Abel (2010)

Sorry, this movie sucks

Absolutely the worst movie.

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

Abel returns to the family home after two years in hospital for an undisclosed mental health problem which has rendered him silent. He is nine years old, and doesn't know what his role is in the family, until he finds an old family photograph and realises what the family in the photo had that the family he has encountered upon his homecoming does not have. It does not have a father. Christopher Ruiz-Esparza, as Abel, delivers a subtle but powerful portrayal of a boy locked in to himself who is desperately trying to find a role that will help him make sense of his life. Diego Luna gets as captivating and mature a performance out of him and his real life younger brother Gerardo as Michael Winterbottom did from his sibling child actors in the film 'Everyday'. A remarkable and disturbing film all round.

1. It's Diego Luna.2. It's Diego Luna.3. It's Diego Luna.And if that's not enough to get you to watch this film, you must not know Diego Luna.The film explores cultural familial roles, mental health culture and stigma in Mexico, and forces viewers to examine the effects of family in culture.Basically, it's amazing.The acting is spectacular. The performances are absolutely spot on. Casting was perfect. The music is perfect. The photography is perfect. Lighting, set, and characterization are perfect. Per-freaking-fection.

I must confess that during the first few minutes of "Abel," I became confused. In fact, I almost gave up watching it via Netflix Instant.But I'm so pleased I didn't.Truth be told, what prompted me to log on to "Abel" was that it was directed by Diego Luna, an actor whose work I deeply admired when I first met him in his brilliant and sensitive performance in "Y Tu, Mama, Tambien." But I'm happy that I hung on, because I discovered Luna's gentle sensitivity to the struggles of Mexico's lower-middle-class in this, his first film as a director.Which made me remember my own childhood when I also was a poor kid growing up in western Pennsylvania.Sr. Luna clearly has a great future as a director.Because the "truths" his work reveals are "universal."

Diego Luna's first film is a good movie about a kid with a mental disorder. The boy named Abel (Christhoper Ruiz Esparza) is the main character in this story about a middle-class Mexican family. This boy take the place of his father (nobody known about him by 2 years)trying to fill out the space at the father in the lives of his brothers. This movie has drama and comedy in an interesting mix. Jose Maria Yazpick (Anselmo's character)deserves a special mention, very good actor. The movie change from drama at beginning, comedy in the middle and return to drama. This is a god film but needs more punch at end to become a great, I noted that Luna needed more experienced to make it an extraordinary movie.