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Ruby

Ruby (1992)

March. 27,1992
|
5.5
|
R
| Drama Action Thriller Crime

Fact and fiction are combined in this story about Jack Ruby and a stripper, Candy Cane, and how they become involved in a conspiracy to kill J.F.K.

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Hellen
1992/03/27

I like the storyline of this show,it attract me so much

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ReaderKenka
1992/03/28

Let's be realistic.

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ShangLuda
1992/03/29

Admirable film.

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Rosie Searle
1992/03/30

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

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Rodrigo Amaro
1992/03/31

When Oliver Stone decided to make his controversial "JFK" he knew his film would be debated since he was presenting countless challenges on facts concerning the assassination of President Kennedy. What Oliver couldn't predict was the appearance of films that followed his conspiracy theories on the same subject, although none of these films, including "Ruby", caused impact on anything. More than that, none of these films had the same material quality "JFK" had, a film with so much to handle in terms of characters and situations that never gets boring or complicated.Now, John Mackenzie's "Ruby" is a wildly confusing film focused on Jack Ruby, the mysterious nightclub owner who murdered Lee Harvey Oswald, the man who (some say) shot Kennedy in Dallas, in 1963. Ruby, played with some good effort by Danny Aiello, is presented as someone similar like Oswald, a ingenuous patsy who joined the wrong people (the Mafia) for one cause and for reasons unknown was betrayed by his so-called friends who opted for killing the president. The movie gets even deeper by showing that Ruby was some sort of a informant for the government pretending to be part of the Mafia, meeting guys like Gambini and other powerful mobsters, who were plotting to kill Fidel Castro but for some reason they changed planes and decided to take Kennedy out of the picture. To make things worst, the movie chooses to include a fictional character, the stripper Candy Cane (Sherilyn Fenn) who works for Ruby, and in terms of script she's a composition between Marilyn Monroe, Ruby's girlfriend and a woman who had affairs with mobsters and even Kennedy. We hardly know who is she in the picture and how important she is besides being the wildest thing on Jack's club. What about the mysterious Maxwell (played by Arliss Howard, very good here)? Who was that guy? Part of CIA? Mafia? He always bothers Ruby but never reveals himself except the original planning about dealing with Castro. The connections between characters and situations might have worked in real life but in the film it fails at horrible levels, to the point of unbelievable.Compared with "JFK" this film is easy to follow but it never achieves greatness; it doesn't shine a light to new facts on Kennedy's and Oswald's murders; it can only confuses with more and more things. Structurally speaking, the whole film is a mess, slow at the beginning and very rushed towards the ending and that combination ruined the suspense and made a boring drama who had some good moments. The lamest of contradictions presented was the fact of Ruby being a patriotic man, who deals with the Mafia, a bad job for his country and at the same time cries out loud when he finally realizes his own people will kill the President. It's okay to do illegal things, not pay taxes and the government but you can't kill this nation's leader. It's quite watchable but when you analyzes the material the director had in the hands you know he could have done better than this. 5/10

