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The Kid from Texas

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The Kid from Texas (1950)

March. 01,1950
|
6.3
|
NR
| Western
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Billy the Kid becomes embroiled in Lincoln County, NM, land wars. When rancher who gave him a break is killed by rival henchman, Billy vows revenge. New employer takes advantage of his naivety to kill rivals, lets the Kid take rap. Kid takes to the hills with friends until caught. Escapes hanging but remains in area to be near employer's young wife with whom he's infatuated

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Ensofter
1950/03/01

Overrated and overhyped

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SparkMore
1950/03/02

n my opinion it was a great movie with some interesting elements, even though having some plot holes and the ending probably was just too messy and crammed together, but still fun to watch and not your casual movie that is similar to all other ones.

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Fairaher
1950/03/03

The film makes a home in your brain and the only cure is to see it again.

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Ella-May O'Brien
1950/03/04

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

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Spikeopath
1950/03/05

The Kid from Texas (AKA: Texas Kid, Outlaw) is directed by Kurt Neumann and written by Robert Hardy Andrews and Karl Kamb. It stars Audie Murphy, Gale Storm, Albert Dekker, Shepperd Strudwick and Will Geer. Music is by Milton Schwarzwald and cinematography by Charles Van Enger. 11th July 1879, Lincoln County, and a young man born of the name William Henry McCarty Junior is about to write his name into the annals of infamy... "I'll get every man who had a hand in this killing if it's the last thing I do" It's a "B" feature in production terms and it's a hodge-podge of historical facts, but in the trajectory of Western movies it's a rather important piece. It also happens to be great entertainment for the Western fan. It would be the film to launch Audie Murphy on the road to Western iconography, whilst simultaneously becoming a valid early addition for cinematic representations of the Billy the Kid legend. Historically the core basis of the film is accurate, though the chronology is all over the place. There's also a bizarre decision to use different character names for McSween, Tunstall and Dolan, three of the major players in the Lincoln County War. However, the portrayals of the principal real life people is surprisingly well balanced, there's no attempts at romanticising the issues, no side picking, because both sides are equally driven and culpable for the carnage and misery that would play out during this time in Western history. As an Oater on entertainment terms it delivers wholesale, there's some staid acting, not least from Murphy, who you can see is feeling his way into how he should react in front of a camera. Yet there's a magnetic charm to Murphy that would serve him well in this specialist genre field. It also helps to have a very reliable supporting cast backing him up, be it the wonderfully named Gale Storm's beauty, or Dekker and Geer being acting professionalism personified, there's a lot to enjoy here on the thespian production front. The requisite amount of action is in full effect, as are key moments in the real story that provide some great scenes; such as the infamous jail break, while the colour photography is most pleasant. Ultimately it's a revenge story for the "B" Western loving crowd, where the villains are slippery and the anti-hero a damaged dandy. Sometimes you gotta peer through the gloss to get the facts, but what fun that proves to be. Yee- haw. 7/10

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bkoganbing
1950/03/06

With this film Audie Murphy achieved another distinction besides being our most decorated war hero. Having played young Jesse James in Kansas Raiders, Murphy then played the second great outlaw name of the old west Billy The Kid in The Kid From Texas. Among many of the other inaccuracies of this film is the fact that Billy The Kid was not from Texas. He was born Henry McCarty in New York City and went west and became William H. Bonney. And as his outlaw reputation grew he became Billy The Kid.Next to Robert Taylor's Billy The Kid this may yet be the most inaccurate retelling of the Kid's life. In fact the story is so confusing that there's no doubt Murphy is one dangerous young man, but he's so appealing that we don't know what to think. Whether by accident or design that left me quite confused.Only three people's names were left as they were in life. Billy The Kid, Pat Garrett played here by Frank Wilcox who is really a peripheral character to the main drama and Governor Lew Wallace of New Mexico territory played by Robert Barrat. Everyone else you've seen in such films as Pat Garrett&Billy The Kid, Chisum, The Left Handed Gun or the Young Guns films has had his and her name changed.Sheppard Strudwick, Albert Dekker, Ray Teal, Paul Ford, Will Geer, and William Talman all are in this. You'll note Talman who is a particularly vicious outlaw who gets a personal vendetta against Murphy going and pays in the end.As to why Billy just didn't clear out of the territory once it got hot for him, just think of those last lines of King Kong and you'll know why.

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alexandre michel liberman (tmwest)
1950/03/07

Audie Murphy was the best Billy the Kid. It is not easy for a young man with a baby face to play a famous outlaw and be convincing. The fact that Murphy was a hero in the second world war must have given him that confidence. The story starts as Billy begins working for an Englishman (Tunstall, with his name changed to Jameson), but his partner Kain does not like Billy who also becomes fascinated with Kain's wife (Gale Storm). Governor Lew Wallace who is present in this film more than in any other about Billy, tries desperately to stop the Lincoln County War. Billy ends up on the wrong side of the law and his gang here is reduced to two guys, one is a Mexican and the other does not stop singing "Streets of Laredo". Murphy is very fast when he draws, he must have done a lot of training. Even though not an ambitious production as the 1941 film with Robert Taylor, overall this is much better. There are good shootouts, a lot of action and a great Billy.

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bob the moo
1950/03/08

Brought up on the wrong side of the tracks, William Bonney (aka Billy the Kid) is taken in by a kind rancher, Jameson, who is targeted by rival landowners who have key people in their pockets. When Mr Jameson is murdered Billy seeks revenge and, along with other men, is sworn in to bring the men to justice. However when some arrests turn into killings, Billy is cut off from the law and becomes a criminal in the eyes of the law. As his reputation grows the law put Sheriff Pat Garrett onto his trail.Having seen a few Audie Murphy westerns recently I was interested to try and see a few more to get a flavour of who he was as an actor. I watched this film unaware (aside from the clue in the title) that it was another telling of the story of Billy the Kid. As such it is an inherently weak film – especially with time, as we have all seen elements of this story told in a variety of different ways. This recognisable story means that it is too familiar for such a basic film to work with, rather it ends up being duller and feeling rather plodding as a result. This isn't helped by the fact that this film could have had any story in it and it still would have been delivered as any other B-movie western would have been. The script doesn't add anything to the basic story and, if you know the story then there is nothing really different here to justify watching it. The action is the usual fare and will please those expecting a B-movie western but nothing more. The cast is also run of the mill and just what you would expect. Murphy looks good and is reliable but he is far from being a good actor and he delivers the same performance I have seen him give in films that are all the same if you turn the sound down. The support cast are also par for the course and nobody really excels themselves; only Billy's new employer (Alexander) is an interesting character and gives a few good moments for Dekker to work with.Overall this is a very ordinary film that will be passable entertainment for those looking for a basic B-movie western that just fits in with genre tradition rather than trying to do anything special or different. The story is too familiar to really hold the interest and the script, performances, action and direction are all just about par for the course for this type of thing.

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