Bombardier (1943)

Wow! Such a good movie.

Excellent but underrated film

Beautiful, moving film.

This is a must-see and one of the best documentaries - and films - of this year.

I saw this movie in the late 1950's or early 1960's on TV and it has always stuck with me. The scene that stands out vividly is when Robert Ryan walks into the church and yells, "The Japs just bombed Pearl Harbor". That scene has stuck in my head over 50 years. Oddly it seems that the ending involves bombing Nagoya. The movie went from Japanese bombing Pearl Harbor to the U.S. bombing the Japanese homeland really quickly. Another interesting thing is the movie never uses the word Norton Bombsight. At the time of the movie, even the word Norton was secret. Also, you never see the actual bomb sight only something being carried in a cloth bag by two airmen. Even a picture of the sight was secret. I did like the picture because it shows the training the men received. It seems like a lot of training just to push a button. I also like of part of the Bombardier controlling the plane. The part of the movie seems right in that the plane, pilot, ground crew, and everything else is there just to take the Bombardier to the target so he can push a button. The Pilot and Bombardier is like playing golf. The drive is for the show (pilot) but the putt (bombardier) is for the dough!. The rest was over the top--the oath and song of the Bombardier. Lastly, wasn't the actor who played the Japanese officer also played "Harry Hoo" on the TV show "Get Smart". All in all a film worth watching.

This semi-documentary war drama is a face paced look at the lives of the pilots whose job it is to measure distance from the air to make sure the bombs they drop hit their targets. It even starts off like a documentary with no real credits (those are held off until the end) and explains in good detail of what these extremely brave men do, at great risk to their lives, but at even greater risk to their country if they didn't. The first half covers their training while the last part takes us on one of their missions, a dangerous one that has them falling right into the camp of the enemy. That sequence had me riveted to my television in total awe to the technical impressiveness of it all and the horror of these men's situation.But no matter how much their own lives are in peril, they get the goods on the enemy, never once giving into the tortures and utilizing a popular children's story in giving away American "secrets". The cast is superb, and includes Pat O'Brien (as the trainer), Anne Shirley (well utilized as the only major female character in a men's story), Robert Ryan, Randolph Scott (who gets a great final moment) and Eddie Albert as a trainee who meets a most horrifying destiny in the most shocking moment of the film. A rousing song of the Bombardiers is a light-hearted moment that is poignant and fun but never corny.

This war drama from RKO Radio can't help but appear dated, but is evocative of the mindset in the early '40s. An entertaining piece of propaganda with just enough war action and actually features some good acting. The two primary stars Pat O'Brien and Randolph Scott argue over methods of training for the war effort. Scott playing Capt. Buck Oliver, who is adamant about recruiting pilots; O'Brien stars as Major Chick Davis pushing the training of pilots in high altitude precision bombing. The latter becomes head instructor at a flying school inherited by "Burt" Hughes(Anne Shirley). Davis is surprised when Oliver arrives as a flight instructor and insists he complies with the program of bombing training. Sub plots involve the competition for the affections of Miss Hughes; and the arrival of her brother Tom(Eddie Albert)as a student. Intense and grueling aerial footage. Richard Wallace directs; other players include: Robert Ryan, Richard Martin, James Newill, Barton MacLane and Brigadier General Eugene L. Eubanks. And in smaller roles are: Paul Fix, Eddie Dew and Hugh Beaumont.

Basically a typical propaganda film for the last good war. But there were a couple things that struck me. First was the use of mouthed epithets. In two cases the Scott character mouths one, once at the beginning when he drops his bomb off target during the bomb-off ("dammit") and once when he is trying to sway a bombardier into being a pilot ("s*%t"). I could be wrong about the second instance but I replayed it several times and that's what it looks like to me. The third case is when the Anne Shirley character wishes the O'Brien character goodbye and good luck ("Give 'em hell") over the roar of the engines. She must have thought that was too unladylike because she clearly says "heck". I also found interesting the character that has moral problems with bombing, specifically bombing civilians. The avuncular superior officer assures him that only military targets will be hit due to the precision of the bombsight used. Given what we know about the LeMay's later strategy of firebombing Japanese cities into oblivion this scene plays with not a little irony. I remember McNamara's quoting of LeMay in "The Fog of War", something to the effect that if the US did not win the conflict he would be tried as a war criminal. The ending is way overwrought, in keeping with the movie. It reminded me a bit of the end of White Heat (I'm not comparing the films, just the ending!). Maybe it's just 'cause he gets blowed up. Blowed up real good!!!