Homicide Bureau (1939)

One of my all time favorites.

I don't have all the words right now but this film is a work of art.

everything you have heard about this movie is true.

Yo, there's no way for me to review this film without saying, take your *insert ethnicity + "ass" here* to see this film,like now. You have to see it in order to know what you're really messing with.

Police Captain Haines(Moroni Olsen)is fed up with the public's lack of approval on the way a crime epidemic is being handled. He orders his men to clear up their investigations without violating the constitutional rights of the arrested criminals. This will please the newly appointed head of the Police Department Lab and internal affairs. Detective Jim Logan(Bruce Cabot)is of the old school opinion...a little pushing and thumping is OK in making an arrest. Haines is forced to demote him, but Logan doesn't really care. He discovers that some local junk dealers are enabling crime bosses in the accumulation of scrap metal to send to foreign powers(not clearly identified) to manufacture munitions in aiding their war efforts.After this movie, Miss Hayworth will be on her way to major stardom. At times Cabot seems one-dimensional and pedestrian to the script. Other players include: Marc Lawrence, Norman Willis, Richard Fiske and Stanley Andrews.

Homicide Bureau (1939) ** 1/2 (out of 4) Fun and fast paced Columbia 'B' film has Bruce Cabot playing a homicide detective who wants to use force to get confessions from some gangsters trying to take the city over. If you're a fan of 'B' films then you should get a kick out of this one since there's never a dull moment within its 57-minute running time. There's plenty of fast action as well as a nice shoot out at the end that makes this one a tad bit better than most in its field. Cabot is always worth watching and he does a nice job here. Rita Hayworth has a small supporting role as a forensic expert.

With all the criminal forensics displayed on television these days it's a surprise to see a late version thirties version of it. Avoiding the autopsy part, RIta Hayworth playing a forensic expert examines murder weapons and other physical evidence. Nobody makes a big deal about her gender except at first. I was expecting to see her quit and get married by the end of the film but surprisingly she never even comes close to thinking about it. While a major part of the movie, the forensics is second to the main topic of the movie, police brutality.The police force is under new rules passed by the city council preventing the police from roughing up the suspects. The officers chafe under the restrictions just hoping for a chance to torment the apparent villains into a confession. The brutality isn't shown, just alluded to, except in a scene where the hero cop breaks into a crook's apartment and throws him around until an accident nearly kills the crook. There's also a scene where the city politicians react to a dragnet that the police do in a desperate attempt to solve a murder.It actually interesting until the point where the standard B movie plot dynamics take over and the film reverts to typical matinée cops and robbers complete with a kidnapping, a silly shootout and eventual redemption for the tough guy hero. The police brutality topic is, unfortunately, dropped.Pretty good except for the standard ending.

One thing that surprised me in this film was the amount of scientific documentation it exhibits. A female scientist is assigned to the police department in a forensics position. I was also surprised at how little controversy was shown about that fact. But during the course of the movie, comparison of materials (from a single source or not), ballistics evidence, weapon edge evidence and more are all showcased. Not quite a commercial for police as scientific marvels, seeing as how another part of the main story involves whether or not police ought to be able to rough up criminals or not, but considering how far before the Miranda ruling this movie was made, it now comes across as an interesting look at the state of forensics in the late 1930s. For true devotees of The New Detectives (and maybe CSI, though it has little to do with crime scenes per se), this is certainly an interesting title.