The Mystery of the 13th Guest (1943)

Save your money for something good and enjoyable

I don't have all the words right now but this film is a work of art.

How sad is this?

Excellent but underrated film

Grandfather Lloyd Ingraham invites his family for dinner, but this is one greedy family. Twelve show up with a place set for a 13th guest that never arrives. At that party Ingraham tells all of them what a greedy, grasping group they are and announces that his fortune is going to his granddaughter who is 8 at the time on her 21st birthday. He gives a letter to his lawyer to be opened on her 21st birthday.With the arrival of the granddaughter 13 years later played by Helen Parrish bodies of the guests start dropping. One of them hires private detective Dick Purcell to find out about the deaths and the mysterious as yet unopened letter.This is a remake of an early Monogram feature that had a slightly better cast to it with the heiress played by Ginger Rogers. I'll be checking that one out soon as it is available for viewing.Hopefully it is not characterized by the sloppiness of Mystery Of The 13th Guest. Bad editing, bad writing, and perfunctory performances. A typical Monogram feature.

I'm a big fan of B detective movies with wise-cracking heroes, but few of them are as bad as this one. The acting is abysmal, the dialog is flat (with characters making embarrassingly inappropriate attempts at witticisms), the story has a vaguely interesting premise but it goes nowhere.At least I think it goes nowhere. Honestly, about halfway through this hour-long movie my attention wandered and I went over to work on my computer while the movie kept running. I definitely missed some important plot points - for example, I have no idea who the 13th guest turned out to be, assuming that was ever explained. But giving this movie half my attention was still more attention than it deserved.

Mystery of the 13th Guest (1943)I have to admit, I started this with too high expectations--it had great mood, great B-movie sets, and a plot that sounded great in an Agatha Christie way. But then the corny style of acting kicked in--it's a kind of pre-TV flippant entertainment, purposely aiming for a slight, silly humor at the expense of real drama. Too bad.So I watched the rest with half an eye, which was enough. The plot is highly contrived and highly important--it's a whodunnit, for sure, with a series of growing clues and new characters. The detective is just too absurd to work--he doesn't even serve as a parody of the newly crystallizing Bogart kind of hardboiled detective. And there a too many scenes with a lot of people standing around a room (a living room or a detective's office), with not a lot of clear tension of development, just exaggerated chitchat.So, why watch it at all? I'm not sure! But I did, from the side, and there are some great stereotypes (call them clichés) at work--dark shadows of men in fedoras, a haunted old house, a murder and the threat of more murder, even a terrific (haha) trap door. It verges on Three Stooges kind of humor now and then but lacks the true slapstick genius (at times) of those guys (who began in the 1930s and were really big by the 1943), but you can sense an echo of them (one of the detectives even makes little Curly and Moe noises). This version of the movies is actually a remake of a better if not brilliant 1932 film, starring a young Ginger Rogers (and available to see free and legal at this site: www.archive.org/details/The_Thirteenth_Guest).If you are really feeling frivolous, this might be fun. But your are forewarned.

The Mystery of the 13th Guest is a not a typical example of the 40's Monogram pictures productions. This one outshines most of the typical "B" trappings they produced in the early 40's. 13th Guest made the most out of the typical wartime budget's and dimly lighted set versions that Monogram made famous. The female lead, Helen Parrish made it special because she was very uder-rated to say the least. She carries the film and adds some really good action to an otherwise typical haunted house movie. She reprises the Ginger Rogers role of 1932 and adds flare and style to the character. Dick Purcel is great as the wisecracking reporter. He died soon after the film was released and it was ashame as they really sparked together. I have not seen the film on tv since the late 40's and won't either. Most of the Monograms features were struck on celuloid so they aren't around anymore. My print is on Kodak safty film so it will never die!