The Private Navy of Sgt. O'Farrell (1968)

You won't be disappointed!

It's an amazing and heartbreaking story.

This film is so real. It treats its characters with so much care and sensitivity.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

Most of Bob Hopes best films were made in the 1930s and 40s. Many of his later movies, to put it charitably, looked like he was just going through the motions...at best. Because of this, I had pretty low expectations of this film when I sat down to watch it...especially since he is 65 and is playing a sergeant! Were my instincts right? Read on...Sgt. O'Farrell is stationed on a small, out of the way island in the Pacific during WWII. While they don't see any action, they don't see much of anything else, as their supplies have been cut off and they are desperate for some female companionship. Suddenly, a transport plane makes it through and their wish is granted...of sorts. The 'woman' is Nurse Krause...and she's played by Phyllis Diller! As for the rest of the nurses...they're all guys! Inexplicably, Gina Lollobrigida just happens to be there. And, soon beer cans from a sunken supply ship start washing ashore...and suddenly morale improves tremendously. But the Sergeant needs to keep a secret....his partner who is helping him retrieve all the beer is a Japanese soldier (Mako) who has little interest in the war.So does all this sound very funny? No. And that's the problem. You would expect a Bob Hope film to be a comedy but barely anything even comes close to making you laugh and the biggest jokes(???) are about how ugly Diller is...and that really isn't particularly funny. As a comedy, it stinks...and as a war picture, it's not much either due to the strange plot, overuse of bad stock footage and an almost complete lack of anything exciting. A dud...but amazingly NOT among Hope's very worst films of the era, as he managed to be even more unfunny in films such as "How to Commit Marriage" (1969)....a film about as funny as Ebola.

I have never expected a great deal from Bob Hope's comedies and know perfectly well that his films were meant to amuse their audiences in a lighthearted, unpretentious way. Hope was always the same as an actor but even his sameness was somewhat brilliant and I tend to like him. I remember having had lots of fun seeing THE PALEFACE, Paris HOLIDAY, BACHELOR IN PARADISE and other of his films. THE PRIVATE NAVY OF SGT. O'FARRELL is just an average effort. Frank Tashlin was an excellent director but this is not one of his major comedies. The plot could have resulted in a more substantial screenplay, in better devised and more entertaining comic scenes. The film has an obvious 60's look and no effort was made to give it a more authentic 40's atmosphere. Hope and Diller are their usual selves, and occasionally make one laugh. Gina Lollobrigida is as beautiful as ever but has very little to do. As usual, she is merely seen as a decorative presence. She could be so much more, as we know from films such as COME September, HOTEL PARADISO and BUONA SERA, MRS. CAMPBELL. Mylène Demongeot does a sort of cameo. It would have been to the film's advantage to give her more screen time.

Abbott and Costello may have wreaked havoc on more branches of the military, but they never tangled with two at the same time the way Bob Hope does in "The Private Navy of Sgt. O'Farrell". A somewhat uneven comedy, the film makes do with Hope's traditional one liners and does the best it can with a supporting cast that includes Jeffrey Hunter, Phyllis Diller, and Gina Lollabrigida. At the center of the story is Sgt. O'Farrell's (Hope) plan to bring women and beer to the island base of Camp Funapee. Once accomplished with mixed results, the story meanders off to allow Hope's character to capture a Japanese submarine single handedly, and close out the story arm in arm with the lovely Maria (Lollabrigida).As for the beer, I was surprised to see that it wasn't Budweiser cans floating all over the Pacific, but those of then heavyweight Milwaukee competitor - Pabst Blue Ribbon. It made me wonder if the Anheuser-Busch folks might have been given a shot at the picture. By the time the film really gets rolling, there's a can of Pabst in just about every scene. Being a long time Bob Hope fan, I can't recall today if Pabst was ever a major sponsor of his programming. But I sure do remember Texaco.Hey, did you catch the nod to one of Hope's earlier pictures? All the men are on the beach drinking when the Indian private says to Hope - "Excuse me Heap Big Paleface…" There's also that funny sequence attempting to reenact the beach scene in "From Here to Eternity"; Hope even throws Lancaster's name out there in a bit of self deprecation. Also, if you were waiting to see if Crosby would show up, there's that clip of "Pennies From Heaven" to keep the streak going.Yet even with all the typical Bob Hope humor, he seems just a bit out of place in this late 1960's flick pretending to be one from the 1940's. This one approached the beach blanket bingo genre just a little too close for my comfort, and I prefer virtually any of his earlier efforts in glorious black and white. For my money, if I'm looking for Hope in a military setting, I'd just as soon tune in to one of his many USO entertainment specials. If memory serves, one of them would also have showcased Gina Lollabrigida and Phyllis Diller.

I own this movie and I really did not think that it would be all that great. But I was pleasantly surprised. It's GREAT and Bob Hope and Phyllis Diller work great together. I highly recommend it. I love the two of them together. I have to say that I consider Bob Hope to be in the top 10 of funniest comedians.