No Man Is an Island (1962)

Best movie of this year hands down!

a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

Hollywood butchered this story....but that is not really a surprise. Add to that the way the US Govt treated the families that actually helped Tweed after the war, and still treat them to this day, just adds insult to injury. I met and became friends with some of those families when I was stationed on Guam, learned the true story firsthand and know they hate this film. IMHO,this move should only be shown with a disclaimer that it is 99% BS. Aside from the facts that WWII did happen, there is an Island of Guam, Tweed was in the Navy and was rescued by submarine, people died helping Tweed survive, there ain't much else accurate with this movie. Tho Mr Arturo did receive the Medal of Freedom from the US Govt for his part in this story, they really shafted him after WWII, and disrespect his family to this day. Such a shame the true story has never been told.

No Man is an Island is best seen not as a war film but as one man's spiritual odyssey. I fully agree with rsoonsa's comments that the film suffers from shoddy production values and a serious lack of logic. But get through the first half of the film and you have a tremendously moving experience.Why should one man's life be spared when all of his comrades are killed? This is the question that the main character struggles with, and it's mainly through the local priest that he learns to accept the sacrifice of the people of Guam.Jeffrey Hunter understands that his role doesn't call for the tough, gritty approach that he essayed so brilliantly in Hell to Eternity. Rather, he calls upon his unique qualities of masculinity and sensitivity to suggest his character's growing spiritual awareness. Some of Hunter's closeups are of heartrending beauty, bringing a spiritual quality that no actor today could touch.There's a reason why No Man is an Island has been released on DVD - albeit in a misguided widescreen transfer that crops crucial information from the top and bottom of the frame. It speaks to a lot of people and transcends its various flaws through the sheer inspiration of its message.

No man is an island could have a been a great movie. Hollywood took the true story of George Tweed and ripped it to shreds, leaving nothing but a fake story that has so many things wrong it is a crime. Someone in Hollywood should do a remake of the true story of George Tweed, they might have a winner on their hands. 3 out of 10 stars

Jeffrey Hunter plays the part of George Tweed, the redoubtable U.S. Navy radioman who survived in hiding on Guam during the Japanese occupation of that island, with the assistance of many Guamanians who willingly turned their lives upside-down to protect him. Hunter is woefully miscast; devout Antonio Antero, the Chamorro who was Tweed's principal benefactor during his ordeal, was convinced of his Christian duty to assist the American due to the latter's appearance: gaunt and dirty with long hair and sullied clothing, akin to Christ before the crucifixion, but Hunter is obviously well-nourished with his hair style never disturbed, and with barely a nod by his demeanor to his taxing situation. Tweed, as the sole American survivor of the invasion, was a totem to the people native to Guam that the United States was still there, but this fact is overlooked in this production. Although Tweed was hidden within a cave in the island's southeast, a popular tourist attraction today, the scenario places him atop a mountain where he would be in plain view of enemy aircraft, a serious miscue in light of the fact that much of the occupiers' activity was revolving about attempts at his capture. Tweed cleverly repaired a damaged radio and typewriter and through skillful use of both helped to offset Japanese propaganda concerning the true progress of the war; however, this is touched on but briefly and in a distorted fashion, at that. Although obviously designed as packaged Hollywood entertainment, the screen story appears jejune when one recalls that many died to preserve the safety of the real-life Tweed. Filmed in the Philippines with largely local performers, NO MAN IS AN ISLAND flags from consistently poor production characteristics, which tend to jar a viewer's sensibilities. Not surprisingly, the acting is variable, with Marshall Thompson being wasted, and Hunter swallowing many of his lines as well as being uncomfortably saddled with a vapid love interest. Since the script does not delineate a point of view, and there is scant in the way of direction, we are left with one cliché-ridden scene after another. Some potentially engaging sub-plots, in particular one formed from the plight of Japanese-Americans remaining on Guam during the occupation, are only grazed fragments here. Talented Basil Wrangell does his best at editing this affair, but his cachet is finally defeated as the movie flounders forward to its hackneyed conclusion.