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Happy Go Lovely

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Happy Go Lovely (1951)

March. 06,1951
|
6.5
| Comedy Music Romance
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B.G. Bruno, a rich bachelor, the head of a successful greeting-card company in Scotland, is essentially a kind man but respectable to the point of stodginess and extreme stuffiness. An American troupe visiting Edinburgh wants to produce a musical in town but has trouble getting backers. Bruno meets several of the leading ladies of the show; through a misunderstanding he doesn't correct they think that he's a newspaper reporter. He falls in love with one of the women, who reciprocates; he grows more lively and friendly, to the surprise of his employees. After a series of mishaps and comic incidents comes a happy ending: a successful show and true love.

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Reviews

Alicia
1951/03/06

I love this movie so much

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Matialth
1951/03/07

Good concept, poorly executed.

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Bereamic
1951/03/08

Awesome Movie

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Curapedi
1951/03/09

I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

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JohnHowardReid
1951/03/10

Actually, I'd give this one: 7.5! It's a really unusual musical comedy as the story and the comedy are both actually far more interesting and entertaining than the musical numbers -- thanks not only to the expert writing of Val Guest, but some fine acting from David Niven, Vera- Ellen, Bobby Howes, Diane Hart and company. I thought the dance numbers were a bit strained -- particularly the street number which ran far too long and way out-stayed its welcome. I watched this one on the Hollywood Comedy Legends disc. The opening reels were just a little blurry, but the rest of the film was really beautiful. It's an absolute must-have for all Niven, Vera-Ellen, Diane Hart and Bobby Howes fans, and Sandra Dorne is in there kicking too!

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MartinHafer
1951/03/11

I understand that musicals and dancing were very popular back in the day. However, in the case of "Happy Go Lovely", the film really worked well and was a lovely comedy but every time they had dance numbers, the tempo of the film slowed to a crawl. It's a shame, but really think eliminating the production numbers or cutting back on them would have helped the film.The story is set in Edinburgh, which is a bit odd since it's about an American stage production and its leader, Mr. Frost (Caesar Romero). He's in a bind because the production has run out of money and the creditors are threatening to close them down before they can even open. Later, when he and others mistakenly think one of the chorus girls is a rich man's girlfriend, Frost kisses up to Janet Jones (Vera-Ellen) and gives her the lead...hoping to make her rich 'boyfriend', Mr. Bruno happy. The hope, of course, is that Bruno will then agree to finance the show. Here's where the film gets interesting, Janet actually does meet Bruno (David Niven) but thinks he's a reporter. And when she asks him to pretend to be Bruno, he agrees! What's next, apart from a lot of dull dancing? See the film.I'd give this one a seven. Without all the dancing, I'd probably give it an 8. But the comedy is sparkling and fun and the rest is filler...to much at times.

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April Glaspie
1951/03/12

Happy Go Lovely is a waste of everybody's time and talent including the audience. The lightness of the old-hat mistaken identity and faux scandal plot lines is eminently forgivable. Very few people watched these movies for their plots. But, they usually had some interesting minor characters involved in subplots -- not here. They usually had interesting choreography and breathtaking dancing and catchy songs. Not Happy Go Lovely. And Vera-Ellen as the female lead played the whole movie as a second banana looking desperately for a star to play off it -- and instead she was called upon to carry the movie, and couldn't do it. The Scottish locale was wasted. Usually automatically ubiquitous droll Scottish whimsy is absent. The photography was pedestrian. The musical numbers were pedestrian. Cesar Romero gives his usual professional performance, chewing up the scenery since no one else was doing his part, in the type of producer role essayed frequently by Walter Abel and Adolph Menjou. David Niven is just fine, and no one could do David Niven like David Niven. At the end of the day, if you adore Niven as I do, it's reason enough to waste 90 minutes on Happy Go Lovely. If not, skip it.

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rooprect
1951/03/13

I was having just about the worst day of my life. Then I stumbled on this cute film, watched it, and now I'm ready to go out & kiss a streetlamp.I have to admit, I only watched it for 2 reasons: VERA-ELLEN'S LEGS. But it's really so much more. The plot is actually quite clever and creatively woven. It's almost like a Shakespearean comedy with all of its delightful misunderstandings. And of course there's also... VERA-ELLEN'S LEGS.The only unfortunate aspect of this film is that the version I purchased (the "100 Family Classics" collection by Mill Creek Entertainment) doesn't have the best video quality, and I've heard the same about the Alpha release. The brightness and contrast are a bit too high, so a lot of the scenes seem bleached out especially when Vera is dancing in a white dress. But I suppose you can fiddle with the controls of your TV set to compensate. I can only imagine how it looked on the big screen back in '51. The stage sets, costumes & colours are otherwise dazzling & delightfully creepy--sort of in a "Cabinet of Dr. Caligari" vein.As far as the romance goes, this is just perfect. Not sappy, not contrived, not melodramatic. Just 100% ahhhhhh. Too bad, you poor schmucks, your miserable lives will never be as charming as this. Har har har. Wait, what am I laughing at? My life sucks just as bad as yours. Oh hell. Time to watch this movie again.

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