The Sign of Four (1983)

Excellent, Without a doubt!!

This story has more twists and turns than a second-rate soap opera.

By the time the dramatic fireworks start popping off, each one feels earned.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

Ian Richardson as Holmes takes a little getting used to if you're carrying around the images of Jeremy Brett or Basil Rathbone. Richardson has the requisite look but his voice is a little high and piping, and he moves more slowly than either of the other notables.The story is recognizable. It's Conan-Doyle's alright. There is Jonathan Small and his curious little companion. There's the Agra treasure stolen by Major Sholto. There's the puzzled Mary Morstan receiving a gem in the post. There are the Baker Street Irregulars, the dumb Scotland Yard detective, the locked room mystery, Toby the hound, and a chase down what is identifiably the Thames. Holmes deconstructs the character of Watson's poor brother, based solely on an examination of his watch. But instead of Holmes and Watson stumbling onto the murder of young Sholto and unraveling it on the spot, the murder is enacted for us, which robs the mystery of its mystery.There are also all sorts of interpolations. The most jarring takes place at a shabby outdoor fair. Holmes, alone, chases Small and the dwarf on a merry-go-round and then through a ghost ride and a crazy mirror house out of "The Lady From Shanghai" but thoroughly pedestrian. The police launch not only catches up with Mordecai Smith's "Aurora" but Holmes takes off his jacket, leaps aboard the fleeing launch, and he and Small tumble into the river, turning Sherlock Holmes into a kind of small-time action figure.The direction lacks imagination. Holmes is always in his cape and deerstalker hat and whenever the dwarf blows a poison dart, the act is accompanied by shrieking violins stolen from "Psycho." The acting is professional enough. Mary Morstan is winsome. But it strikes me that Watson displays too overtly his attraction to her. Of course she IS now the owner of "the second largest diamond in the world" but still -- Watson, reeking of cologne, practically salivates over her. Naked greed, that's what I call it. It's how this whole sorry affair got started.

A handsome production, with atmospheric sets, picture-perfect casting and a welcome dose of humor, but somewhat spoiled by a few schlocky moments (like Holmes' fight with the cannibal dwarf) and an arguably wrong structure that reveals too much of the mystery, too soon. Still good for fans of the character or the genre. (**1/2)

Miss Mary Morstan has been receiving jewels from an unknown source for some time when the anonymous man wants a meeting. She takes along Holmes and Watson and they uncover a years old pact regarding stolen treasure – the so called `four'. However Holmes finds that someone is killing off the four in the hunt for the treasure and must race to stop him and save the jewels.Over the past few months I have been watching al to of the Rathbone/Bruce Holmes films and have been enjoying them, but I thought I'd take another version and try it out. I heard good things about this version and they were mostly right – this is a good telling of the story, even if I struggled to follow some parts of it (my fault and not the film's!). The plot is a little duller than it should have been because we already know what's going on from the start as opposed to working it out with Holmes. However it is still enjoyable and has some exciting moments of action and good moments where Holmes deduces the clues!The film also has a reasonable vein of good humour running through it and is funny at times. Happily this does not come from Watson being a buffoon of sorts. He is clearly Holmes' sidekick rather than equal but nonetheless he is certainly different from Bruce's playing. Richardson is a good Holmes and made me forget Rathbone, while Healy does quite well as Watson – although Bruce is forever in that role for me (even though I dislike that version of Watson). The rest of the cast are good and support the tale well.Overall this is a good film with a worthy sense of time. It is a lot `straighter' that the Rathbone Holmes films but that is not a bad thing. Not a classic but certainly an enjoyable mystery film that is involving without being gripping.

It really is a disaster that only SIGN and HOUN were filmed with Ian Richardson. No other has been portraying Holmes in such a smooth and witty way - not even Rathbone whom I always considered a bit too perfect and too cold. The setting and the costumes in the Sign of the Four are brilliant and the acting of all the characters is quite convincing. Unfortunately Watson is a shade too Brucian. Few changes were made to the story, but for the worse and therefore quite acceptable. It has been said more than once so far but I must repeat it: The boat chase is brilliant. I must give credit to another point. Although we do see Holmes in his Deerstalker and Inverness cape in some scenes, he mainly is dressed like a gentleman would be in those days. Richardson is not an all-cliche Holmes. 9 out of 10.