Enemy of Women (1944)

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

The acting in this movie is really good.

I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

Actor Paul Andor (real name Wolfgang Zilzer) bears a striking resemblance to the real Dr. Paul Goebbels, the evil Nazi head of Propaganda who spent one day as Chancellor of Germany after Hitler's suicide before killing himself. This semi-fictional account of his life takes the basic known facts and changes the names and details, but it still has a major impact on the emotional structure of this Monogram film that is two notches above most of their "B" films, giving it almost an "A" look. Claudia Drake is top billed as Maria Brandt, an actress loosely based upon the real life actress Lída Baarová who was Goebbel's real life mistress. This film does not mention the fact that he had a wife and six children (murdered by him and his wife right before they killed themselves) and does not go into great detail about most of his evils which were probably discovered after the war ended. But being made while Goebbels was still alive, this was definitely a curiosity piece in the Hollywood propaganda machine, just as effective as "The Hitler Gang" (the story of Hitler's rise to power with a warning of how he would ultimately fall) and "None Shall Escape" which cast Alexander Knox as a Nazi officer on trial AFTER the war even though it was made the same year. One of the most chilling sequences comes when a medium forecasts the futures of Goebbel and several other Nazi's in the room (including General Rommel) but only includes their triumphs, not the ultimate fall from power and retribution. Andor is off screen for much of the film as the story of actress Drake and her romance with a good German doctor (Donald Woods) takes over. It then moves to his blackmail over Drake in threatening Woods' safety after they return to Germany, having settled in Vienna. Told in flashback, the storyline has Goebbels remembering his first encounter with Hitler and how he first met Brandt as a struggling playwright working as a tutor. Even then, he was teaching values which were adopted by the Nazi's. When he makes a violent pass at Brandt, her World War I veteran father (an excellent H.B. Warner) throws him out which leads to later revenge on him and reveals his obsession with her. While he is definitely presented as monstrous, Goebbels is also given shadows of sympathetic characteristics, being quite in tuned to the arts which makes his being chosen head of propaganda (which would include movies, theater and radio) a smart move on Hitler's part even though it is obvious through history that their choice of subject matter for the U.F.O. (the major German film company) was one sided. Supporting performances by Sigrid Gurie, Ralph Morgan, Gloria Stuart and Robert Barrat add great period detail. There's a funny sequence in a Vienna café where impersonators of Hitler, Goebbels and Mussolini do a musical number. The tension of the film rises to its high point in the finale where the defeated Drake makes a drastic decision and must distract her husband in order to save his life. The final shot of Andor searching amongst the rubble of an air raid and his radio narration of the events which have recently taken place give forbearance to the creed that fascist leaders manipulate their followers through lies whether it be done blatantly or with total charm, but indeed, they are lies, and liars are always exposed.

Of all the gang around Adolf Hitler probably the sickest and most degenerate was Joseph Paul Goebbels. Minister for propaganda and public enlightenment, he was one of the few who was not trying to cut a deal for himself when the Third Reich was in its last days. He stayed loyal to the master to the bitter end.If Dr. Freud could have gotten Dr. Goebbels on the couch I'm sure his notes would have been fascinating. Like Somerset Maugham's protagonist Philip Carey in Of Human Bondage, Goebbels was born with a club foot and that together with a raging libido was the story of his life. When he was a nobody he couldn't get a date, when he became minister his job included supervision of the German film industry. He had a casting couch that put L.B. Mayer's and Darryl Zanuck's to shame.This film concerns his obsession with one he couldn't get. Claudia Drake who laughingly rejects him while he was trying to earn a living as a tutor pays for it the rest of the movie. She and father H.B. Warner and husband Donald Woods. Goebbels never forgot a slight in real life.Wolfgang Zilzer plays Goebbels and it's a change from Martin Kosleck who usually played Goebbels when he was a character in film. If you want to see a good portrayal of Goebbels in a good film I highly recommend The Bunker where Cliff Gorman and Piper Laurie played Joe and Magda Goebbels. She's a cipher here and that's wrong in and of itself. She was as sick as he was, maybe worse. But she completely put up with his womanizing because she didn't believe in letting the grass grow under her feet. There's a fine account of that in Albert Speer's memoirs.Making Magda a peripheral character in the story is a big mistake. And the general shoddiness of production doesn't help either. In fact at the end of the film the narrator says this story isn't finished and how could it be in 1944. Still this World War II propaganda has some good moments in it and should be seen as a curiosity.

The life of Joseph Goebbels and his rise as propaganda minister for the Nazis. Odd mix of Hollywood hokum and propaganda makes for a decidedly silly film. I'm not sure how the film played originally but seeing it some 70 years on I find the film creates some unintentional giggles. An early scene that had Goebbels wandering into a meeting where Hitler was speaking and becoming mesmerized by the third rate actor playing der fuhrer had me laughing out loud. How could anyone take this seriously? I think that was part of the point of the film, but at the same time it undercut the menace that the real life counter parts created (I mean the idea of Goebbels as a skirt chaser seems so quaint). I kind of liked it but I didn't love it. I completely understand why its relegated to an almost forgotten status (never mind the title "Enemy of Women" doesn't tell you what its about or what type of film it is). Worth a shot if you run a cross it but not something to search out

Have read various books which dealt with Joseph Goebbels one of Hitler's right hand men who carried out the murder of Millions of Jewish people and many more people from various countries. Goebbels had some very dark secrets as a young man growing up who carried out all his sick mental problems on other people. Joseph Goebbels is played by Wolfgang Zilzer who did a great job of acting and also looked very much like the real person. Goebbels in real life loved all kinds of women and he really loved Maria Brandt, (Claudia Drake) who was a very pretty German actress who gave Joseph a hard time. However, Hollywood twisted the story which made Goebbels into a person who was not as evil as he really was. In real life, Goebbels really went to bed with this famous German actress and was really married to a very beautiful woman who had to turn her back on all his affairs. Nice 1944 film.