Black Samson (1974)

It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.

After playing with our expectations, this turns out to be a very different sort of film.

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

Okay,we have Samson, the owner of a topless go-go dancing bar in the heart of the ghetto and his huge pet lion resides next to the beer nuts. I mean, I would not want to change that kitty litter. William Smith is stellar as the cheese-suckin', mother----in' Mafia racist known as Nappa. Connie Jennings is hot as Nappa's submissive girlfriend. But when she go-go dances topless, everything wiggles except her fake boobs. Samson is very Afro-centric, wearing an African caftan and carrying his tribal stick, which features what appears to be a plastic lion's head on the knob. He puts the stick to good use, denting the bigoted Mafia hit men until they're al dente.

Regardless of your views on the nature of blaxploitation films themselves, the average viewer expects silly one-liners, comically inept and invariably racist antagonists, and a breezy plot which allows for the genre tropes to star. Black Samson offers virtually none of these, and instead presents you with ceaseless cruelty.The film starts out looking like another fun-to-watch-with-friends romp, but quickly takes an ever-dark and ever-sadistic turn and never once looks back. Gone are the cartoonish racist villains; instead, we have believable, human monsters that exude hate (kudos to the actors, but unfortunately in the wrong genre for such savagery). Gone is the lighthearted pacing and tempo; instead, we have a story that plays more like a Greek tragedy. Where you'd normally find comic vehicles, instead scenes play out as if from a snuff film.Black Samson is not a bad film by any means; if anything, it's one of the most sincere efforts of cinema normally attached to the blaxploitation era. However, those looking to goof on a film might find themselves sorely disappointed in how human and bruised the characters are presented.

Noble nightclub owner Samson (a solid and engaging performance by Rockne Tarkington) does his best to keep his neighborhood free of crime and drugs. When vicious mobster Johnny Nappa (veteran B-movie tough guy William Smith in fine slimy form) tries to muscle in on Samson's territory, Samson refuses to give in to Nappa's demands and takes a brave stand against Nappa and his flunkies. Director Chuck Bail, working from a simple and effective script by Warren Hamilton, Jr., relates the story at a snappy pace, stages the thrilling action set pieces with considerable flair, and sprinkles in a nice smattering of hot topless chicks for good measure. Tarkington's strong and dignified presence really works as Samson, whose sense of protective responsibility for his people and community makes him a likable and appealing hero. The supporting cast is likewise excellent, with praiseworthy contributions by Carol Speed as Samson's sweet, concerned main squeeze Tina, Connie Strickland as Nappa's sexy girlfriend Leslie, Michael Payne as low-rent dope pusher Arthur, Vitos Vandis as wise old capo Joseph Nappa, Napolean Whiting as amiable organ player Old Henry, and John Alderman as wormy corrupt lawyer Michael Briggs. Allen Toussaint's groovy score hits the right-on soulful spot (the theme song in particular is quite funky). The conclusion is both rousing and uplifting. A fun flick.

Ok so this flick isn't Walking Tall, heck it even isn't Black Belt Jones. But what it is it's entertaining not to mention hysterical. Rockne Tarkington in the title role although convincing is to stiff and stoic, where Fred Williamson would have torn this part up and had fun with it. The hot and sexy Carol Speed as Samson's love interest is always a pleasure to look at. And the main reason to see this flick is the great and awesome William Smith as the evil Johnny Nappa. Anytime Smith is on screen he raises the stakes. The ending although it still works is kind of lame and is a shame considering wasting William Smith's talents, it makes you wish ole Fred Williamson was there to goose it up for Smith.