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The Holy Innocents

The Holy Innocents (1984)

September. 29,1984
|
8.1
| Drama

Somewhere in the spanish country, in the 60s. Paco and his wife Régula are very poor. They work as tenant farmers for a very wealthy landowner. They have 3 children. One is backward. The others can not got to school because the master "needs" their work. When Regula's brother is fired from where he has worked for 61 years, he settles down at their little place... An attack against the archaism of the spanish country of the 60s.

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Reviews

Cubussoli
1984/09/29

Very very predictable, including the post credit scene !!!

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Exoticalot
1984/09/30

People are voting emotionally.

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ShangLuda
1984/10/01

Admirable film.

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Rexanne
1984/10/02

It’s sentimental, ridiculously long and only occasionally funny

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randy filkirk
1984/10/03

Having traveled extensively throughout Spain this film evokes memories and images from a long lost Spain and a time which although still exists, now is much diluted. Every aspect of this, at some points sleepy, film are for me very real. The acting is superb, and the filmed scenes carefully and accurately depicted. I have never read the book, but having seen this i will now scout for it. I had no idea the cork oaks were used for such purpose and the pomp and circumstance was also an eye opener/ i gave 7 out of 10,but 10 out of 10 for effort, from both the acting cast and the direction. These places do exists still today, and are still owned by the landed gentry, very much fenced off and off limits to the rest of us as you pass through such regions. I often wonder if they still employ people and treat them the same......

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imbicta
1984/10/04

Back to the beginning of the 20th century, the countryside of the Iberian peninsula was controlled by land tenants who enjoyed a set of privileges that would be considered more typical of the middle ages than of modern times. As for example, having enslaved families working on their farms.Now this is obviously an issue that 2 actual European Union countries like Spain and Portugal don't like to be reminded of. Nobody likes to remember that less than 50 years ago this was still a reality. So with time it became a non-issue, an unsponsored reality.What Camus does with this movie is remarkable. Not only by his technique and the end result of this film, but mainly because it gives voice - and more importantly, it gives images - to this hundred of anonymous stories that were never portrayed before with such care.A must see.

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Oskado
1984/10/05

The DVD I received from Corte Ingles includes a trailer for "Boda de Sangre" (Lorca) and this film is similar in spirit, but with even greater tension. This story is reminiscent of Cela's "Familia Duarte", and indeed the DVD includes a trailer to Cela's "Colmena" also, though I haven't seen that film.I agree with the strong evaluations and comments of other viewers. I'll add that I enjoyed the handling of time in the film, through intermittent flashbacks and juxtapositions of modern elements - e.g., the automobiles driven by the landowners - with the nearly stone-age level of the protagonist family.Yet for me, the level of dramatic tension became, frankly, too great to bear. I don't know how I could have handled it in a theater. Given I had mouse control, I interrupted it a few times for relief. Then, about two-thirds through, I forwarded the film to see the end. There are occasions when social realism can produce a tale of social horror harder to watch and bear than anything Hollywood's chainsaw boys ever dreamed of.The acting and cinematography are excellent. I can imagine viewers trying to laugh at Azarias' (Francisco Rabal) rustic charm. His performance is unforgettable - especially as he, like a hand of fate (azar) delivers the much-needed catharsis near the end - but I, and I presume most, will surely view him as a charming and touching victim, fleeing reality to the extent his old age permits - until a certain cruel act drives him to action. I would have preferred a balancing of the harshness of this film with more moments of beauty to serve as relief, as in the French Manon (e.g., Jean de Florette) films. But here, the actual social conditions were far harsher - "epoca negra" stuff at its worst - and I presume that to add such relief would have been untrue to history. For me, Familia Duarte and Boda de Sangre sufficed.I will conclude in recommending some of Delibes' recent works. He has a wonderful sense of humor and a great versatility of style that enables him to relate even everyday events in the most charming and entertaining way. It's hard to believe that the same man who wrote Santos Inocentes also wrote "Diario de un Jubilado" and "Mis Amigas las Truchas" or "Las Perdices de Domingo". And hard to believe how far Spain and Europe have come.

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sukerman
1984/10/06

In this film, you can see a important part of the recent history of my great country. This film is about the life in a big "cortijo" after civil war in 50-60´S, you can see the lives between rich people, like "señorito Ivan", and poor, like "Paco el Bajo", and how are the relations between this kind of people,they are near to the slavery. Besides, you can see poverty´s ravage, and the many different kind of familiar´s drama.

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