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12

12 (2007)

November. 11,2007
|
7.6
|
PG-13
| Drama Crime Mystery

A loose remake of “12 Angry Men”, “12” is set in contemporary Moscow where 12 very different men must unanimously decide the fate of a young Chechen accused of murdering his step-father, a Russian army officer. Consigned to a makeshift jury room in a school gymnasium, one by one each man takes center stage to confront, connect, and confess while the accused awaits a verdict and revisits his heartbreaking journey through war in flashbacks.

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Reviews

Lucybespro
2007/11/11

It is a performances centric movie

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Odelecol
2007/11/12

Pretty good movie overall. First half was nothing special but it got better as it went along.

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ThedevilChoose
2007/11/13

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

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Hayden Kane
2007/11/14

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

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Syl
2007/11/15

Even though, it's a loosely based version of the play, 12 Angry Men. The film is about 12 Russian male jurors who decide the fate of a Chechyen orphan who is accused of killing his stepfather, a Russian soldier and officer. Anyway, the film is done quite well with a fantastic cast of actors who each take a turn in defending their guilty to not guilty decision on the basis of the boy. Each actor takes a dramatic turn and we learn about their reasoning and rationale for their decision. It's a fascinating portrait and study of the Russian judicial system and an event such as the Chechyen War conflict which I don't know much about except from the film that it's bloody, dangerous, and unforgiving hell. The boy and the jurors aren't given names but each possess great performances in dramatic film. This Russian film is terrific and was nominated for the Academy Award for foreign language film. I wonder who it lost too because it's a great film and worth watching.

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imxo
2007/11/16

I found this movie to be a theatrical feast, but with a couple of nagging annoyances.I want to get the annoying parts off my chest first, because chronologically that's how I encountered the movie. It seems to me that Russians have never mastered the art of sound mixing. Whether in old Soviet films or in this modern Russian one, there is always something not quite right with the sound.As the film began I found that the background noises were much louder than the speech of the actors. The sounds of doors slamming, children yelling, workers working, and so on were loud and clear, but the actors' voices were practically whispers in that maelstrom. I don't know why that is. Could it be only in the foreign, sub-titled version of the film? I don't see complaints about the sound levels from anyone else, but I'm pretty sure it's not just me. I desperately wanted to listen to the Russian dialog, but the low audio level of the voices forced me to read the sub-titles throughout most of the film. It was a bit like walking with a small stone in my shoe.Not having seen the "12 Angry Men" movie on which this current film was based, I was forced to accept "12" on its own merits. Thus, I experienced this film not as a remake of a previous movie, but as a filmed a stage play with phenomenal actors. Perhaps as a result, I unequivocally enjoyed this acting extravaganza. There may have been some occasional carpet chewing, but overall the performances were astounding. I certainly wish the IMDb list of players had more information about who played which role and had more biographical information about the individual actors. Perhaps someone familiar with Russian films and actors could throw more light on the matter. Much the same criticism, of course, could apply to IMDb's level of information on foreign films in general.Frankly, I didn't take the matter of the guilt or innocence of the "accused" very seriously. With all the theorizing the jurors were doing, and with the serious lack of real information for us in the audience, there was absolutely no way to determine real guilt or innocence. If anything, the flashback scenes were more confusing than enlightening. So, as far as I was concerned, it was the jurors, particularly the "Great Russians" among them - who were at the center of the film. Watching their "paralysis by analysis" was the real treat, irrespective of whether they reached the right conclusion in the end. As far as that conclusion is concerned, I have no idea what Mikhalkov means by it. His own screen character was obviously implying that he has a unique insight into things, intimating that perhaps he had been at one time in the KGB, GRU, or had been a member of some other allegedly all-knowing organization? Frankly, this was a bit off-putting and seemed to imply that the State and its workers knew things that the average citizen just hadn't a need to know. In any event, despite having a relatively modest role for most of the film, at the end Mikhalkov came a little too much to the fore for my taste. I'd be very happy to read a Russian reviewer's explanation of Mikhalkov's character.A word or two about the depiction of Chechens. The music, dancing, and overwhelming maleness of Chechen culture were solidly, if briefly, presented. One certainly cannot stereotype all Chechen men as being similar to the Chechen fighters depicted in this film, but the characterization of those fighters was phenomenal. In this film the Chechens fighters' raw power to intimidate, threaten, and attack their enemies those was palpable. I'm aware that even Alexander Solzhenitsyn praised the indomitable culture of Chechens in the Gulag. They just never, ever, yielded to the Soviets.So, I rate this film very highly. Perhaps I'm missing the film's more subtle propaganda that some here have mentioned, but that's something I can continue to think more about. I highly recommend "12."

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milchenko88
2007/11/17

The film overall is a Modern Russian Masterpiece. There are no other films like it in Russia, that what makes it unique. Mihalkov wanted to do this film all his life.But of course to understand it fully, you need to know the actors, how they play in other films, their style, Mihalkov just gave them the script and the rest they did themselves. The director let them loose sort of speak. For those who know Makovetskiy, Yefremov, Gaft, Stoyanov, will understand what I mean.Pure emotion lifted me up after about 15 min into the film and never left until about 2 days after the film :) I wouldn't compare it to 12 angry men... "12" is a Russian film, with Russian spirit, but for everyone in the world to see and feel and realise what the director wanted you to.Watch it, you will think about "life", kindness, yourself and others.

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wondercritic
2007/11/18

This is a masterpiece. The beauty of the film is in its simplicity. Almost the whole thing takes place in a high school gymnasium, around a long table around which the twelve jurors sit. Every performance is superb, including that of the director, who plays the foreman, and Sergei Garmash as the cab driver juror. The screenplay follows the tortuous deliberations, in which every juror has at least one soliloquy. Excellent camera-work and lighting augment the heavy drama.It is more likely in Russia today that twelve whites would end up forming a jury, although less so that no women would be serving. Director Nikita Mikhalkov evidently chose to remain faithful that much to the American movie on which his is based, Twelve Angry Men. One wonders whether it might have been more interesting with women jurors contributing their anguish to the picture, and since this version is simply titled 12, the possibility of including a woman or two (as would be realistic in this day and age) was presumably open. Also, the film is not realistic in the sense that Russia does not have a jury system, therefore this situation would not arise in real life. What Mikhalkov was probably trying to do was to create a morality play, and this he does magnificently. These criticisms are therefore minor. This is a wonderful piece of work.As the film is starting, for those who know Russian, one sees the logo of "Patriotic Films." This may cause groans among those who know more about Russia. Patriotic Russians today seem reactionary and defensive to many Westerners. But Mikhalkov does not dance around the sensitive race issue at the core of the plot, a Chechen boy accused of murdering his stepfather, a Russian military officer, and facing life in prison. Mikhalkov's main interest really is in truth, justice and honesty. The idea of these qualities as components of "patriotism" actually lies at the core of this story, and it is brilliantly executed. By the end, if you can suppress cynicism and believe that this many men of conscience could assemble in one place in Russia today, you will be moved to tears. This is a major achievement.

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