Simon & the Oaks (2011)

So much average

Absolutely Fantastic

Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

By the time the dramatic fireworks start popping off, each one feels earned.

I always wonder what exactly kitsch is. This movie makes it more clear to me. All the drama and tragedy in life is in it but it is only the outside of it while avoiding the real pain of life. It is worse than being sentimental to have such a pretense. Its making a feel good movie out of stories of life which are in reality each in itself a feel bad event. And because it avoids the real tragedy it needs so many stories to fill up this pretense of really having to tell us something worthwhile about human life. Of course the movie needs the blackest story of the European history to hide the emptiness: the holocaust. And then it does not show or even tell anything true about that genocide, the dark abyss of human nature. The Jew who barely survived the camp to die shortly after that, leaving a violin to his bastard son which he begot with a Nordic nymph in the woods of Sweden at a brook. A nymph who growing up turns out to be a schizophrenic woman living alone with pigs in that same wood. That's two cliché's with the strange twist of the pigs.I mean how much do you need Mrs Fredriksson (the author of the novel) to make a story? A lot more, a lot more.

Simon och ekarna – Simon & the Oaks – CATCH IT (A-) Swedish movie about two families, their friendship and common destiny in Sweden's Gothenburg in the 1940s and 1950s during World War II. The movie is told from young Simon Larsson perspective, who learns that he's an adopted child who has a Jewish father from Germany. The story in the backdrop of World War II in Sweden is really simple but what makes this interesting is the heart hitting performance by all the actors. It's just so uplifting to see how a poor father found the son he always wanted in the rich father's son and the rich father found the son he ever wanted at this poor family. Even though I loved the movie, I have to admit that the movie is much more fascinated when the kids were young. When they grow up, the relationship becomes more complicated and some of the things I didn't like e.g Simon disrespecting his mother. Though Simon was shown self centered from childhood but his leaving his mother behind led to her heart break and ultimate consequences. The performances by young Simon Jonatan S. Wächter and young Isak Karl Martin Eriksson are tremendous. Bill Skarsgård as adult Simon is great, and how he turned in to the obnoxious ungrateful person is interesting. Helen Sjöholm as Simon's mother and Isak's caretaker is such superb. I loved her portrayal. Stefan Gödicke as father of a poor family and Jan Josef Liefers Karl Linnertorp as father of the rich family are good. Overall, with stunning performance and cinematography the movie is a treat to watch.

I saw this at the 2012 Palm Springs International Film Festival where the film's director Lisa Ohlin was on hand at my screening for an audience Q&A following the film. Adapted for the screen by Marnie Blok from the popular novel by Marianne Fredriksson, it is the story of Simon Larsson,(played as a boy by Jonatan S. Wächter and as a young man by Bill Skarsgård) who is being raised by an aunt and uncle (Helen Sjöholm as Karin Larsson and Stefan Gödicke as Erik Larsson) who he thinks are his real parents. It takes place in Sweden and begins in 1939 at the outbreak of WWII in Europe. Young Simon goes off to a prestigious school where he befriends Isak Lentov (played as a boy by Karl Martin Eriksson and as a young man by Karl Linnertorp). Isak is Jewish and antisemitism has spilled over into Sweden so he is somewhat of an outcast at school except for his new friend Simon. Simon is from a rural working class background and Isak is the city bred son of a wealthy bookseller and their lives are woven together through WWII and beyond in this tender drama as Simon confronts family and society in a search for who he is. An excellent performance as the loving mother by the popular Swedish singer Sjöholm who is making her first screen role since 2004's "As It Is In Heaven" in which she gave another great performance in a supporting role. I don't know what took her so long to return to the screen but she should have been making more movies. Gödicke is very good too as the tough love father. Excellent production and art design by Anders Engelbrecht and Lena Selander. The film is also looks good thanks to cinematographer Dan Lausten and costumer Katja Watkins. Annette Focks scores some beautiful music and Jason Luke give the film great sound. A great supporting cast with many interesting characters. I would give this an 9.0 out of 10 and recommend it.

Two boys meet at school in Gothenburg 1939. They become friends. One is a Jew and one is supposed not to be. One is upper middle class and one comes from a working class background.Quite much is foreseeable here, but the greatest problem is the acting. Not that it's disastrous or even bad during the circumstances, but there are plenty of anachronisms here. From the laboring father, who is something out of the 60s, more than 1939. To the boys, who have a way of staring into the camera, which is common-piece in every Swedish movie, which tries to portrait harsh times. Especially if it's the 40s. "Something is going on inside that boy". The problem is that we know exactly what, when he has those eyes.That is disturbing and takes quality out of this film.