Project: Kill (1976)

The Age of Commercialism

Don't listen to the negative reviews

Did you people see the same film I saw?

A story that's too fascinating to pass by...

Formed as a counter-assassination unit, "Project-Kill" has evolved from protecting persons of influence to one of covert assassination. Having risen up through the ranks "John Trevor" (Leslie Nielsen) has seen this change and he doesn't approve of it. As a result, even though he is in charge of training he announces his decision to leave the organization to his subordinate, "Frank Lassiter" (Gary Lockwood). This decision stuns Gary who reminds him that this type of action requires a lengthy debrief due to the top-secret information he possesses which other countries would love to have. Along with that his departure would also require a gradual withdrawal process because of the drugs all the agents take to bolster their effectiveness. But John remains firm and decides to leave immediately. When Frank attempts to stop him he is knocked unconscious. We then discover that John has fled to the Philippines with both Frank and other foreign governments in hot pursuit of him. Now, as far as this film is concerned, although the overall plot was certainly good, it lacked several key elements which could have immensely benefited this movie. For starters, other than Leslie Nielsen and Nancy Kwan (as "Lee Su") the acting was pretty bad. In particular, the performance of Pamela Parsons (as "Lynn Walker") was especially wooden. Likewise, both the script and the fight sequences needed improvement as well. In short, although this movie isn't extremely bad, it isn't necessarily that good either. I rate the movie as slightly below average.

These poorly done films from the Seventies always bum me out, often not because of the stories, but because they remind me once again of the seriously hideous fashion sense and hair styles the era produced. Which is to say that I was part of that decade and probably looked just as goofy as the characters depicted here, allowing myself some measure of relief for having grown out of it.This flick however combined the fashion faux-pas with lame execution and the result was a tortuous hour and a half to make it to the end of the picture. I was surprised to see how old Leslie Nielsen looked in a film from just over thirty years ago, and got the shock of the day to find out he's a couple weeks shy of eighty four as I write this. Glad to see he's still working after turning out a clunker like this.But it wasn't all his fault. Though the film attempts to be an action adventure, it finds itself misfiring on any number of fronts. The martial arts scenes are agonizingly orchestrated, note I didn't use the word choreographed. Most of what occurs on screen is unintentionally funny; as an example, check out how Gary Lockwood throws his hair back after any scene in which it might have gotten mussed up a bit. Other reviewers have commented on Nancy Kwan's dubious need to be in the picture, but if that's the case, it goes double for Pamela Parsons as the intrepid Lynn Walker. Why was she here? She stands around watching the other players in most scenes she's in, and once was even asked by Lockwood's character to go watch the fish in the aquarium while he hooked up with the Filipinos. Very strange.Listen, don't get hoodwinked by the video jacket proclaiming exciting martial arts displays or an adventure of pressure cooker intensity. If there's a Priority One for this film, it's to be warned in advance of what you're getting yourself into.

And I am not talking about insulin for diabetes. Contrary to popular belief, veteran actor Leslie Nielsen did not have his first comedic role in "Naked Gun." No, ladies and gentleman, that role would have to be here, in "Project: Kill," one of the most unintentionally hilarious movies I've ever seen. What is so tragic is that I believe the filmmakers had half-sincerity in what they were doing - trying to make a decent '70s-style political paranoia movie on the cheap. Director and Kentucky-based B-movie maven William Girdler even called this his greatest film, making me wonder whether he had an injection or two of his own.What they made instead is a movie with Nielsen embarrassing himself as a drugged-up, brainwashed top-secret assassin, walking through the Phillipines for some reason with both a bunch of Asian gangsters and an ex-partner after him (played by Gary Lockwood who, unbelievably, was in "2001: A Space Odyessey" 8 years earlier. His presence here certainly indicates that he received no royalties from that film). While on this little travel excursion, we get to see the beautiful and seedy sides of the Philippines (the producer appears to have spent the majority of the budget on pointless scenic photography at the expense of a badly-needed dialogue coach), and we also get to see the clumsiest kung-fu fight scenes ever put to celluloid. I'm not kidding - it seems as if Bugs Bunny was the resident martial arts consultant for filming. In addition, we get plenty of pseudo-sophisticated camera-work a la Sidney J. Furie's "The Ipcress File." I half expected to see the cameraman's foot slip into the bottom of the screen these shots were so inept. Two other highlights: a music score which seems to cut off and restart incorrectly during scene transitions, and Lockwood's boss on the telephone who has the voice of Alvin and the Chipmunks.I feel deeply sorry for the people of the Philippines. First, the United States annexed their country and claimed it as U.S. territory, then a hundred years later it made cheap movies like this even more cheaply over there to exploit the currency differential. A movie like this is grounds for diplomatic sanctions by the Philippines against the U.S. It is good for a few laughs and for curiosity's sake. For that reason, I will forego giving it a formal star rating, and let you get out of this whatever qualities you may; after all, life is like a box of chocolates...

It's a pretty heinous film that features a man in a wicker wheelchair, Leslie Neilson's scarred chest, plenty of very ugly Filipinos, horribly set up karate sequences, and people who look like they are waiting for others to finish their lines so they can begin.I think the plot is like this. Two guys, one being Leslie Neilson, are at odds since one wants out of this Project Control. Basically people are shooting up to become superstrong? Well Leslie Neilson gets mixed up with some Filipino gangs who don't like either one of the Americans. There is a side romance too. Makes little sense really.I'm sure Leslie would love for you to forget that he was in this one, but sadly like the movie says: "The only way out is DEATH."Watchability: 2 out of 10 MST3K quality: 7 out of 10