Twisted Nightmare (1987)

Let's be realistic.

Pretty good movie overall. First half was nothing special but it got better as it went along.

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

One of the most extraordinary films you will see this year. Take that as you want.

"Twisted Nightmare" won't pull out any surprises as it's a deranged, if run-of-a-mill camp-based slasher, but it does have some interesting novelties ranging from the fact it was filmed around the same time as "Friday the 13th Part 3" (to only be released a couple years later) and that in was shot in the same area as that film too. Those would remember the barn of doom (and again it seems to hold some sort of attraction).A group of old friends are mysteriously invited back to Camp Paradise, but no one has been there since the strange death of Matthew (a simple kid who was picked on by them). His death was unexplainable as he was turned into a scorching human torch and the body was never found. So the friends are together again along with Matthew's sister, but not too soon one-by-one the group start getting picked off.For being a low-end slasher it has its recycled conventions, but it was a competently done (on the technical side) for what it is. A quickie, but well delivered slasher that reminded me of a cheaper version of woodland slashers "The Burning" and "Madman". The killer is pretty much in the same mould as "Madman" --- an unstoppable scruffy brute that's disfigured and who likes to growl. The story is old-hat (despite an interesting back-story about how the campsite is cursed) with a sluggish beginning before getting on with things before leading onto a insanely predictable revelation, the forced dialogues are lame and the acting for most part is bad (leaden or ripe). However it does bestow a healthy body count throws about the nudity quite freely and has its nasty moments. Junky and cheesy, but entertaining. Director Peter Hunt uses the locations rather well, but it seems to work better during the night sequences with the cat and mouse chases between the bulky killer and self-obsessed victims. There are some atmospheric touches with beaming blue lighting and mist, but even then the vision can become quite murky and editing rather jerky (like the first death sequence). The death scenes are hit or miss, some coming off while others not so. Moments do become laughable, like the use of slow-motion. The music is an unhinged, but mangled mixture sounding ominous but then breaking into something sunny and bright.

I found this movie way back on a shelf in my closet. I had to blow the dust off the video box to read the title. With our curiosity aroused my wife and I sat down to watch it. When it was finished she made me promise to clean out the closet more often!Among the slasher sub-genre this is a forgotten film; and perhaps we'd all be better off if it stayed that way. It is certainly disjointed enough to seem like a dream and there are plot points which we think will be important but which are forgotten immediately after they are introduced. The film begins with an American Indian Medicine Man being burned at the stake by Cavalry troops for allegedly practising black magic. He vows to return from the dead for revenge. Flash forward 200 years (give or take a decade) to some college pals returning to a campsite where they spent a summer holiday a few years before.Now here is where the plot gets going. The retarded brother of one of the kids was burned to death in an accident, after which the group all went their separate ways; apparently through a collective feeling of guilt. Hardly has night fallen before someone starts getting rid of the visitors one by one in increasingly gory ways. Is it a resurrected Indian spirit? Has the burned boy come back from the dead? Does the dead boy's sister know more than she is saying about what is happening? Will you hit the fast forward button on the remote? Only the answer to the last question is obvious!The plot is so full of holes even the minimal gore cannot save the plot. In fact the few bloody moments are photographed so dark you can barely see what is happening. The "tearing an arm out by the roots" scene was done much better, and clearer, in the equally obscure Bigfoot movie NIGHT OF THE DEMON.This one is for lovers of obscure movies only . . . and even they will come away from it scratching their heads in disbelief.

Dumb, moronic film was shelved for 5 years (completed in '82, released in '87), because of poor pacing, editing, and horrible death scenes. What little plot there is, is about teenagers winning a vaction to a camp they once attended when they were younger. However once they get there and people start turning up missing they start to believe that the disapperances have something to do with the accidental death of a friend at the camp years earlier. Sound familiar??Rated R; Graphic Violence, Sexual Situations, Profanity, and Graphic Nudity.

We don't look for great scripts or direction with a slasher movie, but this movie's screenplay and direction are SO BAD, it's enough to change your opinion and make you seek out an art movie instead. Sure, there's a big body count, but the killings for the most part are either not explicit, or too dark to see. In fact, almost all of the non-slasher scenes are equally as dark! There are also some really big holes in the script that will even have the most forgiving fan of slashers groaning in disbelief. It's no wonder this movie was shelved for five years, then dumped quietly on video.