The Pigeon That Took Rome (1962)

Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

This is one odd bird of a movie. It's really a time capsule of war movies that were meant to be date war movies in the 60's. In the 30's to 60's the traditional date war movie had our heroes in training meeting their love interest and then going to war, this is the way real life often goes and it works if it's done right, although it's hard to find a balance. When you have both elements you can get a decent summer time date war movie that keeps both sexes interests involved. In the 60's these type of films were still made and still are to this day I suppose, but the 60's tried to tweak the date war movie by adding comedy along with the love interest and war combat. This one has little war drama, little love interest (mostly light hearted) and sad to say, little comedy (that works well), it was made for its target audience of the day, mid aged WW2 vets and their wives, and it was probably very well received. I will say that I did chuckle a couple of times so it's not a total loss and everyone seems to act well and it was regarded well in it's time to receive some notice from the Academy, these points and with Charlton Heston makes it worth watching for war movie buffs. We've seen just about everything else. You can catch it on TCM (USA) when they do their 31 days of Oscar run as they did Feb 2009. 5 of 10.

There are certain actors who should not do comedy and Charlton Heston was one of them. His no nonsense granite personality of integrity was out of place in a film like The Pigeon That Took Rome. The part looks like it was written for Rock Hudson.Heston does his best however as an infantry officer who together with an Italian speaking sergeant Harry Guardino is sent days before the Allied liberation of Rome into the Eternal City. The cautious Allies want to find out if Hitler really means to evacuate and leave it an open city or will he fight for it.A prime mover in the underground is Monsignor Arthur Shields at the Vatican playing a character based on the one that was the central figure in the later film The Scarlet and the Black that starred Gregory Peck. He gets Heston and Guardino, disguised as priests, into the home of Salvatore Baccaloni with daughters Elsa Martinelli and Gabriella Pallotta and their little brother Marietto.That family has its own problems, Pallotta is pregnant via another American who was a flier later killed by the Nazis. She's got to get married and quick and sizes up Guardino as a likely prospect.With Nazi communication detection techniques Heston is forced to use those old reliable carrier pigeons. But when Baccaloni plans a feast for the daughter he uses those same pigeons that could signal the Allied advance into Rome as disguised quail. What to do?The only time Heston ever successfully essayed comedy was in the Private War Of Major Benson in which his stern countenance was played against by the kids of the military school and his lady interest Julia Adams. It doesn't work in The Pigeon That Took Rome and a lot of potentially funny stuff just falls flat. Chuck's next visit to Rome was The Agony And The Ecstacy. He was a much better Michaelangelo than a spy.

I also consider this a sleeper. Found it humorous, well played and well written. Heston as serious soldier on off beat mission. Ilsa Martinelli (far from plains of Africa) as love interest, but not so lovely as big chested actress who plays her sister. Harry Guardino in yet another GI role. Barry Fitzgerald even more typecast as Irish priest. Good character actors for kid and bumptious dad. Great bit by Randolph Anders as Werhmacht Oberst. Worth looking for. Couldn't help comparing this "war" movie with Band of Brothers.

Imagine Heston in role with elaborate costuming and playing second fiddle to one of the greatest upstagers of all time! The amazing thing is old Charlton even looks like he's having a good time. So, who's the guy continually pushing Moses Ben Hur out every scene they share? None other than the great basso from the Met, Salvatore Baccaloni. Now, you should know that Sal had a bad rep at the Met for being a bit of a joker and hard to work with, but the crew loved him. In this film, where Heston and Harry Guardino in his pre-TV days play two GIs in WW2 spying on the Germans, they have to inform the allies as to the morale and preparedness of the Germans. So, how are these two intrepids getting the word back to the Allies? Homing pigeons. No sweat...but, a problemo. The pigeons get eaten by Baccaloni's family for a festa and Sal, not wanting to get into trouble steals some pigeons from...the Germans to replace the ones his family ate. So, when the Germans start reading the messages, they suspect that ... well, it goes on from there. This film is an enjoyable comedy and gave Heston a relief from all those costume roles. Sadly, it was Baccaloni's last film, although he died 7 years later. No video, no DVD. Watch for it on the late show.