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The Devil and Max Devlin

The Devil and Max Devlin (1981)

March. 06,1981
|
5
|
PG
| Fantasy Comedy

When Max dies in an accident, he goes straight to Hell. But the Devil Barney makes him an offer: if he manages to get three innocent youths to sell him their souls in the next two months, he may stay on Earth. Max accepts, and returns to Earth, equipped with special powers. However, his task is harder than expected, especially when seven year old Tobi demands that he marry his mother.

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Reviews

Lumsdal
1981/03/06

Good , But It Is Overrated By Some

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ThedevilChoose
1981/03/07

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

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Brendon Jones
1981/03/08

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

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Roman Sampson
1981/03/09

One of the most extraordinary films you will see this year. Take that as you want.

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moonspinner55
1981/03/10

Horror veteran Jimmy Sangster got himself attached to the Disney company by way of his story concerning a crooked apartment manager in Los Angeles who is hit by a car and goes to Hell. To save himself from eternal damnation, he must return to Earth and find three unsullied innocents who will sign away their souls in exchange for their life's wish to be granted. Sangster shares credit for the plot with screenwriter Mary Rodgers of "Freaky Friday", who apparently added the accoutrements of a single mom and her son looking for a husband and father to love, a teenage nerd who wants to be a motocross champion and a nervous songbird who wants to be a star. Disney, who had not yet developed the Touchstone subsidiary for more grown-up product, was attempting to change their image a bit here, but the swear words and a scary scene down in Hades just seem out of place in a movie about an old softie (Elliott Gould) charming everyone with his rumpled panache. Bill Cosby is cast as Satan, who dresses up for different occasions even though nobody but Gould can see him, and Susan Anspach is the daycare worker burned by broken romances. Both are good, but it's Gould movie and he carries it to a treacly but satisfying finish. **1/2 from ****

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Rainey Dawn
1981/03/11

This is a film I watched as a kid and I viewed several times. It's cute and it was a popular comedy movie back in the day. The movie has a few moments of being hilarious for an old Disney film.The movie is OK - I don't think it's the type of movie a person would want to watch several times but it is, however, a movie that is good the first time you view it so I do recommend it for those that want a silly comedy without a bunch of questionable language in it.If you liked the "Oh God" movies with George Burns then you will most likely enjoy "The Devil and Max Devlin".6/10

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rebeccavincent777
1981/03/12

I enjoyed this movie - The singing in the movie is wonderful and the ending song just sticks with me. It has a good soul-searching ending. I saw this movie when I was little and couldn't wait to see it again - I still loved it 15 years later! When you look back to the movies of that time, especially all the ones with Kurt Russell - this is the same sort of quality movie. You can't expect the technology of today but its good for the time. To have the comic genius of Bill Cosby, you know it has to be decent. I keep looking on You Tube for the songs that were sung. Haven't had that luck yet. It's good to see that Good always WINS!!! Another Disney Life lesson!

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firelight
1981/03/13

The really significant part of this movie has nothing to do with the players, but the producers. This is the FIRST ever PG movie released by Disney - after almost 35 years a G-only releases.I saw this movie as a kid. It had a catchy song - slightly memorable plot and ... well not much else. Not horrible or good. OK.Sadly, as Disney movies go - you'll notice on the DVD cover - no mention of Disney. Professionals admit their mistakes, are humble in their successes and remain proud about the rest. Walt Disney would have. Eisner doesn't.

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