The Cop (1971)

Best movie of this year hands down!

Purely Joyful Movie!

Good concept, poorly executed.

It's a movie as timely as it is provocative and amazingly, for much of its running time, it is weirdly funny.

Yves Boisset is a very special director, he has made many good films, most importantly, in my opinion, "The Assassination" (1972), with the great Gian Maria Volontè and many other exceptional actors, and "Dog Day"(1984) , with the unparalleled Lee Marvin. In "The Assassination", as a corrupt lawyer, we find the extraordinary Michel Bouquet, who here, in "The Cop", he is the cop, a policeman like you have not seen in other movies, a cop with an original philosophy, kindred somehow, with Clint Eastwood's Dirty Harry. But different! Michel Bouquet is an actor who does not need too many specific means or too many replicas to create memorable characters, Michel Bouquet is an absolute force, only by the way he looks, moves and breathes. Likewise, but in another register, it is Michel Constantin, who also plays a smaller role, but, as usual, natural, impeccable. Françoise Fabian is beautiful and natural. Probably the best part of Gianni Garko. So, Bernard Fresson. Adolfo Celi, a small role too but, as usual, very effective. Rufus, Théo Sarapo, Henri Garcin, Pierre Massimi, the same, very good. Need absolutely to be seen!

Tough-as -Cop thriller from a clearly not-so-belle France, directed with a real flair for capturing gritty urban violence by Yves Boisset, whose muscular direction translates into suitably grimy thick-ear entertainment. Michel Bouquet is genuinely chilling as the hard boiled copper whose amoral and brutal journey to avenge the fruitless death of a fellow officer leads him deep into a violent existential nightmare. 'Un Conde' is a magnificently bleak, philosophical euro crime from France which works brilliantly as a savage expose of police barbarity, dealing unflinchingly with the ultimate societal conundrum; must one become like the beasts in order to deal with the beast? The only thing that mars this fabulous Gallic treat is that the source VHS print is a trifle muddy. A lush full-monty DVD-Bluray needs to be organised for this fine example of French Nihilism.

I saw this film when it was first released in the US (1970, I believe). I found it pessimistic, ugly, and gratuitously violent. I hated it. However it has stayed in my mind not because of its content but because of the circumstances under which I saw it.I was working the snack counter at a small college-town theater. I don't recall what movie was playing, some inoffensive middle-of-the-road feature that attracted inoffensive middle-of-the-road viewers. The manager had just received Un Conde and wanted to test audience reaction. So he decided to "sneak preview" it--without warning--before the main feature. Looking back I wonder what was going through his mind. Had he even seen the film? At any rate, from almost the first frame characters on screen were getting the crap beat out of them. The audience gasped and began murmuring. The mayhem didn't let up and soon the audience was making for the exits. An angry throng mobbed the ticket counter demanding their money back.In 1970 excessive violence was relatively uncommon in mainstream films, and Un Conde was right at the cutting edge. It certainly wasn't what this audience had come to see. About twenty minutes into the movie the manager finally stopped the show and put on the scheduled picture. But by that time he'd pretty much cleared the house. With all the refunds the till came up awfully light at the end of the evening.

Generally,this movie is considered the first "true " film of this director .It had huge problems with the censorship (it was not to be the last time : "RAS" and "Le Juge Fayard Dit Le Sheriff" had also problems) because of the way it showed the police ,whose "methods" were close to those of gangsters;in order not to ruin his producer ,the director cut 8 minutes and remade a whole scene.It's still watchable today ,thanks to Boisset's nervy style even before the cast and credits :the prologue is violence itself and violence is present -such an intensity was not common in 1970-all through the movie till the last pictures."The role of the police is to take care of the society as it is ,not to reform it" says chief superintendent Adolfo "thunderball" Celi;and another sentence has remained famous;the cop (Michel bouquet) to Françoise Fabian " a body which works well is not a body which does not produce waste ,but which eliminates them properly".We feel the "after 68" zeitgeist in the meeting at the beginning of the movie and the posters in Rufus's house shows Boisset's anti -militarism -which will come to the fore with "RAS" in 1973);one of the posters reads:"army humiliates,imprisons and kills "That said,the characters are cardboard ("deep" figures have never been Boisset's forte and never will),the screenplay rather simplistic -compared to the works to come such as "Dupont La Joie",but it has become a film noir semi-classic ;indeed,Michel Bouquet's character verges on madness nay psychopathy with a straight face and a total lack of humanity.Yves Boisset was actually the successor of André Cayatte ,with more aplomb and less endearing characters .All through the seventies,he tried to clean the Augean stables of his country.NB "Condé " in French has 2 meanings a)cop b)a deal which allows one to pursue illegal activities in exchange for information; the second meaning can be applied to Françoise Fabian's brother who wants to stay loyal and pure and refused the deal