The Underworld Story (1950)

Great Film overall

Best movie of this year hands down!

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

To all those who have watched it: I hope you enjoyed it as much as I do.

THE UNDERWORLD STORY – 1950A rather unseen film, that deserves to be better known, particularly among noir fans.Dan Duryea plays a reporter on a big city newspaper who gets himself blacklisted. He wrote a story that ended up getting a Police witness deep-sixed. He is more or less persona non grata with any big town newspapers. He borrows some cash and buys a half interest in a small New England paper ran by Gale Storm.For Duryea, it is perfect timing. A murder has happened in town, and it involves the daughter in law of big time newspaper owner, Herbert Marshall. Duryea dives in looking to make a big financial score by selling the deal before the wire services do.Duryea, a less than "upright" newsman makes like a salesman as he wheels and deals the story. His new partner, Gale Storm is not in the least impressed with Duryea.The audience knows right off the bat who the killer is. It is the dead woman's husband, Gar Moore. The Police though, are looking for the dead woman's Negro maid, Mary Anderson. And she looks guilty as hell as she had been in the city selling the dead woman's jewels.Duryea sees an even bigger chance at a money making story. He starts up a defence fund for the maid. He hires a lawyer who agrees to split the fund with Duryea. Needless to say some roadblocks pop up for Duryea and his schemes.This is a very entertaining film, with cast and crew all excellent. The direction of Cy Endfield is spot on. Endfield's work includes, THE SOUND OF FURY, HELL DRIVERS, MYSTERIOUS ISLAND, ZULU and SANDS OF THE KALAHARI. The look of the film is equally good with Stanley Cortez handling the cinematography duties.Well worth a watch.

Mike Reese is a reporter who is about as sleazy as they come. He must be, he's played by Dan Duryea in the Cy Endfield noir gem. Chuck Tatum of ACE IN THE HOLE has nothing on Mike - except that he probably makes a bigger salary.Mike's lost his job because given some confidential info about a mobster's secret testimony, Mike runs it in the paper that employs him which causes the bad guys to know just where to ambush the man testifying. Sure, the paper is equally at fault, but they'll get off by printing an apology, Mike's the scapegoat.With a stake provided by the local New England gangster who benefited most from the silenced witness, Mike buys into another suburban newspaper. Shortly thereafter, the murder of the daughter-in-law of a prominent publisher and the cover-up, as well as the innocent black woman accused of that murder, has Mike manipulating all in his path to make his way back to the top and a few bucks on the side.As the guilty person says of the accused: "She's a n-word, who is going to take her word over ours?" This one is that gritty, but it moves with B movie speed not trying to make a social statement. Or is it? What happened to director Endfield, having to relocate to England owing to HUAC, has some reviewers reading "witch hunt" into the narrative. But if one didn't know the personal history, it's a riveting tale anyway that reveals the levels and layers of corruption and also of the depths of sacrifice. Subtext is just as often the baggage one brings to a film as opposed to what the director installs.Gale Storm, Herbert Marshall, Harry Shannon, Michael O'Shea and Howard da Silva in what seems to be a return to the kind of character he played in THE BLUE DAHLIA all figure prominently. Mary Anderson plays the accused black woman and there's a bit of irony now in that casting (beyond her being Caucasian) - her brother James Anderson played the vicious Bob Ewell in TO KILL A MOCKINGBIRD. She would also play Duryea's wife in CHICAGO CALLING a couple of years later. Both films are highly recommended.

The more I watch classic films, the more I discover what a great year 1950 was in the movie business. Here's another good film, and one many people are probably unfamiliar with. This one revolves around the newspaper business.Dan Duryea, as usual, is interesting as "Mike Reese," a bad guy-turned-good guy journalist. He is joined in the cast by Herbert Marshall, Gale Storm (one of the great names in show business and who will forever be "My Little Margie" to those of us who were around in the '50s), Howard Da Silva and Michael O'Shea. Of the above-mentioned, Da Silva was the most fascinating, as the brutal mob boss "Carl Durham." He only had a minor role, but some of his lines were outstanding and his role was memorable. Da Silva was a great actor for film noirs. This isn't really a noir, but it's close. Marshall was just fine as the newspaper owner.The film was not kind to the newspaper business, so some media-minded film critics (who probably had columns in daily papers) didn't like this film for that reason. Too bad. They should have liked it, since it had Left Wing written all over it, with several Liberal themes and favorite catch-phrases such as "witch hunts" (one of their all-time favorites).Nonetheless, it's a powerful film and well-acted.

The sleeve on the VHS release of "Underworld Story" calls it "a powerful indictment of sensationalistic journalism." But this very interesting little "B" film's real "powerful indictment" is against the methods of the House Un-American Activities Committee in its search, during the late 1940's and early 1950's, for Communists and fellow travelers in America, especially in the film industry. "Underworld Story" was filmed just after HUAC's hearings of 1949/50 had ended. It was released (1951, through United Artists)as the first of the Hollywood Ten were going off to prison. Both director Cyril Enfield and screenwriter Henry Blankfort were "named" as Communists and both ended up blacklisted (as was actor Howard DaSilva). "Underworld Story" is not mentioned in the various books on the Hollywood blacklist, probably because it was an indie genre picture and lacked the cachet of a big-budget major studio effort. But, make no mistake, "Underworld Story" is a savage indictment of witch hunts, moral ambivalence and racism. All this would be very dry, but "Underworld Story" - although the story is familiar (cad sees the light) - is well plotted, well written, and well acted.