More Than a Miracle (1967)

Purely Joyful Movie!

Yo, there's no way for me to review this film without saying, take your *insert ethnicity + "ass" here* to see this film,like now. You have to see it in order to know what you're really messing with.

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

amusing. nice. mixture of fairy tale, eroticism and humor. one of slices from a period of cinema who suggest more than present, who knows the right tools of seduction, who use the actors more for atmosphere . Sophia Loren in a wild role who gives new nuances to the old Cinderella. Omar Shariff as a not ordinary Prince Charming. and a lot of challenges. a film who is useful for its special flavor. because it is not a blockbuster, it is not surprising but has the perfect dose of charm for seduce and remind the sparkles of a world for who the film was more than entertainment. an easy film. comfortable. may best choice for nostalgics. but , first, a show who remands importance of small things who make the beauty of life.

it is not a blockbuster or an art film. it is not the best film of lead actors filmography. but it is romantic, amusing, funny , nice, ironic. a fairy tale from fairy tale old fashion books. and that is all. the eroticism of Sophia Loren - model for feminist tendency -, the charm of Omar Shariff ,a new meeting with legendary Dolores del Rio or presence of an original Catholic saint are perfect pillars for nostalgic memories and pure delight discovering an easy film about prediction, spell, love and adventures, choices, adventures and victory of truth. confuse in few parts, it is far to be serious. because it has all seduction of childhood and youth seduction. and because it is work of a smart, inspired team who gives to a little joke all force of a great movie.

The first several minutes of this film consist of a syrupy song performed by Roger Miller's orchestra and Singers while blurry 60's visual effects light the screen. Remaining viewers then spy Sharif, a Spanish prince, taming a wild white stallion as his mother screams at him that it's time to get married. When he thinks he's broken the horse, he takes off riding, but soon discovers that his job wasn't fully completed. He stumbles upon a flying monk (perhaps an ancestor of Sally Field?) who gives him a sack of flour, telling him that whichever woman bakes seven dumplings out of it that Sharif is unable to fully eat, will be the correct wife for him. When Sharif finds his horse, it has been commandeered by curvy peasant Loren, who is persuaded to bake him the dumplings. What follows is a lengthy game of give-and-take, hit-and-miss and misunderstanding as this couple attempts to discover if they are in fact meant to be together. Some of it, including a notably vivid dish-washing scene, is rather captivating. Some of it, like the endless segues into various locales and with various townsfolk, is pretty dull, sometimes even annoying, as with the ancient witch (and her coven) who aligns herself with Loren. One highly remarkable scene, however, is one in which thousands of eggs are simultaneously hatched, revealing an army of little yellow chicks. This impressive scene alone makes the film worth a glance. Others may check in to see Sharif at his peak and Loren close to hers. Unfortunately, the couple's love seems to come from a mandate in the script versus any organic chemistry between the two. It remains to be seen why Loren would have such a yen for a man who would soundly strike a woman hard across the face, but maybe times were different then. Del Rio makes one of her very last appearances as Sharif's mother and adds the touch of authoritative glamour needed for the part. Many other parts are ably acted, but intrusively dubbed into English. Witch Liotti's voice is actually painful to listen to. One of the chief assets is the roaming countryside and the use of rich and authentic looking locations. There are also some eye-popping costumes displayed by a bevy of eligible princesses who long to be chosen by Sharif. It's a fractured fairy tale that may appeal to fans of the stars, but otherwise comes off as disjointed and even a little humiliating.

This fantasy is complete with a gorgeous prince, a beautiful woman, witches with cauldrons and paper moons hanging in the sky. The story is simple but very effectively showcases Omar Sharif and Sophia Loren. A lovely way to pass a couple of hours. Some scenes are so memorable I still recalled them several years after first seeing the film in 1967.A must for my collection. Definitely not heavy going; light, fun, and great for the whole family.