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Jigsaw

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Jigsaw (1949)

March. 11,1949
|
5.6
|
NR
| Drama Thriller Mystery
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New York Assistant District Attorney Howard Malloy is working hard on investigation about a series of murders related to an extremist group.

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Scanialara
1949/03/11

You won't be disappointed!

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Fluentiama
1949/03/12

Perfect cast and a good story

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Freaktana
1949/03/13

A Major Disappointment

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Zlatica
1949/03/14

One of the worst ways to make a cult movie is to set out to make a cult movie.

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clanciai
1949/03/15

This is above all a fascinating intrigue. None of the actors are anything special, they are all good enough but not more, while the intrigue is more like a labyrinth of webs than a jigsaw puzzle. The film opens with an unknown man getting murdered for unknown reasons by an unknown man, and the poor widow of foreign origin is terrified to death to state anything else than that he committed suicide. That's just the first of a number of murders and attempts, and more and more people are getting involved all the time.Most of the action takes place at night in darkness, there is of course an exotic night club ("The Blue Angel" - what else?) with a dangerous blonde sounding the alarm at long distance for obviously being one of the spiders in the web knowing too much and too many people in too high positions, but she is not the only dangerous lady.The political undercurrent is rather remindful of "Keeper of the Flame" six years earlier about American underworld fascism, but this is after the war, and although there are hints at racism and nazism, the secret society here has no colour and is the more menacing for being open with many leads in society.The story is complicated but makes sense all the way, the logic is infallible, and there are many instances where you almost feel a Hitchcock behind the camera. It's only 72 minutes, so it's rather condensed and therefore thick and certainly hard for some to follow, wherefore it would be worth while seeing it again, especially for the Hitchcock references.

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itsruss
1949/03/16

Other reviews posted here have discussed this storyline in great detail. If you choose to watch this movie, you will say "Hey, wasn't that.....?" at least 4 times as some major stars from the period have ultra brief face time and speak only 1 liners. For me, the most confusing part of the storyline is when F. Tone tells his DA boss in the beginning of the movie that the bulldog reporter Charlie Riggs is about to become his brother-in-law. After Charlie dies , F. Tone is seen many times hugging and lip kissing Charlie's widow, Caroline Riggs,who by earlier script association is supposed to be his sister!!! Huh?? Also, some scenes are filmed way to dark, and combined with the age of the actual print, may be hard to see on your TV.

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Corr28
1949/03/17

A different and at times dark and disturbing noir/crime/political drama starring Franchot Tone. Tone plays Assistant District Attorney Howard Malloy who is investigating a couple of strange murders, including that of his friend and newspaper columnist Charles Riggs, that seem to have ties to an underground hate group called The Crusaders. Though it is not ever mentioned by name, the film seems to point towards the emerging dangers of communism. The film is well acted by Tone and his supporting cast including Jean Wallace, Marc Lawrence, Myron McCormick, Winifred Lenihan and Betty Harper. Though only competently directed by Fletcher Markle, there are some interesting camera angles and the finale in a dark, shadowy museum is the real highlight of the film. The movie appears to be filmed on location in New York City and the keen eye will spot quick walk-on and cameo appearances from stars such as Marlene Dietrich, Henry Fonda and Burgess Meredith. A unique, dark, if at times slow film that makes for a real interesting watch.

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bkoganbing
1949/03/18

Jigsaw was an independently produced film based out of New York City that would have us believe there was an American Fascist movement operating out of New York. A kind of Ku Klux Klan for the northeast.With New York City's polyglot population it does not exactly lend itself to being a good base for such organizations either now or back in 1949. The American public knew it and for that reason it did not buy what Jigsaw was trying to sell.One of the gimmicks was to have a few big names in some small one or two line roles. Henry Fonda, on Broadway at the time with Mister Roberts is a nightclub waiter, Marlene Dietrich was an entertainer, and John Garfield as a local tough. Sort of like The List of Adrian Messenger later on, but without the makeup.Jigsaw needed all the help it could get. The plot is muddled beyond belief and the premise is preposterous to begin with. Franchot Tone and the rest of the talented cast are sadly wasted here.

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