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The Strange Door

The Strange Door (1951)

June. 21,1951
|
6.3
|
NR
| Horror Thriller

The wicked Alain plots an elaborate revenge against his younger brother Edmund, leading to a deadly confrontation in his dungeon deathtrap.

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PodBill
1951/06/21

Just what I expected

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Micransix
1951/06/22

Crappy film

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StyleSk8r
1951/06/23

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

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Kayden
1951/06/24

This is a dark and sometimes deeply uncomfortable drama

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kevin olzak
1951/06/25

1951's "The Strange Door" is something of a throwback to the Gothic horrors of previous decades, except that it comes from Universal, which rarely did such pictures (1939's "Tower of London" and 1940's "The House of the Seven Gables" instantly come to mind). Reuniting Charles Laughton and Boris Karloff 19 years after 1932's "The Old Dark House" (James Whale English Gothic), Laughton especially has a field day, alternately menacing and comical, and always fun to watch. Karloff is sadly reduced to a tongue-in-cheek servant role, quietly speaking his lines while rolling his eyes with great frequency. The château was used as a torture chamber during the Middle Ages, featuring a dungeon full of armor and weapons, plus a cell where the walls come together (Lugosi made use of one in 1935's "The Raven"). Richard Stapley (later Wyler) makes little impression as the hero, but Sally Forrest captures the eye as the endangered beauty (even lovelier in "Son of Sinbad" with Vincent Price, where she dances in a skimpy harem outfit). Laughton's sadistic nobleman is ably supported by a terrific supporting cast of rogues ("villainy binds men together!"), with William Cottrell, whom I've never seen in anything else, Morgan Farley, and Hollywood newcomer Michael Pate, who earns a piece of mutton for his handling of a bribe (he later starred as the vampire gunslinger in Universal's 1959 "Curse of the Undead"). Paul Cavanagh and Alan Napier have smaller roles, but are welcome faces nonetheless. This eternally underrated little 'B' features music cues from "The Wolf Man," "Frankenstein Meets the Wolf Man," and "House of Frankenstein," and was followed a year later by a similar Gothic, "The Black Castle," also featuring Karloff and Pate. "The Strange Door" aired 3 times on Pittsburgh's Chiller Theater- November 23 1974 (following 1960's "Doctor Blood's Coffin"), March 13 1976 (preceding 1956's "She Devil"), and December 17 1983 (solo), one of the very last broadcasts, and now available from Chilly Billy himself.

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Coventry
1951/06/26

It's rather ironic that "The Strange Door" was included in the fabulous Boris Karloff collection (horror fans, buy this!!), since his role in the story – albeit important – is rather limited in screen time. If some distributor ever comes up with the luminous idea of releasing a Charles Laughton box set, then this film most definitely should be a part of that, as it is mainly he who steals the show! Karloff is professional and reliable as always, but it's Laughton who dominates every sequence he's in; hands down. "The Strange Door" is adapted from a story by Robert Louis Stevenson (the creator of "Dr. Jekyll and Mr. Hyde") and it's a truly engaging and atmospheric tale set during the Victorian era in France. Laughton portrays Sire Alain de Maledroit, a malicious nobleman who hates every still living member of his family and wants to destroy them slow & painfully. Therefore he personally selects a reputed troublemaker to marry his niece Blanche and counts on the possibility that he'll emotionally wreck her! And even though Blanche believes that her father is long dead, Sire de Maledroit keeps him locked up in the dungeons beneath the castle. Boris Karloff plays Voltan, the only servant that remained loyal to count Edmond. The story isn't always very plausible and contains quite a few immense holes. I'm sure there are easier ways for Sire de Maledroit to torture his relatives than to rely on the bad attitude of an outsider? Or how is it possible that, for twenty whole years, Blanche doesn't even suspect that her father is kept prisoner in the castle while everybody else knows? Yet, despite these and several other improbabilities, "the Strange Door" is an entertaining Gothic horror film with superb decors, a fair amount of tension and poetic dialogs. The last sequences are particularly exciting, as the castle turns out to be a labyrinth filled with eerie death traps and dark corridors. It's nice to see Karloff star in a heroic role for a change. Recommended!

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bsmith5552
1951/06/27

"The Strange Door" was based on the Robert Louis Stevenson story "The Sire de Maldroit's Door". The film appears to have been an effort by Universal to revive its profitable Gothic horror genre of the 30s and 40s. Unfortunately, the film has the look of a "B" movie and Director Josph Pevney was unable to rein in star Charles Laughton's hammy performance.Alan de Maledroit (Laughton) lures unsuspecting tavern rogue Denis de Beaulieu (Richard Stapely) to his castle after framing for a murder. de Beaulieu enters the castle through the strange door of the title, a door that seems to open and close on its own without benefit of a handle or lock.de Maledroit plans to force the young man to marry his young niece Blanche (Sally Forrest) and by selecting the most reprehensible character he could find, hopes to avenge her mother's rejection of him years earlier. Blanche's mother had died in child birth after marrying her father Edward, Alan's brother. Edward (Paul Cavanaugh) unbeknown st to Blanche, has been imprisoned in Alan's dungeon these many years. Only Edward's loyal servant Voltan (Boris Karloff) remains loyal to him.As luck would have it, the young couple do actually fall in love. The marriage takes place but Denis feigns drunkenly in order to escape the castle with the aid of an old acquaintance Count Grasson (Alan Napier). However, Grasson is murdered and the newly weds are imprisoned in the same dungeon as Edward. Only Voltan stands between the mad de Maletroit and freedom. Can they escape?Had Laughton's performance been controlled by a stronger director, this could have been a much better film. Karloff as usual, is better than his material in a largely supporting role. I can picture him in the de Maledroit role and bringing much more depth and horror to the role. The set pieces evoke memories of Universal's earlier horror successes. The strange door of the title has little to do with the plot other than to trap de Beaulieu in the castle.Others in the cast include William Cottrell as Corbeau, de Maledroit's assistant and Michael Pate as Talon another of de Maledroit's thugs. Laughton and Karloff had first appeared together in "The Old Dark House (1932). Followed by "The Black Castle" (1952) before the studio abandoned Gothic horror for the giant insect cycle.

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marquisdeposa
1951/06/28

Good Old Boris! He always said "I'll never retire...I want to go out with greasepaint on my face and my boots on" In 1952 he was 65 years old. Charles Laughton was 53 at the time, but looked considerably older. Together their performances in this film make it worth the watch. Laughton chews the scenery a bit in places but his over the top acting make it that much more fun.Based on a Robert Louis Stevenson short story this 80+ minute film has much going for it: fist fights, carriage chases, deception and trickery, murders, and a love story thrown in for good measure.And Good Old Boris, although shot and stabbed, manages to help save the day just in the nick of time.Boris was a trouper. Watching him crawl across the damp cobblestones I was reminded that in his remaining 17 years he continued to work in films, never complaining, and often performing in grueling weather conditions where he always seemed to end up caught in the rain, lying in a puddle, or dunked in a vat of water.Watch this film for the fun of it. The plot holds together just fine and it is an enjoyable glimpse of two veteran actors who make the most of their roles.

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