The Cycle Savages (1969)

For all the hype it got I was expecting a lot more!

Admirable film.

Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

Released in 1969, "The Cycle Savages" starts off like it might be a decent cheap biker flick in the manner of, say, "Angel Unchained" (1970). The opening credits sequence is effective and the pre-heavy metal rock theme is simple, but enjoyable, particularly the energetic percussion. On top of this, Bruce Dern is effective as Keeg, the ee-vil leader of Hell's Chosen Few, Chris Robinson is solid as the courageous protagonist and there are a few quality gals -- Dern's brunette babe, Sandy (Maray Ayres), and two blonds, Lea and Janie (Melody Patterson and Karen Ciral). It's also cool to check out the late 60's California locations.Unfortunately these are the only good things I can say about this flick. The plot is really really DUMB; like it was conjured up by a 12 year-old. It involves Keeg getting upset over a sketch artist for making drawings of his gang in wild revelry. Apparently, Keeg believes the sketches can be used to convict him and his gang (Why sure!). The dialogue and acting are just as bad. At one point they put the artist's hands in a vice, threatening to crush them, but it's clear that he can remove his hands at any time.BOTTOM LINE: I can't tell you how awful this "film" is. At least a cheapo biker flick like "The Tormentors" is entertaining and has a semi-interesting story, but "The Cycle Savages" can't even do that. It's only worthwhile for a few good-looking late 60's "chicks" and as a period-piece oddity.The film runs 85 minutes.GRADE: D- PS: If you want to see a great late 60's/early 70's biker flick, catch the very first one, the infamous "The Wild Angels" from 1966 starring Peter Fonda, Bruce Dern, Nancey Sinatra and Diane Ladd. "The Wild Angels" is simultaneously shocking and profoundly brilliant (yes, even though it's essentially a Roger Corman 'B' film). See my review for full details.

Worth watching if only for the rape scene, this movie redefines the notion of a "B Movie". The score, special effects, script (both story line and dialogue)and acting are mind numbing. Anyone seeking to gain some insight into the biker culture (i.e. Hell's Angels) of the 60s-70s should not just watch but study this film for all it's worth. There's plenty of action, erotica, romance, and suspense enough to keep even the most jaded noir film buff on the very edge of his/her seat. Not for the kiddies but any popcorn loving idiot over the age of 12 will treasure this entertainment experience of a lifetime for many years to come. I gave it a 10 but can understand why it's rated 5 overall: most people just didn't get it, let alone appreciate it.

The problems do abound in The Cycle Savages, but it could have possibly been a better movie. I did get into the sheer artificiality, and unbelievability, of the movie at times just on the basis of kinda, sort of buying into it. But it's also got a central problem in that there is really nothing 'there' in the side of the 'good guys'. Not that this is a totally bad thing really, for it is the mean dirty rat-bastard bikers that really are the show for anyone seeing the film today. And it's almost luck that first time writer/director Bill Brame has Bruce Dern to fill the part of Keeg, one of the sleaziest of the kind of totally immoral, however with a kind of Little Alex ala Clockwork Orange style of immediate intelligence. Even in all of his occasional mania and outright outbursts getting into the over-dramatic, Dern has this character completely down. It's actually best in the scenes where he ends up being most provoking by having the most controlled, almost calm voice. A lot of his 'wit' in the film is scabrous, and not really funny, but on the side of giving a convincingly deranged sociopath with a penchant for intimidation and girls it makes the film usually watchable.It's a shame then that Brame isn't able to match him up with more competent actors. Or even, despite having a couple of good 'exploitation' style scenes of violence and nudity and rape, having not enough for what the rest of the material is asking for. The group, Hell's Chosen Few (strange for a half biker/half prostitution ring club), spends a lot of the movie waiting, and carrying on with side-stuff, while the main story involving the artist who previously drew the bikers who now gets drawn into the deceiving clutches of the decoy is weak and unconvincing. The motives most of the time, even for a B-movie, seem to shift and not seem very solid aside from the man's 'I love you' phase even after fighting with a slashed abdomen wound. The ending (coming all too quick and with a lackluster climax) and the musical accompaniment (likely the most annoyingly generic riff repeated in any film from the period) are along with some of the acting the weaker points of the picture, sometimes embarrassingly so.So it does say a lot, however, that I could possibly recommend it on a bad movie level, where some parts become so crazy it's hard not to enjoy it. And Bruce Dern helps bring a good, tiny change of pace to the proceedings of the very typical ten-cent biker production, which by the way doesn't have a big abundance of throughout the film. In a career full of playing antagonists, this one is unnerving and realistic enough to be of note.

Bruce Dern stars as Keeg, a real slimeball who runs a prostitution racket for his brother. Everything is going perfectly except when Romko, the new artist in town begins drawing pictures of Keeg and his gang, he wants to break his hands using a vice. That basically sums up the whole movie, I'd just see it to watch Bruce Dern.