There It Is (1928)

Boring

Admirable film.

It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.

It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.

"There It Is" is a 19-minute black-and--white silent film directed by and starring Charlie Bowers. Now he may not be as famous as Keaton, Lloyd, Chaplin and Arbuckle, but he made a lot of films as well during the silent era and also starred in most of these. Maybe the reason is that most of his work was done when sound emerged already. This one here for example was made in 1928, so almost 90 years ago and there already existed sound films from that year. Anyway, sadly despite this being one of Bowers' most known works, it's hardly a good watch. The only reason I can think of why anybody would want to see it is because of how strange and bizarre it is occasionally. But sadly, despite being described as a comedy, it really never is funny. That's why I cannot recommend the watch overall. Thumbs down.

If you've never seen Charley Bowers before, here's a great place to start an acquaintance: of all his surviving works, There It Is stands as the fastest, funniest, and most outlandish. Most of Bowers' movies feature impressive stop-motion animation and bizarre special effects, sometimes presented as dream sequences or brief fantasy interludes, but in this film the madness is unconfined, and in the end there's only a half-hearted attempt to explain it all away. From the opening shot There It Is is jam-packed with frightening-yet-funny imagery suggestive of the early "trick films" of Georges Méliès and Ferdinand Zecca, but it also prefigures the more self-conscious, provocative Avant-Gard surrealism of Luis Buñuel, Salvador Dali and Jean Cocteau. Unlike the latter filmmakers I don't believe Bowers was especially interested in shocking the bourgeoisie, and yet I get the sense he wasn't just playing for laughs, either. The work of Charley Bowers is funny, but it's funny in a way that startles and disturbs the viewer, and although you may laugh you may also feel a little uneasy.At any rate, this superlative essay in weirdness is set (or so we're told) at "the mysterious Frisbee home," where serenity has been shattered by a series of strange occurrences. The cook cracks open an egg from which a fully-grown chicken emerges; the butler sees a pair of trousers dancing atop his dresser; and strangest of all, the Fuzz-Faced Phantom makes frequent, inexplicable appearances-- sometimes on wheels --carrying such items as a hat-rack, a broom, a rifle, boxing gloves, or a chunk of ice. The objects aren't strange in themselves, but the phantom himself is an alarming piece of work. The vexed family calls Scotland Yard to investigate. I was delighted to find that, here anyway, Scotland Yard consists of a small yard where the detectives are kilted Scotsmen who march in a tight circle playing bagpipes. (This is Scotland Yard as my inner six year-old wants it to be.) Summoned to the Frisbee home, our hero brings along his assistant, a bug named MacGregor who lives in a match-box. Of course, MacGregor must first retrieve his toothbrush, which is considerably bigger than he is.Just when you're thinking the tone is on the verge of turning cutesy, however, Charley arrives at the Frisbee home and all hell breaks loose. Or, to be more precise, wild cartoon-like gags are unleashed at a rapid-fire tempo. Paintings come alive within their frames, a child's wagon vanishes through the wall, the cuckoo clock is invaded by a cat (who takes over the cuckoo's job), the telephone rises into the air and turns rubbery, and through it all the Phantom's entrances and exits accelerate. Charley goes to bed and wakes up dangling over the bathtub. MacGregor the animated bug is practically reduced to playing straight man in this setting. At the finale, an "explanation" is offered for some of these phenomena but it doesn't explain a thing, and we don't care: this freaky experience has been entirely too much fun for explanations.There It Is has recently become available as part of a DVD box set called "More Treasures from American Film Archives." It's a terrific set, and this comedy is one of several gems in the collection. All of Charley Bowers' other surviving movies have been collected and made available in a two-disc set called "Charley Bowers: The Discovery of an American Comic Genius." The over all quality level of Bowers' work is somewhat erratic, but the best of his comedies (such as Now You Tell One and It's a Bird) are delightful, and this film definitely ranks with his most accomplished efforts.

In this rare silent, Bowers plays a Scottish detective who is assigned to capture a "fuzz-faced phantom" who "haunts" a house.The special effects, especially the stop-motion segments, are truly revolutionary and creative (in one scene, an egg hatches into a full-grown chicken right before your eyes!). And, the "phantom" does some pretty weird things, via special effects.Bowers was a film "genius" and, in my opinion, far surpasses George Melies, and others.I have MOST of this film, but not the entire film. If anyone has it (or other Bowers films), I would LOVE to purchase copies of them.Thank you! Norm

This is one of those old silent movies that belong in a class with The Mystery of the Leaping Fish (1916) or Un Chien Andalou (1928)...it is so weird that it stands out and makes you notice it. This little gem involves a Scot detective, a haunted house, and a very goofy looking Phantom. It's very fast-paced and frantic...much like a Keystone Kops movie with a bit higher level of wit.