The Wrath of God (1972)

You won't be disappointed!

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

During the height of the Spaghetti Western era, I was in the Navy and movies on the base were $.25. I did not have a car at the time so I watched a lot of movies and really got into spaghetti westerns. I still like them. This is one of the movies that I can watch every time it is available. Excellent casting all the way around.Robert Mitchum was at the top of his game in this one of making acting look easy and he looked like he was having fun. He once said that it beats working. However, the other character who stands out as having one of his best parts is Victor Buono as an English arms dealer who is strictly in it for the money. The device of focusing on him as he is "thinking" really makes his character stand out. At one point, they are trying to talk him into using his car for a battering ram and all he is ready to get out of town before the shooting starts. The scene focuses on on as he is thinking, "They're trying to make a hero out of me". Not to spoil it but his death scene is really a good one. This is another movie viewers should try so see. It is a winner!

The Wrath Of God is a kind of parody on the films Robert Mitchum was so routinely cast in back in the Forties and Fifties and even later on which he was doing know for a good paycheck. It's funny in spots, but ultimately doesn't quite come off.Humphrey Bogart's The Left Hand Of God is the closest comparison one can make to this film. Bogart is also an adventurer in priestly disguise who aids a Chinese village during Kuomintang China days.The Wrath Of God has Mitchum as a priest who is also a conman and handy with a variety of weapons, particularly the Thompson submachine gun. He, Victor Buono and Kenneth Hutcherson form an alliance of convenience which wasn't easy with Buono and Hutcherson refighting all the recent troubles in Ireland.They get impressed into service by a strutting Colonel played by John Colicos whose behavior and that of his troops doesn't inspire a whole lot of confidence that Colicos's bunch are the good guys. Colicos has to get inside the stronghold of a wealthy Don played by a young Frank Langella in one of his earliest films. Colicos is no prize, but Langella is positively psychotic, especially on the subject of religion. In his domain he's forbade the Catholic Church and any of its priests from any practice of the religion. He's got his reasons, but they're kind of out in left field to say the least. Mitchum's convincing guise a priest might just draw him out.The Wrath Of God marked the final screen appearance of Rita Hayworth who got the film as an act of charity by Mitchum according to the Lee Server biography of Mitchum. Hayworth was having financial problems and was drinking heavily. Little did anyone realize that the reason for her bad behavior which occasionally got reported in the press back then was the onset of Alzheimer's Disease. The woman was drinking literally because she was losing her mind. She caused a lot of production delays. A truly sad end to the woman who in my humble opinion was the greatest screen sex goddess of all.What delays Rita Hayworth didn't cause Ken Hutcherson did with an accident which injured his arm and the insurance had to pay big bucks. The film was delayed by several weeks while Hutcherson healed and as Server put in his book, the insurance company wound up owning the film.They didn't wind up owning Gone With The Wind.

Very enjoyable. This is a very good Western. This movie is a must see for fans of the genre or of Robert Mitchum. I was never able to find this movie on video let alone DVD. My favorite aspect of the movie is the little boy who trails Robert Mitchum throughout the movie. I believe that the movie would have been even better if this relationship had been emphasized more. This is especially true when you consider the climax of the movie which is left a little wanting because of this lack of relationship. Nevertheless, I was still moved at the end. What a cute kid! Wise and unusual choice for Hollywood to pick a Mexican child actor for the part.

To some extent Ralph Nelson's "The Wrath of God" spoofs westerns, but like Nelson's "Lilies of the Field," under the comedy is, I think, a deeply felt belief in divine grace. Both movies focus on unlikely human materials having a vocation they fail to recognize and consciously resist. Herein, Robert Mitchum plays a con man masquerading as a priest and a Catholic martyr in the tradition of Thomas à Becket or Thomas More mistaken by many as a hedonist.In her last screen performance Rita Hayworth has preternaturally red hair (fire-engine red, not a color of any natural human hair), few lines, and is required to look devout (which she manages to do). As her flamboyantly traumatized and traumatizing son, Frank Langella gets to chew up the scenery, which he does with great relish (before "Dracula," after his memorable film debut in "Diary of a Mad Housewife" and Mel Brooks's adaptation of "The Twelve Chairs"). Ken Hutchinson does fine as the token normal guy who is embroiled in others' plots, including the romantic subplot that involves him with a mute Indian maiden (Paula Pritchett). In a Sidney Greenstreet-kind of role as a corpulent and corrupt gun-runner Victor Buono is suitably droll. Still, it is Mitchum's movie, and he is as compelling when he takes his priestly role seriously as when he plays the usual disengaged but competent existentialist who expects nothin' from nobody. <bt><br> A motley gang of foreign mercenaries getting involved in the confusions of the long-running Mexican revolution and taking a side against their financial interest recurred in a number of late-1960s and early-70s movies, including "The Wild Bunch", "The Professionals", and "A Fistful of Dynamite." The latter two use considerable humor within the genre of expatriates taking sides (which in Mexican settings of different eras includes "Vera Cruz", "Old Gringo", and "Bring Me the Head, of Alfredo García").