Our Hitler: A Film from Germany (1977)
This inventive, exhaustive seven-hour film looks at the rise, reign and demise of Adolf Hitler. German director Hans Jürgen Syberberg, who was a child during World War II, doesn't try to recreate history to the letter. Instead, he places his actors -- many of whom play several roles -- on a stage and has them reenact events based on and inspired by Hitler's life. The action combines traditional narration and historical characters, but also idiosyncratic tweaks, like the use of puppets.
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Save your money for something good and enjoyable
It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,
The film may be flawed, but its message is not.
One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.
Recently, I am noticing that a remarkably high percentage of those German films that are released on international dvds have as topic the Nazi time. But not enough with this newer productions, one is even eager to re-release older movies about this one and the same topic, which seems to be of such great interest. What are the reasons? Is it the still bad conscience of the Germans themselves which cannot be made responsible for what their fathers or grandfathers did? Or do the sons and grandsons of the "liberators" of Nazi Germany have to indulge now in their past, because the present does not look so glorious anymore? Syberberg's "Hitler" is grandly overrated, in my opinion. It is a pseudo-intellectual work which is pretending much more than what it really is. In almost 8 hours the director scatters the undigested morsels out of textbooks in philosophy, German literature and film history over his audience. Or do you know what Hegel has to do with the Third Reich? Do you know why Oskar Loerke, Ernst Stadler, August Stramm and the dadaists come to "honor" in this movie? Do you really believe that the "Hollywood fascists" ended the carrier of Erich von Stroheim, leaded by Gloria Swanson? This film is crowded with poetic and metaphysical "knowledge" that is just picked up from encyclopedias, mixed with pure nonsensical "interpretations" and randomly spread in the legion of massively overlong monologues. If you watch attentively, the movie presents you a full contents of assumingly every experimental shot that you can find listed in the histories of film technique - of course, randomly used, the absence of any recognizable structure being blamed to the lack of understanding of an allegedly illiterate audience.Principally, I like the idea of digging out classics of the German New Wave between the Oberhausener Manifest and its end with the dead of Fassbinder. But where, where are the films of Alexander Kluge, Peter, Thomas and Viktor Schamoni, Werner Schroeter, Horst Bienek, Peter Lilienthal, Jean-Marie Straub, Ula Stöckl, Peter Fleischmann, Hans W. Geissendörfer, Ulrike Ottinger, Walter Bockmayer? At the same time when dubious film companies are re-releasing the unrestored and horribly dubbed German pre-New Wave movies, the so-called "Kriminalfilme" and "Lederhosenfilme" and present them to a surprised American audience that cannot have any idea about the background on which these movies had been made, at this very same time the films of the New Wave generation that purposely cleaned up with this so-called "Papa's Cinema", are simply not available on international dvds. And if you buy the German dvds, than you will realize that practically all are not region-free. Well understood, we speak here about several hundreds of films which would be well worth seeing international distribution. However, Syberberg's "Hitler" does definitely not belong to the pearls. Its director released "Hitler" for free on his own homepage and offers region-free copies of his collected works for a dumping price.
I've seen & heard aged Nazis (or their witnesses) - speak on film. However dry, actual Nazi talk and operations data is more POTENT than this gushing "feelings about Hitler" production."Our Hitler..." is the extreme example of 1970'stoo much talk too little action self absorption (every word we blather out should be preserved- every idea however tangential and unfocused - is precious to preserve ...) film work - but there are still nuggets of visual and verbal power in this way way way way way way way way way way way way way way way too long film. Near the end (for one of a zillion examples of This Film wandering far far far far off the main point - i.e. Hitler & co) you hear a diatribe about the camera,and its ability to communicate, including a quote from early 20th century film star...they then quote Mary Pickford!!! Mary Pickford (who has nothing to do with Naziism that I ever heard of) ....and you wonder - Mary Pickford??? mentioned in a film which is supposed to be about "our Hitler".This film has the grotesque tone/imagery also seen in - CABARET. But the host of Cabaret (played by Joel Grey), tho corrupt, ...doesn't commit the sin in this film of - boring you to death.The second half of this 7 hour - film cure for insomnia - is slightly more interesting than the first half. ...tho the large Hitler puppet, the stuffed dog doll with a Hitler face, and "Tales of Hoffman" type of scenery .........................are distracting. (Makes me wonder if someone was smoking an illegal substance while writing this script!)But the second half has some potent quotes from some key Nazis themselves. The quote about Himmler's desire to MILITANTLY enforce his animal protection legislation caught me for a bit, anyway. THAT would have been a potent spot for grotesque images...!EDIT IT! CUT IT IN HALF!
I first have to say that I have a real fascination with Hitler. NOT admiration, fascination. This film was given to me by a friend who shared this intrigue. Rininger, upon giving me this film said "you are absolutely going to love this" Truer words will never be uttered. My friend passed away a few days ago, and I will be forever grateful that he introduced me to this (in my opinion)masterpiece of film making. This film is definitely not for everyone. But those who are able to take heavy doses of beauty and provocative discourse this film is a must. I was absolutely riveted the first time I saw it and continue to return to it on a regular basis to take whatever dose time might permit. The sets are to my eye breathtakingly wonderful. Despite the fact that I don't understand more than a word of German is a none issue. I find that I can ignore the subtitles and lose myself in the sheer passion. This film communicates on so many levels that it is impossible to walk away from it empty. It will probably take many many viewings before I can even scratch the surface of this films visual richness and cultural significance. I highly suggest the viewing of this film for any seriously art minded persons. John R. I thank you for alerting me to this delicious slice of experience. Love ya man.
I came across this film by accident whilst trying to locate another German made film and on discovering that the entire 7 hours is available free in real-time I began to watch. Those seven hours flew by and by the end I was left feeling stunned and somehow very insignificant. This is not a film to invite a few pals round for and throw pizza and beer in for good measure. This is a film to watch alone or maybe with someone who is interested in cinema as a means of transcending time and place. The images and audio presentations you will see and hear may well change your perceptions on life itself. Why this film is so little known is a mystery and perhaps it is only for the few and not the masses. It hits a spot somewhere deep inside and nestles in there and will never be entirely removed. See it and understand why 80 million Germans believed Hitler, a maniac, became for many, a god.