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Escort Girl

Escort Girl (1941)

November. 04,1941
|
4.1
|
NR
| Drama Crime

A pair of nightclub owners run a string of escort bureaus where men pay for the "companionship" of young women. The district attorney sends an undercover agent to infiltrate the bureaus.

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Solemplex
1941/11/04

To me, this movie is perfection.

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Mjeteconer
1941/11/05

Just perfect...

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Matialth
1941/11/06

Good concept, poorly executed.

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Quiet Muffin
1941/11/07

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

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tavm
1941/11/08

I just stumbled into this grindhouse-type feature from the early '40s on the Internet Archive. This is a short melodramatic story of a female head of an escort service who has a big worry on her mind when her daughter-who's never known about her mother's profession since she's been to out-of-town schools growing up-visits her with her fiancée who's investigating to close down these adult places. It's just as well the print I saw had several splices and was just under an hour since the whole thing was mostly laughably cheesy especially whenever that daughter gets angry or sad and gets saddled with the worst lines to boot! There are some intentionally amusing moments though like when Arthur Housman does his usual drunk routine (I remember him from some Laurel & Hardy shorts) or when that receptionist talks and does some facial reactions. I think she's played by Gay Seabrook who's best known as Spanky's mother in a couple of Our Gang shorts. And, yes, there's a somewhat sexy striptease dance of one lady who shows her breasts though her nipples are covered by pasties. So on that note, Escort Girl is worth a look for what I just sighted and no more.

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johnc2141
1941/11/09

I saw escort girl thinking it was going to be just another sleazy little exploitation film.its really not bad,it features the ever busy b-movie stars Wheeler Oakman and Betty Compson.who made about a bakers dozen of these sleazy b flicks.its about prostitution,way back in the day when they were called escorts.for an old movie its pretty racy,there is a strip tease scene where a dancer bares her breasts. though some parts are covered by pasties.this film is one of the better movies on the cult classics collection from mill creek entertainment.as usual its a film with a message.anyway i know actor Wheeler Oakman as the bad martian from flash Gordon's trip to mars(1938) i thought escort girl was enjoyable though the print is kind of choppy. must be from VHS.i thought the girl that answered the phones at the agency was funny with her facial gestures.I'm going to give escort girl 6 out of 10.

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Michael_Elliott
1941/11/10

Escort Girl (1941) ** (out of 4) Ruth (Betty Compson) and her partner Gregory (Wheeler Oakman) run an escort service in Hollywood but Ruth's life is turned upside down when her daughter (Margaret Marquis) comes to visit. The daughter doesn't know mommy's real profession and it doesn't help when her boyfriend turns out to be working with the D.A. to bring down escort services. Fans of campy or bad cinema will certainly want to check this thing out but others should stay far away even though the film does feature an Oscar nominated actress in Compson. The actress was a big player in the silent era and acted in some well remembered films in the 30's but I guess you can tell how far she had fallen when she was seen in something like this. The exploitation factor is off the charts as we get all sorts of "naughty" moments including some brief nudity with a striptease (although the nipples are covered). The storyline is rather dirty but this wasn't the only film to deal with escorts as I'm sure the original producer's tried to pass this off as a "warning" or "message" film. The film is pretty straight forward for the first forty-minutes but the final twenty is where things really go crazy. When the daughter finds out the truth behind mommy's business I couldn't help but laugh at her breakdown. Also hilarious is her scenes where she's drunk because this ranks as some of the worst acting I've seen. Compson turns in a pretty good performance as does Oakman who would go onto appear in several Bela Lugosi films including The Ape Man and Ghosts on the Loose. In the end this film isn't going to appeal to very many except for fans of camp and those wanting a few unintentional laughs would be wise to check out this quickie.

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django-1
1941/11/11

While this film is not as sleazy as SLAVES IN BONDAGE or GAMBLING WITH SOULS, two earlier films that featured star Wheeler Oakman as a pimp, ESCORT GIRL is slickly made and well-acted by a wonderful cast, and while it doesn't "show anything", it does have a seedy, dirty feel to it, even though it's not unlike a studio-bound, low-budget Grand National crime drama. Oakman, great as the heavy in so many westerns, gets a meaty role as the co-owner of a sleazy escort service, co-run with Oscar nominee and major star of the silent era Betty Compson. Compson's daughter, who has been attending fancy boarding schools in other states, does not know what business her Mom is REALLY in, and suddenly appears out of nowhere. When Compson and Oakman learn that the daughter's boyfriend (Robert Kellard, featured in some classic serials, and playing the title character in the 1947 Columbia serial TEX GRANGER) works for the District Attorney's office, things start to get complicated. It's a joy to watch two pros like Compson and Oakman work--Compson's monologues about motherhood and the dirtiness of the escort business are delivered as if they were great literature. Also, this film LOOKS great. The VHS transfer looks as if it were shot yesterday. There's an incredible plot complication about two-thirds of the way through the movie that I won't mention, but is amazing, and the drunken "confession" after it is classic. In addition, the great screen drunk Arthur Housman stumbles through one scene, and Rick Vallin is priceless as a gigolo who is stuck with an elderly but rich lady as his date, night after night. It's a running gag throughout the film, and Vallin plays it to the hilt. I've probably watched this film a dozen times over the years. It's not as sleazy as other exploitation films, nor is it weird like a Dwain Esper film--it's VERY competently made. It just has a strange appeal to me. Perhaps it will have a similar effect on you? Fans of Wheeler Oakman or Betty Compson will not want to miss it.

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