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dataconflossmoor
1992/04/01

Jack Ruby was an individual that epitomized the plight of someone who became perpetually victimized by his environment. Growing up in a tough and tumble south side neighborhood in Chicago, Jack Ruby had to earn everything the hard way! His testosterone driven theatrics were always justified under the belligerent premise that he loathed and excoriated all caitiff behavior and mannerisms which lurked in his threatened existence! Actor, Danny Aiello, was extremely well suited to the role of Jack Ruby. Desultarily assembled and jagged around the edges, Aiello portrayed the role of the disgruntled owner of the Dallas strip club lounge, Jack Ruby, with an absolutely powerful and well articulated perfection. The mindset of Jack Ruby was one in which he had an emblematic adoration of John F. Kennedy. Ruby was keenly aware of the fact that the assassination of Kennedy was a conspiracy! Knowing this, Ruby's conception of the entire fiasco was one whereby he felt that it was incumbent upon him to implement a simple eye for an eye endeavor of vigilante justice. This being Ruby's objective, Lee Harvey Oswald became his prime target! Love, lust, collusion, money, violence, and organized crime were elements in Ruby's life that ended up becoming a lethally inconclusive and ephemeral obsession with him! Nothing ever made sense in Jack Ruby's world, and, as a result, his adversarial circumstances made him respond accordingly! The intensity with which this film depicts Ruby's rudimentary defense mechanisms, wound up being incredibly thought provoking. Jack Ruby's life became one big tenet for convoluted sensationalism; Killing John F Kennedy and killing Lee Harvey Oswald, were actions which were induced by the prevailing agitation which emanated from the megalomania cal underworld! All in all, the intertwining integral facets of implication in this aggregate potpourri of political tumultuousness for all of this violence, eventually collaborated as a scenario for situational pandemonium. This politically high profile charade brought about a pejorative pique for a bevy of fame famished reprobates to thrive on. Throughout history, this has always been the nefarious scourge; Who was John Wilkes Booth? Who was Lee Harvey Oswald? Who was Sirhan Sirhan? And, of course, it goes without saying; Who was Jack Ruby? What made them famous? The heinous ordeal of murdering, or being related to the murder of a highly prominent political leader, has given all of these men an indelibly dreadful notoriety! The film "Ruby" authenticates the prevailing rancor during the Kennedy assassination escapades in a very scathing, yet poignant manner! The aspects to the Dallas strip club paradigm during the early 1960's was something which the directors and producers of this film executed flawlessly! Films which are candidly cogent about genuinely dire reactions tend to garner my favor far more readily than a high budget Hollywood bombshell flick with a myriad of special effects. The film "Ruby" is a one of a kind diamond in the rough which manifests an unpleasant amelioration concerning the vicious circle of assassinations during the Kennedy era. This movie did not just simply depict the occurrences pertaining to John F. Kennedy's and Lee Harvey Oswald's assassination, they also encompassed the visceral and motivational depravity behind these occurrences as well! Ultimately, cerebral vindication amongst many felonious misfits, as well as people who dealt with these sordid walks of life, became the intellectually diabolical villain which vitiated any respect which these people should have had for law and order in our American system of democracy! Having been to Dallas many times, the historical correlation this film makes to this city is very fascinating! The strip club which Jack Ruby owned is located in one of the nicest hotels in downtown Dallas! As a matter of fact, what was once Jack Ruby's strip club, is now a sports bar, that is somewhat amusing, isn't it? The assassination of John F. Kennedy, and the demented wiles associated with it, all have the dubious distinction of putting Dallas on the map for political terrorism! This movie is covertly compelling, and, I would recommend to any history buff, as well as all movie viewers, that they should see this film whenever they possibly can. "Ruby" is a difficult movie to find, and, it may only be available on video cassette, as in the thing you put in a -VCR- -YES, THAT ANTEQUATED MONSTER!!- Nevertheless, people should try to get a hold of it and view the movie, mostly on account of the fact that the film "Ruby" is very insightful and emotionally innovative! I give it a definite and resounding thumbs up!

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unclealan
1992/04/02

Lets start this review on a good note: Sherilyn Fenn is a stunner in this film. She's absolutely gorgeous. Her acting, of course, is terrible given the poor script she had to work with (Candy Cane? What about Sticky Sweet?). However, her strip-tease scenes alone almost make it worth sitting through this 111 minutes of celluloid dung.That being said, I'll repeat my summary, that this is possibly the worst film I've ever seen. I'm a big fan of mob movies. I'm also a student of the Kennedy assassination, so when films address this topic, or attempt to reference the event, I like it when they at least TRY to address the facts. JFK made a brave attempt at this, even though it made Garrison look like the saint of all good causes (he wasn't), and accused everyone but the Pope of being involved in the plot.Ruby is just a bad movie, pure and simple. What made Ruby so bad wasn't the actors per se, but the terrible writing, which was non-stop speculation and fantasy, and the direction, which seemed non existent. Aiello, like Fenn, did the best with what he had, but his performance was laughable. He had to portray Ruby as a mobster with a heart, and if I had heard any more exasperated cries of "Candy Cane!" from him, I was going to puke. All the stereotypical mob elements, and actors, are in this film. Even Joe Viterelli, who like Frank Vincent seems to be in every mob movie, makes an appearance here as Joe Valachi.Yes, Ruby was a hood from Chicago, and he shot Oswald, and he associated with elements of the mafia, and he was chummy with the Dallas cops, and he went to Cuba on occasion. At least the film got this right, but that's where it ends. Ruby killed a mobster with a .38 hidden inside a movie camera? Ruby was in the same hotel in Las Vegas with a red-haired David Ferrie when Kennedy was getting laid? That's news to me. That same night, The Sun (The Sands), featured Tony Montana (Frank Sinatra), while Santos Alicante (Santos Trafficante) and the boys hosted Appalachia II right out in the public eye. Sure. Besides trying to avoid a lawsuit with all the reworked names (they did properly refer to a Sam Giancana though), the film muddles through bad plot lines with this kind of tie-it-all-together nonsense.And what was with the mysterious Maxwell character played by Arliss Howard? "I know everything Jack. Here Jack, here's a rifle. Go kill Castro. And by the way, who's the girl?" Absurd.Don't waste your time seeing this film, unless you are a Sherilyn Fenn fanatic. Fast forward, play the first strip scene, fast forward, play the last strip scene, eject, then toss it in the garbage, where it belongs.

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rhoughton
1992/04/03

A fascinating subject, that just didn't grab the audience. It flowed like molasses, and left me feeling as flat as the movie. I'm one of those who can't get enough of this subject, but there was very little here at all, and with the current trend to change the true stories, just to make them look better, you begin to wonder just how much, and which parts, are really true.

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