Andy Hardy Meets Debutante (1940)

hyped garbage

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

I have found that the Andy Hardy films are enjoyable light entertainment--certainly not great films but likable nonetheless. However, this installment is the first I've seen from the series in which I didn't like Andy...a serious problem. While he's always been rather sweet and likable, here he seems like a phony--a social- climber who often disregards those around him. It all begins with Andy (Mickey Rooney) creating a lie to impress his friends. He tells them that he's friends with a famous New York débutante, Daphne Fowler. But when his father announces that they family is going to New York because he has business, Andy panics. Instead of just telling the truth, he just tells one lie after another. When the family arrives in the city, they are met by Betsy (Judy Garland) and she plans on doing her best to make sure the family has a great visit. She also helps Andy without question in his scheme to meet Daphne...and it's obvious she's doing it because she is in love with Andy. How is it obvious? She sings a song all about it...which is what most young adults do when they are faced with problems. Despite her help, Andy digs a hole for himself because he's much more concerned about looking big in society instead of caring for everyone around him. At one point, a restaurant owner tells Andy "I think you need a good spanking"...and I heartily agree! He has been a complete jerk throughout the film. Can he possibly redeem himself or will he just digging his self-absorbed hole even deeper?There is a HUGE problem with a sense of perspective in this film. Andy whines and mopes and complains that his family isn't rich instead of just telling the truth and being a stand-up guy...and it's made worse since Judge Hardy is in New York because the local orphanage has lost its funding...a far, far, far more important problem. Again and again, I just wanted to see someone bust Andy in the mouth and tell him to grow up and shut up! Eventually he learns his lesson in this heavy-handed film but he's simply insufferable in the meantime...making it one of the worst films in the series. Had they had more balance and made Andy not quite so awful, it would have worked much, much better.

A lot had happened between Judy Garland's first appearance in the Judge Hardy's Family series-in 1938's Love Finds Andy Hardy-and her second appearance in this one that I'm now reviewing. The year before this one, she played Dorothy in The Wizard of Oz which, while not a blockbuster on the Gone with the Wind scale, would eventually become a classic perhaps due to CBS's annual showings from the '50s to the late '90s. She had also teamed equally with Mickey Rooney in the first of their "let's-put-on-a-show" musicals called Babes in Arms. So when she appeared as Betsy Booth again here, she seemed more poised and naturally sophisticated. And her scenes with Rooney were among the best in the movie culminating in a possible romance between them near the end. In fact, unlike previous entries, this one doesn't start with Judge Hardy in court session nor end with Andy reuniting with Polly by kissing her (though, of course, they do get back together). While Andy does seem to fall for Betsy though, most of the plot concerns his getting in trouble by lying about knowing New York socialite Daphne Fowler (Diana Lewis) and trying to get to her. The humor is more subdued here but it's still there like when Andy goes to a fancy restaurant and just orders the specials without considering the prices! It's especially noticeable when Andy and Marion don't argue like they usually do! Anyway, largely because of the special bond between Judy and Mickey and of hearing Judy's wonderful singing voice on two songs here, I highly recommend Andy Hardy Meets Debutante.

Andy Hardy Meets Debutante (1940) ** 1/2 (out of 4) The ninth film in the series (if you don't count the two shorts) has the Hardy family going to New York so that the Judge (Lewis Stone) can help keep an orphanage open. Andy (Mickey Rooney) has gotten into some trouble because he told people back home that he knows a famous model (Diana Lewis) and that she has the hots for him. While he tries to track her down he's too stupid to realize that there's one young woman (Judy Garland) who really does care for him. Outside the two shorts, this here was my first film from the series and it was pretty much what I expected even though I've read this wasn't nearly one of the best of the series. There's enough charm and good will for two movies so it's hard to imagine someone not getting some entertainment out of the film. I think it goes without saying that this film, and the series for that matter, was built around moral lessons for young people as Andy has a problem and then Judge is there to help him. The problem here is Andy being poor and from a small town feeling as if he isn't good enough to be around those who might look down on him. The importance of social standing and money is something Judge has to explain and this scene, while over-dramatic, does deliver a nice message. Rooney is in top form and delivers another winning performance. His comic timing is just right and his attitude perfectly mixes in with the stern Stone. The two of them work well together but that's to be expected considering how long this series ran. Garland is also pretty good here and manages to get off two songs. Rutherford, Fay Holden and Cecilia Parker are also winning in their roles. The scene stealer is the young Clyde Willson who plays one of the orphans and gets a big laugh each time he says a line given to him by Andy.

The Judy Garland many venerate today is the post-Plaza Theater (c.1951) Judy --damaged, pill-popping, alcoholic, overweight--the inspiration for female-impersonators everywhere because of her unique way of pouring out a broken heart in song while living life on the brink as Liza's mother. But the real Judy, the Judy who won America's heart back in the late 1930s is this incandescent teenager, eighteen years old at the time of this film. Those who find the later Judy's manner of acting and singing over-the-top, a bit vulgar, should listen here to the sheer beauty and purity of her soprano voice, her flawless enunciation and phrasing, her feeling for jazz, her utter simplicity. What's more she was a superb actress; witness the scene in the Central Park hansom cab with Mickey, so touchingly real and affecting. It is said that Stella Adler, who was to become Marlon Brando's teacher, but working for Arthur Freed at MGM at that time, was a great supporter of her amazing talent; perhaps Stella coached her acting. The story of this film is typically silly and dated but Judy and Mickey together are as always wonderful!