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Dark Alibi

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Dark Alibi (1946)

May. 25,1946
|
6.5
|
NR
| Thriller Crime Mystery
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After three men are convicted of bank robberies, Charlie becomes suspicious. After some investigation Charlie finds the men are innocent and that the fingerprint evidence used to convict them had been forged. Charlie then proceeds to find the true bank robbers.

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Reviews

Tedfoldol
1946/05/25

everything you have heard about this movie is true.

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Sexyloutak
1946/05/26

Absolutely the worst movie.

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TrueHello
1946/05/27

Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

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Voxitype
1946/05/28

Good films always raise compelling questions, whether the format is fiction or documentary fact.

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Cristi_Ciopron
1946/05/29

This one is the movie with the warehouse, the inmates and the mysterious truck, and with the proverbs and one-liners, also one of Toler's livelier performances; as always, a neat production. Sometimes the comedy gives the viewer the impression which Birmingham and the younger Chan must have, that the case is almost like a business of the grownups, and meantime there is, for now, the fun. Good timeless comedy, because the detecting tends to be average, the '40s equivalent of something like later TV series, or perhaps crime teleplays, but the comedy in it is delightful, and Toler's acting looks more dynamic than in other movies, it was cool to have a duo for the comic relief, a comic team (like O'Brian and Kerr), but the puzzle plot is good too, a puzzling mystery, how were the fingerprints forged, if they were, Wong visited people, but Chan does more than that, he visits milieus, here he has a lot of proverbs to offer, advices, some or funny, most are really useful, the scenes in the warehouse were effective, and there are the occasional bursts of violence (a girl is killed, an inmate shots himself), but there's also the characters' insouciance regardless of the body count, Chan's cases are about pretty ingenious means of crime and murder, and give a good sense of the places, the sets.

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utgard14
1946/05/30

Charlie Chan (Sidney Toler) is asked to prove the innocence of a man already convicted of murder and scheduled to be executed. So Charlie tries to get to the bottom of how the man's fingerprints could have been at the scene of the crime if he was innocent. He's got help from incompetent son Tommy (Benson Fong) and trite comic relief Birmingham Brown (Mantan Moreland). There's a moronic scene where Tommy and Birmingham wander around a prison with no guards even noticing. It's a typically cheap Monogram movie with shoddy writing. Moreland's old vaudeville partner Ben Carter returns for the second time in the series to do one of their old vaudeville routines. It's amusing but essentially the same bit they did the last time. Janet Shaw, Joyce Compton, Teala Loring and Chan regulars Milton Parsons and John Eldredge also appear. The script is particularly weak. One of the biggest flaws in the Monogram series versus the Fox one is that the scripts are so bad. Often Sidney Toler seems to be padding his lines in an effort to make the scene work. In the older series, particularly throughout the Warner Oland years, Charlie seemed wise beyond his years. In the Monogram films he just seems smug. Don't even get me started on the lack of good aphorisms that Charlie Chan is known for. Here he spouts nonsense about "if tooth is missing, gap will tell us much" or some such baloney. If you've seen some of the Monogram Chans and liked them, you will probably enjoy this more than I did. If you're new to Charlie Chan movies, do yourself a favor and start with the Fox films. Don't let your first Chan film be from Monogram or you might never want to try another.

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bkoganbing
1946/05/31

Although the premise was way far-fetched Dark Alibi is nicely done and one of the better Charlie Chan features coming from Monogram. Sidney Toler as Chan takes on a case where time is essential, the life of Edward Earle who was convicted for a robbery/homicide is at stake, he's scheduled to go to the chair in nine days.Ironically technology has caught up to the events of this film. The idea of forging fingerprints and leaving them at the scene of a crime as a false clue is not anything startling today. In fact it's fairly simple if you want to take the time and trouble to do same. Still in 1946 I'm sure it was a shock to many.Poor Earle in order to be freed has to find out who put him in the jackpot. And it doesn't take long for Charlie to be convinced of his innocence when on the way to state prison someone takes some sniper shots at him. That by the way was the weakness of the film. No reason to shoot at him yet as he wasn't on to anything yet.There are more than one individual involved in this, in fact it's quite a list of conspirators. And in fact there is one real big connection to the state prison where Earle is counting down his last hours.Ben Carter plays one of the prisoners and an old friend of Mantan Moreland playing the Chan family chauffeur Birmingham. These two had a nice comic act before going into films involving them in a conversation where they constantly interrupt each other's words. They know what they're talking about, but poor Tommy Chan played by Benson Fong is standing there without a clue. Wonderful comic timing all around.Good Charlie Chan film and a masterpiece coming from Monogram.

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NativeTexan
1946/06/01

Monogram Pictures had a hit-or-miss record with the Chan series, but for fans of the characters and of Sidney Toler, Mantan Moreland and Benson Fong, "Dark Alibi" can make a rainy afternoon more enjoyable. To see Benson Fong in his best role, also watch "Flower Drum Song."

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