclusively meant for people with a strong stomach. Two journalists, specialized in drug stories, go on a jungle mission to unravel a network of drug transportation, led by a pivot figure who presumable died a couple of years earlier. Meanwhile, they also have to search for the son of a media tycoon who was kidnapped and hold prisoner in the same jungle. This is pure exploitation-gold with an excellent score, ingenious camera-work and very raw editing. Michael Berryman, the creep from "The Hills Have Eyes", has a staggering supportive role as – surprise, surprise – an insane madman. Don't bother too much about the lame acting and many plot holes, this is undemanding but fun stuff!