The Fan (1949)

If you don't like this, we can't be friends.

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

By the time the dramatic fireworks start popping off, each one feels earned.

Save for the casting of Jeanne Crain who was too white bread and too American to be a proper English lady, this version of Lady Windermere's Fan this is a decent enough production. It could also have used the lighter touch of Ernest Lubitsch instead of Otto Preminger.Simply entitled The Fan Oscar Wilde's plot is told in flashback by two of the surviving principals of the story. Madeleine Carroll as the adventuress Mrs. Erlynne and the cynical Lord Darlington played by the always cynical George Sanders. Both have survived into the post World War II era in their dotage and it takes a while for Sanders to realize who is this old woman pursuing him. In her younger days Mrs. Erlynne was quite the adventuress looking to break into London society by whatever means. Through a little clever maneuvering she's got Richard Greene as Lord Windermere running interference for her in her object to get to Hugh Dempster and his title. Of course Jeanne Crain thinks the man she thought was as in love with her as she with him is now two timing him. All their little manoeuvrings are recorded with appropriate comments by Sanders who is Wilde himself.But Carroll has her reasons for saving Crain from making a fool of herself at the cost of Carroll's own plans for advancement.Watching this I thought Gene Tierney might have carried it off and she was the original choice for the title role. The one who could have done it best was Vivien Leigh. I can't believe Darryl Zanuck didn't try to get her back in America for the role.Greene is properly dashing as the Victorian Lord, but Sanders was a man born to serve up Oscar Wilde's lines with relish. Sad that the lead was weak or this might have been a classic film.

Preferably before you watch this production I would urge all users to see what in my opinion is the definitive professional performance of this famous 1892 Wilde play which was televised in 1985 and which starred: Helena Little as Lady W., Tim Woodward as Lord W., Stephanie Turner as Mrs Erlynne, Kenneth Cranham as Lord Darlington and Sara Kestelman as the Duchess of Berwick.Yes all the famous quotes are there in this film:1."I can resist everything except temptation" 2."We are all in the gutter but some of us are looking at the stars"3."Experience is the name everyone gives to their mistakes"4."What's a cynic?"- "A man who knows the price of everything and the value of nothing".Having played Lord Henry Wooton (Oscar's alter ego in "The Picture of Dorian Gray"(1946) George Sanders again assumes this mantle of giving Oscar's aphorisms another tryout playing Lord Darlington.Unless American actors are skilled at British accents (e.g.Renee Zellweger, Gwyneth Paltrow etc.), I find they grate on me as does Jeanne Crain as Lady W.Seeing Richard Greene (Robin Hood from the famous UK 1950s TV series) playing Lord W.gave me a mild shock but Martita Hunt as the Duchess of Berwick was a pleasant surprise.I don't like Hollywood versions of classic plays as it tends to add a superficial gloss on original British productions and add lines which are not consonant with the original text.I nevertheless enjoyed this film shown in its entirety on www.youtube.com and awarded it 6/10 as I was thrilled to see Madeleine Carroll playing Mrs Erlynne who I have admired since she played the female lead in Hitchcock's "The 39 Steps" (1935).

I was looking forward to this old film because of its cast -- the lovely and talented Jeanne Crain, Madeleine Carroll, Richard Greene, and the always interesting George Sanders. Unfortunately, the first third of the film was rather disappointing...almost dull. But then, the mystery begins and things get far more interesting -- why is Richard Geene paying large sums of money to Madeleine Carroll? Is it an affair? Almost certainly...except that it isn't.Jeanne Crain was, in my view, one of the loveliest actresses of her era, and she shines here, although I would say this film is more of an ensemble cast than a star vehicle. Madeleine Carroll -- in her last film -- is absolutely riveting here, not to mention mysterious. It's a rather odd film for George Sanders in that he's the character he so often played in the parts of the film that are flashbacks, but a very elderly gentleman for much of the story. Richard Greene, whose career pretty much stalled after the way, was still doing nicely here...a fine and underrated actor, though this is far from his best role.I was a little disappointed at the end of the film that we have no idea what happened to Jeanne Crain and Richard Greene. Dead in the war? We never know.Personally, I slightly preferred the 2004 film adaptation of the Oscar Wilde story -- "A Good Woman", which takes place in Italy. It starred Helen Hunt, Scarlett Johansson, and Tom Wilkinson. It had its own flaws, but it didn't suffer from the first third of the film being awkward. Although, I thought the rest of the Jeanne Crain version was better. Kind of a toss up, really.

Oscar Wilde's comedy of manners, perhaps the wittiest play ever written, is all but wrecked at the hands of a second-rate cast. Sanders is, as one would expect, casually, indolently brilliant in the role of Lord Darlington, but the rest of the cast makes the entire procedure a waste of time. Jean Crain attempts a stage accent in alternate sentences and the other members of the cast seem to believe this is a melodrama and not a comedy; indeed, the entire production has bookends that reduce it to tragedy -- doubtless the Hays office insisted. Preminger's direction seems to lie mostly in making sure that there are plenty of servants about and even the music seems banal. Stick with the visually perfect silent farce as directed by Lubitsch or even the 2004 screen version with Helen Hunt as Mrs. Erlynne; or try reading the play for the pleasure of the words. But skip this version.