Trauma (1978)
Daniel, a writer seeking seclusion to work on his new book, finds himself stranded at a rural bed and breakfast run by a strange and prudish young woman and her ailing, wheelchair-bound husband who remains shut in his room all day. As night falls, a psychotic, razor-wielding killer begins stalking the bed and breakfast, brutally slashing the throats of its most sex-crazed guests, whose bodies and luggage then mysteriously disappear the following morning...
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A Masterpiece!
Yes, absolutely, there is fun to be had, as well as many, many things to go boom, all amid an atmospheric urban jungle.
By the time the dramatic fireworks start popping off, each one feels earned.
Through painfully honest and emotional moments, the movie becomes irresistibly relatable
TRAUMA is a late entry in the career of Spanish horror director Leon Klimovsky. Like A DRAGONFLY FOR EACH CORPSE and BLUE EYES OF THE BROKEN DOLL, it's a Spanish-themed giallo, although the actual inspiration is much more obvious: like SISTERS before it, this is a film which owes its existence to Hitchcock's PSYCHO.The setting is rural Spain and a slightly run-down boarding house occupied by the usual oddballs including a writer and a couple of sexed-up couples (well, it was the 1970s). Before long a series of brutal razor slayings are taking place, and the viewer is left wondering who's responsible. Well, not really; the identity of the killer is blindingly obvious from the outset, but this doesn't detract from the film's entertainment value. Brutal murders, violent flashbacks, and a sedate pace follow.The huge bonus here is Klimovsky's exemplary direction; this is a guy who could take a low budget and always make his film look fantastic. A succession of effective establishing shots and an emphatic, low key score combine to give the whole film a sinister atmosphere. The photography is good enough to keep things interesting despite the slow pace and lack of action. The gore is a bit shoddy, but the film feels very brutal nonetheless, and the climax is worth waiting for.
Splendid, lurid, even gloating, vivid, sexy slasher with giallo touches and much Hispanic machismo. Leon Klimovsky's last film, made when he was over 70, and with as much vigour as any of his many horrors. Indeed, one is surprised just how naked everyone gets in this and those ultra startling, daytime razor slashes. Not particularly original and although Agata Lys is fantastic in the central role as Norman Bates - oops, I mean Veronica, not everyone performs to her standard and some of the directing is a bit casual. Great setting though with super old mansion and lakeside position, affording us scenic views between the bursts of blood letting. Ambiguous ending might suggest all sorts of twists but the simple tale would not survive too much close scrutiny.
An accomplished writer arrives to a guesthouse near the lake in the middle of nowhere.Its owner is a young and obviously troubled woman.During the night a sexually active couple is slashed to death by a mysterious black-gloved killer.More savage murders follow.Who is behind them?"Trauma" by Leon Klimovsky reminded me a little bit S.F Brownrigg's underrated "Keep My Grave Open".All the killings via razor are vicious and bloody.There is plenty of sex and nudity-in fact "Trauma" is perhaps the sleaziest horror film made by Leon Klimovsky.The plot offers some genuine suspense and a bit of perversion and nasty misogyny.I enjoyed this rare and utterly forgotten slasher/giallo.8 razors out of 10.
This Spanish thriller from 1977 tells the story of a writer, who takes some days off to write his new novel. He's coming to a guesthouse at a lake in the midst of Spain's countryside. The owner of the guesthouse is an attractive woman with a problem: her sick husband that nobody is allowed to see except for her. Truth is that the husband doesn't exist (anymore), but she's schizophrenic. And while the author is spared, other guests fall victim to a gloved killer with a razor. Is it the schizophrenic owner or someone else?Director Leon Klimovsky is best known for his low-budgeted straight horror films, so this solid thriller is quite an unusual work in his oeuvre, and also one of his less known efforts. Even though it's not very original and borrows heavily from films like Hitchcock's "Psycho" or even the cool Spanish horror thriller "Una Vela Para el Diablo" (1973), it's still quite thrilling and boosts some scary moments. The murder scenes are done in Italian Giallo-style and, even though simply done, quite gory. The unknown cast is not first rate, but also give solid performances. The end of the film is a bit irritating and a lowdown in a way. All in all, "Violación Fatal" is an interesting little thriller for aficionados of European horror and thriller films. Rating: 6 out of 10.