Mack the Knife (1989)

One of my all time favorites.

Admirable film.

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

I dare anyone knowledgeable in opera or musical theater history to watch this film and find even a scintilla of greatness carried over from the original score and various stage productions. The only principal who can lay claim to a real singing voice is Julia Migenes, and though top-billed among the female performers, she really doesn't have much to do, and what she does makes very little impression; you would not ever know that she was one of the world's leading opera stars for about a quarter-century. The rest is uncompromisingly bleak and shoddy looking, with nothing even good, let alone great, emerging from it. Raul Julia was sometimes a great stage actor and an occasionally effective film one, but he is devoid of anything like the charisma Macheath should exhibit in this iconic role. Julie Walters is okay, but looks like a refugee from Mrs. Lovett's pie shop in SWEENEY TODD. Harris is doing Harris, which early on was very interesting, but led into a kind of sameness in line delivery in his later films that was also mirrored by other great talents gone sour with age and boredom - say late Bette Davis and Ray Milland. Altogether a depressing experience, and I must admit that until I saw this film on a list recently, I had no idea it even existed. As to why it is has not been available on DVD, I can only say I'm not surprised.

In fact, Marc Blitzstein's off-Broadway adaptation of "Threepenny" was not so "bowdlerised" as is generally believed.(I have a special interest in "Threepenny"; my dad was part of the first full production in the US; U of Illlinois Theatre Guild did it around the end of WW2. HJitler had been so nearly successful in suppressing the play that they had to reconstruct the script and score from recordings in two different languages {neither English}, a German prompter's script and similar sources.) Blitzstein's adaptation -- not a "translation" -- which had the full approval of Lotte Lenya -- was a lot closer to the original than generally believed.The problem is that the version thereof that most people know is the MGM cast recording (recently available on Polygram on CD)(which includes Beatrice Arthur {as Lucy, the "big complete girl", and can't i see her hands on hips and shoulders thrown back on that line -- Bea was a major babe in the 50's}, Paul Dooley and John Astin) was heavily censored by Mike Curb, head of MGM Records -- i mean, 17 (i think it was) "Goddamn"s got cut to just "damn".(At one time, MGM also offered a 2-LP set of the *entire* play, doubtless as heavily censored.)

O.K. Folks, it ain't Brecht, but - the emperor doesn't have any clothes - the original Three Penny Opera is not a work that translates well from the Weimar Republic to our own era. i.e., I'm not so sure authenticity is that important. The sets are overbuilt, there is much too much Lionel Bart feel, but Julia is actually excellent, Mignenes is better yet, and Roger Daltrey's interpolations are kinda fun. Roger Ebert has the negatives right - there is a relentlessly `over-the-top' feel to the whole movie - but the Washington Post reviewer is nonetheless closer. It is quite an enjoyable movie despite the flaws. As to what can go wrong with filming this stage play, take a look at Pabst's 1930 version for a first-class mishmash.

Out of the three film versions of this Brecht classic this is by far the best. No, its not perfect. First it uses the watered down Blitztien translation on most songs and there is too much dancing in the film.The main problem with the film is that the editor hacked it up. I have the soundtrack and no less than 6 songs were omitted after filming, including "What Keeps Mankind Alive", the theme of the play! What we are left with though is well done, Raul Julia excels as Mackie, charming, smooth and dangerous and with a great singing voice. Richard Harris is a delight as J.J. Peacham, king of the beggars and is well matched by Julie Walters as his wife. Bill Nighy makes a wonderful;ly confused Tiger Brown and the Jealousy duet performed by Rachel Robertson and Erin Donovan is the musical high point. Not great but a big improvement over the German film and the dull 1960 film with Curt Jergens.