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Gandahar

Gandahar (1987)

January. 28,1988
|
7
| Adventure Fantasy Animation Science Fiction

On the planet Gandahar where peace reigns and poverty is unknown, this utopian lifestyle is upset by reports of people at the outlying frontiers being turned to stone. Sylvain is sent to investigate this mysterious threat.

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Reviews

Karry
1988/01/28

Best movie of this year hands down!

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Raetsonwe
1988/01/29

Redundant and unnecessary.

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Kailansorac
1988/01/30

Clever, believable, and super fun to watch. It totally has replay value.

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Fatma Suarez
1988/01/31

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

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wandereramor
1988/02/01

It feels too easy to call Rene Laloux's animated movies "trippy", as if one can only appreciate them while on drugs. But there's a kind of weird dream logic mixed with hallucinogenic science fiction that Laloux, along with his collaborator Moebius and Alejandro Jodorowsky, seems to have mastered. Unfortunately, Gandahar was his last feature film, and not his best. But for animation buffs or fans of weird sci-fi, it's well worth a look.Gandahar uses a fairly straightforward, action-driven space opera plot line. It dramatizes the clash between nature and technology, perhaps in an over-literal way. Most of the above-mentioned weirdness comes from a race of misshapen seers that speak in impossible tenses, and a plot that requires time travel to a point which is simultaneously past and future. It's not convoluted, but it's impossible to understand just as actual time travel would be to our chronologically-limited minds. Oh, and there are lots of breasts, most of them belonging to blue people. Between that and the violence, Gandahar is certainly much less child-friendly than Laloux's other films.Gandahar isn't really original as a whole, although there's a lot of fun absurdities like giant crabs throwing rocks at armies of metal men. But it's a fun watch, with just enough weirdness to put it above the familiar repertoire of 1980s science fiction. If you're a fan of any of the artists mentioned above, this is a must-see. If you're not, maybe give Gandahar a chance anyway. Who knows, you might like it.

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Joseph Sylvers
1988/02/02

French animator Rene Laloux of "Fantastic Planet" renown, attempted to make another surreal sci-fi adventure with the 80's "Ghandar" or as Isac Asimov and Harvey Wienstien decided to call it for those of us in the states "Light Years", which since no... space travel takes place, and since the movie is about a fictional country called "Gandahar" is probably a bad title. "Light Years" I guess sounds more sci-fi-ish, and if this film was to succeed in the states(it didn't) it was gonna need every bit of conventionality it could muster.The story is a complex one involving the standard sci-fi tropes of eugenics, time travel, death, and utopia, and though it's certainly more involved than most animated sci-fi (a good deal of the time were watching the characters talk), it's really the visualization of the world and it's inhabitants which makes this movie worth seeing.Like "Fantastic Planet" before it, Laloux's environments are some of the most alien that have ever been imagined. The landscape is often undulating Daliesuqe deserts, which strange trees which resemble simultaneously bodily organs and geysers, a young girl offering her breast to a new born who looks like a tapir, born out of a grown embryonic plant, a city of underground mutants who resemble Blemmyes, ancient African monsters with heads beneath their shoulders, an army hollow soldiers who turn people into statues, video camera like birds who can lift entire buildings in swarms, and of course a colossal mile wide sentient brain in the middle of the ocean.Laloux uses sci-fi story structures to create, very evocative images that do not look like anyone else's, ever, something few filmmakers in any medium or genre, can claim with straight face.That being said the English voice acting is just decent, not great but decent, it keeps the story moving, but doesn't draw you into any of the characters. "Light Years" like "Fantastic Planet" or the animated films of Svankmajer are more concerned with form than content, but not oblivious of the latter.So if you like heady sci-fi, visually stunning design, and unique animation, this is not to be passed up. If not it's probably not bad to see once anyway, just for the visual treat of it all, and the more I mull over the story, not the plot, I'm more impressed with how well and vividly it told me a story I've heard a hundred times before.

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Logan San
1988/02/03

It's not as bad as some people want to make you think. "Time Masters" is much better, but if you like "Time Masters" (and like it much more than "The Fantastic Planet") then you'll probably like "Gandahar" (aka "Light Years") too. It's true, it has a lot of talk, but that's because it HAS a real story instead of other so called adult animation movies. The music wasn't bad (I even find it good), but especially one music was getting on my nerves at the end of the film. The animation isn't a breakthrough either, but with it's light effects and the fantastic backgrounds it was 100 times better than the animation in Fantastic Planet. On the other hand it's falling to dust if compared to the best Japanese animation films at that time like "Akira" for example.Go and decide for yourself!

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jamesdelf
1988/02/04

Some interesting ideas but best left in a book or at least a better adaptation, please. This is the sort of thing that gives non-children's animation a bad name, and SCI-FI for that matter. A meandering plot, no engaging characters to care about, no emotional engagement what so ever. It feels like the whole thing has been turned to stone. Oh and the animation is terrible. US and Japanese techniques at this time were years ahead. It is so crude and dull it makes mid-80's Scooby Doo look like Toy Story! But more important and unforgivable is the story and characters. And it takes itself so seriously. Interestingly it shows a race that creates without any regard for what will happen in the future and those things come back to destroy them. e.g. Osama, Saddam... But there was no punishment for those who created the monsters, just a nasty demise for the monsters for being evil. What is this trying to teach?

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