The Outcast (1954)

Overrated

Blistering performances.

Exactly the movie you think it is, but not the movie you want it to be.

One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

"The Outcast" of the title is Jet Cosgrave (John Derek) who returns home after eight years to claim the ranch left him by his father but swindled away from him by his unscrupulous uncle Major Linton Cosgrave (Jim Davis) and his lawyer Andrew Devlin (Taylor Holmes).Jet meets his uncle's fiancé Alice Austin (Catherine McLeod) and sets out to take her away from his uncle. Into the mix comes Judy Polsen (Joan Evans) the daughter of a rival rancher Chad Polsen (Frank Ferguson). Slim Pickens plays Judy's brother the hard ridin' Boone Polsen.Jet has hired a group of gunman led by the murderous Dude Rankin (Bob Steele) who guns a helpless ranch cook in the back. On the other side is Cal Prince (James Millican) and his gang which includes the trigger happy "The Kid" (Ben Cooper) and Bert (Harry Carey Jr.). Double crosses abound until the final showdown between the two Cosgraves.The film was directed by Republic veteran William Whitney best known for his work in serials and his realistic fight scenes. He even allowed Roy Rogers to display a blood trickle in "Trail of Robin Hood" (1950).John Derek was more renowned for his off-screen life than for his acting. He was fortunate enough to have been married at one time or another to three of the most beautiful women of their day..Ursula Andress, Linda Evans and Bo Derek. To me he didn't make a very convincing hero though. I couldn't see him besting the 6' 4" Jim Davis in a fight.Jim Davis was a familiar face in many Republic westerns of the period. He usually played a villain but did on occasion did play on the right side of the law. Slim Pickens was working in Republic's Rex Allen series at the time and also turned up in a couple of Republic's "A" features as well. Bob Steele had been a "B" series star in the 30s and had been reduced to supporting roles from the late 40s onward. He was at his best as a villain as in this film. James Millican was a veteran of several Randolph Scott westerns and Harry Carey Jr. was a familiar face in several John Ford Westerns. Ben Cooper was being groomed by Republic to be their next juvenile lead.Great photography, action, color and story and except for Derek as the hero, a great cast.

The Outcast is set in 1880s Colorado about a man who rides into town with a gang of hired gunmen to reclaim his inheritance. But the man opposing him is none other than his uncle, who will not give up the ranch, and all that goes with it, without a fight.A truly pleasant surprise to me this one was. Too many times I care to mention when I have sat down for a B movie Western and cringed at the banality on show. Directed by prolific B helmer William Witney and coming out of the mightily solid Republic Pictures house, The Outcast {AKA The Fortune Hunter} uses a standard story premise and expands it further with a multitude of interesting character arcs. There is so much going on in this part of Colorado, the film never has time to become boring or twee in its execution. Each character serves a purpose, if they have screen time then they are functional to the plot{s} in hand. We have feuding families, hired thugs, a pugilist blacksmith, reams of gun play, fist fights on horseback {fine stunt work here} and pretty gals pulling the male protagonists emotions left and right! All set against a lovely rolling location backdrop {sadly not able to find where at the time of writing} and filmed in the safer cheaper colour aspect of Trucolor, which looks nicer now in this day and age of HD TV.The cast are led by John Derek (All the King's Men) and an assortment of stoic and professional Western players fill out the roll call. It does look to be either largely unseen or consigned wrongly to the B movie bin. But it's certainly a must for the Western genre fan, and definitely a film to prove that Republic Pictures did have good films in their locker. So do check it out if you get the chance 7/10

...are the strengths of this muddled movie. And the soundtrack is reasonably good, too. The gunfight between the cattle rustlers and Jet and two of the Polson boys provides some dandy footage of cowboys ridin' and shootin' - not to mention the nice stunt work during the horseback tussle between Jet and Dude. Otherwise you should avoid it.The plot is a variation on the old Hatfields and McCoys feud. In this variant, however, one of the families is, itself, also split into two factions, and the pater familias of the other family buggy whips and banishes his daughter. Oddly, the Polsons even call themselves "hill people," reflecting a social milieu and jargon straight out of Appalachia and foreign to the Old West. The dialog is full of other, similar oddities and apparent anachronisms. Most of the characters are not well-defined or well-portrayed. Derek's character is especially unsympathetic, and his acting is pure wooden bravado without any nuance. When he tells Judy that he has just been making a play for Alice in order to embarrass his uncle, it comes as a totally incredible fabrication.As one commentator already noted, the anticipated gunfight between Jet and The Major is at first delayed by some pseudo-romantic exposition and then finished with other anti- climactic interruptions from a hired gun and a raving lawyer.Easily the best scene is apparently unscripted. The sight of Jet wheeling his horse into Dude, whacking him on the head with the horse's mouth is just about the only thing in this movie that seems genuine.

A very good performance by a young John Derek, an outstanding performance by veteran Bob Steele, beautiful scenery stunningly photographed, and action-packed, razor-sharp direction by an old pro at the top of his form make this one of the best "B" westerns to come out of Republic Pictures, which specialized in them and did them better than any other studio did. Derek plays a young man who returns home after his father dies to claim the ranch that was stolen from him, and runs into more trouble than he bargained for. Steele, a major western star in the '30s and '40s, had aged out of leading man roles and settled into character parts, often playing--as he does here--a cold-blooded gunman (watch Humphrey Bogart's 1951 "The Enforcer" to see Steele as a hired killer par excellance). He was such a good actor that he was as effective in these roles as he was in his younger days as a cowboy hero. The cast is full of familiar western faces--Jim Davis, Ben Cooper, James Millican, Slim Pickens--and ace director William Witney uses them all to their best advantage. The blazing gun battles are expertly staged, and the film as a whole moves like lightning. All in all, an expertly made, thoroughly enjoyable little "B" western, more entertaining than many films that cost 50 times as much. Highly recommended.