Goodbye Uncle Tom (1971)

Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

I've seen a lot of offensive films in my time, from Cannibal Holocaust to A Siberian Film, but this one is easily the most tasteless, offensive, unpleasant films I have ever seen. Yet somehow it is also riveting, like watching a car crash unfold in slow motion. Several times I was on the verge of turning it off in sheer disgust, but found myself holding off, just to see how much more depraved it could get.The "plot", such as it is, concerns a pair of time-travelling reporters from Italy going back to the south of the USA during the heyday of slavery, to conduct a "inquest" into slavery. Presenting itself as a condemnation of slavery, it instead revels in the unpleasantness, delivering atrocity upon atrocity with a smirk on it's face. The horror inflicted on the slaves in Django Unchained pales in comparison to the never-ending parade of unpleasantries served up here. I suppose it does present a view of what slaves went through at the time, but it's hard to feel that they are condemning the acts when all the slaves are presented as little more than dumb animals.Amongst the dubious "delights" on offer are rape, castration, paedophilia and the truly horrible scene where the poor reporter is "seduced" by a 13 year old black prostitute. It's made so much worse as everything is presented as though we are seeing it through their eyes.It's certainly unforgettable, and if you're not easily offended or squeamish, it's worth watching once, even if it's just to see how low Italian exploitation cinema managed to stoop. You might need a good shower afterwards, however.Rating: 7/10 just for the sheer gall of the film.

Goodbye, Uncle Tom is one of the Mondo films released in Italy in the seventies. I'm not a fan of this type of film and therefore I've only seen a handful of them - however, from my basic knowledge of the genre; this one is way above average and actually delivers a good film to go along with the numerous shocks. I have to be honest and say that the central theme doesn't really interest me. The film is basically an exploitation style documentary the American South prior to the civil war and primarily focuses on the slave trade. I don't know a great deal about this period of history and so I can't say how accurate this film is - but really it doesn't matter. While the film follows a documentary approach; that's really not the strongest element of Goodbye, Uncle Tom. The film, for me, is all about style and directors Franco Prosperi and Gualtiero Jacopetti lay this style on thick and it really works brilliantly. The music (excellent score by Riz Ortolani) and the cinematography are fascinating, and this is a real bona piece of seventies Spaghetti film-making.Films like this are generally designed to shock the viewer, and that is certainly the case here. The central theme allows for plenty of shocks and the most shocking scene on a visceral level is probably the rape sequence. However, the core of this film's ability to shock stems from the premise upwards and it's uncomfortable, especially in these times, to see how black people were once treated by their "masters". A scene in which a slave trader explains what his slaves are worth in the same way a cattle rancher might try and sell his stock, and why you cannot train an Indian to be a slave is the most shocking in this respect. It's hard to really rate the film alongside others in terms of acting and the script; but suffice to say, everything shown in the film is very realistic and it wouldn't be hard for an audience to believe that the film is taking place in pre-civil war America (if it weren't for the fact that film-making equipment was not invented back then, of course). Overall, Goodbye Uncle Tom is a great piece of exploitation that shocks, thrills and intrigues in equal measures. Highly recommended viewing.

This is not real. But it was. That's the rub.A chopper goes back in time to the slavery days of America. The pre Civil War years when blacks were basically livestock.Slaves are bought, sold, traded, and given away as gifts. No concern for the families being broken up so callously. And the traders thought this was God's will. A preacher even affirms this.They eat the back end of the crops. And if they refuse, they get force fed. These scenes are hard to watch because of the violence and the grossness. But it DID happen that way.Of course you have your whipping scenes. Seems ordinary, but remember, the blacks weren't criminals. They were people like the rest of us. They did nothing to deserve their plight.What shocked me was watching the owners grab body parts like they were looking for ripe veggies. And check their teeth and eyes like they were buying a race horse.Shock-o-rama. And mostly because it's true.

Addio Zio Tom: 7/10: Well they don't make them like this anymore and lets face it they never really did. This is really three separate films brought together in a blender set on random. The first film is a highly effective expose on slave treatment and the slave trade in the old south (the slave ship scenes blows Hollywood fare like Armistad out of the water). Using a cast of thousands and exposing practices such as selective breeding that are politely not discussed on American shores (just ask Jimmy the Greek) it simply is one of the most realistic display's of 18th and 19th century slave life ever shown on film. Then there is a second film which is a dated, and looking back rather silly collection, of news footage from the late sixties and early seventies that documents race riots with all the participants speaking in Italian creating an almost Woody Allen feel to the dub (It gives What's up Tiger Lilly a run for its money complete with ragtime music cementing the silliness of what should be serious proceedings.) The last movie is a sexploitation film dealing largely with Mandingo fantasies and containing a copious amount of child porn. (I guess National Geographic rules apply when showing thirteen year old black children naked). Needless to say tasteful does not enter into the conversation. Political correctness is shattered so badly one must feel for those sensitive souls that can't laugh at ridiculousness of the manipulation.Making matters worse the three films are intertwined together seemingly at random with comic buffoonery breaking out during serious scenes (A slave auction is apt to turn into a Benny Hill episode for no apparent reason) and poorly done black revenge fantasies coming, narratively at least, out of nowhere. Anti-white, anti-black and for the sake of inclusion anti-Semitic they once again simply don't make them like this anymore. (It's highly illegal for one thing) Overlong by at least an hour and very poorly thought out in places Addio Zio Tom wears out its welcome but for a short while at least it exposes the truth and makes one think.