Soldier of Orange (1979)

Truly Dreadful Film

it is finally so absorbing because it plays like a lyrical road odyssey that’s also a detective story.

While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

Paul Verhoeven has made an excellent movie, the script is interesting and the actors are very good.The main reproach I'll do to this production is in the first place to fall in the actual pit of thinking that the more you put realistic and gore shots in a movie, the better it is. We all know what the Gestapo's murderers and torturers were capable of doing to their victims. Is it necessary to see those acts of pure sadistic behavior? Absolutely not. They bring nothing to action. The same applies to the first scene with students dinner.The second reproach is that some situations which I'm absolutely sure could not occur in the relations between Erik Lanshof and Susan as well as his friend Guus.I doubt that in real situation Susan as a secretary of a high ranking officer like Colonel Rafelli, would have intimate relationships with his subordinates. Her familiarity in the presence of her superior is quite impossible. Moreover in the 40s women in these jobs were very cautious and rather prudish. I doubt also that those guys would have such disrespectful conducts before the Queen of Holland, with crude language etc. Many scenes could have been suppressed which would have shortened the movie which is much too long(2h35 minutes); this would have given a more dynamic movie.

Based on true events, the film provides a wide temporal overview of different destinies students of different ethnicities and background had to face during World War II. This big war ruined lots of relations and comprehensions, but unlike in Eastern-European countries, occupation and its consequences remained relatively short-time, and the confrontation was still on the so-called centre/right level. For example, fate of the Baltic nations was even more tragic and disruptive...Anyway, the film in question is well written, directed and played; names like Paul Verhoeven, Rutger Hauer and Jeroen Krabbé are currently internationally known and appraised, before that they were active mostly in the local scene. Hauer and Krabbé are real character actors, having also distinctive appearance, not just cute face / gleaming smile so characteristic to many US counterparts. On the other hand, if necessary, they are also talented team players, merging well with background and co-performers; the latter are also strong and even, and the Brits and Germans are played by respective native-speakers.A powerful film, recommended to all those fond of war dramas.

Apparently when Spielberg saw 'Soldier Of Orange' he phoned Paul Verhoeven congratulating him and urging him to come to Hollywood. That took about ten years but in retrospect in might have been a big mistake. Despite an excellent Hollywood debut (the savage science fiction satire 'RoboCop', still one of Verhoeven's best), the directors movies have been mostly disappointing ever since. Just compare his most recent movie, the lame 'Hollow Man', to this one. There's no denying that there has been a major drop in quality. 'Soldier Of Orange' is worth mentioning in the same breath as such classic war movies as Kubrick's 'Paths Of Glory', Fuller's 'The Big Red One' and Peckinpah's 'Cross Of Iron'. It's that good. Considering it was made by a director with a reputation for provocation and general outrageousness, it plays it surprisingly straight, and in my opinion is all the better for it. There is some violence, but it is appropriate for the subject matter, and there is very little sex. This is quite an epic story dealing with the fates of six University friends in Holland after the outbreak of WW2. The ensemble cast is excellent, but Verhoeven favourites Rutger Hauer and Jeroen Krabbe are particularly outstanding. Hauer still has a strong cult following despite appearing in a string of b-grade movies for many years. Krabbe is best remembered by most movie fans as a Bond villain, if he's remembered at all. It's such a shame neither actor achieved the international success they both deserved. Check out their performances in 'Soldier Of Orange', Krabbe's in 'The Fourth Man', and Hauer's in 'Flesh & Blood'. Verhoeven certainly got the best out of them both. The supporting cast also includes dependable Brit Edward Fox ('The Day Of The Jackal') and Susan Penhaligon of cult Aussie thriller 'Patrick'. 'Soldier Of Orange' will be quite an eye opener for anyone unfamiliar with Verhoeven's pre-Hollywood output. It's a first rate war movie that has just about something for everyone. Highly recommended, as is the equally good (but very different) 'Spetters' and 'The Fourth Man'.

Soldaat van Oranje is Paul Verhoeven's war movie, one that already shows his early leaning towards grungy realism - graphic torture, debased human nature and plenty of bare boobies - which is why it had a pretty mixed reception when it came out here in Holland. This story is told from the point of view of a number of well to do Leiden University students. For clarification, very few people before the war had the finances to go to university. Highlighting some now internationally famous Dutch actors - Rutger Hauer, Derek de Lint, Jeroen Krabbé as well as locally known actors like Belinda Meuldijk, Rijk de Gooyer and this is also a showcase of acting talent during the seventies and early eighties. British seventies actors Susan Penhaligon and Edward Fox (A Bridge Too Far) also have interesting performances.Based on the memoirs of Erik Hazelhoff Roelfzema (Erik Lanshof in the movie), this is a reasonably realistic and truthful recounting of war and resistance during world war two. Roelfzema, a genuine war hero, first joined the student resistance, then the SOE, then joined the RAF and finally became an adjudant (aide) to queen Wilhelmina. He is still spritely and alive, living in Hawaii with his English wife. It is also pretty unique as it features what must be cinema's first and only drive-by-shooting from a bicycle. And one with wooden tires at that. And a great yarn too. It has heroism and cowardice, loyalty and betrayal, relativism, principles and pragmatism. Recommended.