Legend of the Wolf (1997)

Touches You

Excellent but underrated film

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

This movie, beautiful and inspiring, is a good watch for those nostalgic for real action. Donnie Yen has done a wonderful job in choreographing this work of art. Also, the girl in this movie is the first "Damsel in Distress" I've ever seen in an Asian movie that wasn't annoying. Actually, her acting is very nice, a rare statement from me because I usually feel like hitting the "nonkungfu" damsel with a frying pan in these type of movies.That brings me to another thing; the movie is also nice in that it doesn't jump to a lot of locations (Just a lot of events.) It stays either in the city, or in the little town of Fung Man-Hin's past. The ending was very good too.

Legend of the Wolf Chinese Action Donnie YenThe poor-quality of this film can be adequately summarized by the following statement made by a proponent of this movie on IMDb: "Donnie Yen puts in what seems to be a new type of choreographic brilliance. This involves some quite close in shots of the two opponents arms flailing as they block and parry. So blurred are the movements that only the sound effects give us clues as to the blocking and hitting. It works very well."This is perhaps the most absurd movie-related comment I have ever seen, but it very succinctly explains the warped perspective of many who hold the opinion that films such as this (as well as Storm Riders, A Man Called Hero, and Ashes of Time ) offer high-quality action set pieces. The illogic goes something like this: A blurry set of camera frames that are impossible to follow qualifies as a great action scene. The problem with this perspective is that ANYONE – even the most inept movie-maker on the planet – can make such a scene fairly easily. The million dollar question now arises: How can one claim the greatness of action that requires virtually no effort whatsoever to create?Why, then, do I give this film a 4 out of 10 instead of a 1 or 2? Simple. There are pieces of action scenes that show promise. In those rare instances when I could follow what was actually happening, the choreography was good. Unfortunately, these bits of promise were interrupted by inept camera-work that is usually invoked when the movie-maker is too lazy to painstakingly map out fight scenes or brainstorm over fresh combinations of moves and maneuvers. In other words, it's a cheap, pathetic method of film-making that covers up the low quality nature of the action at hand. Therefore, Donnie Yen made it easy on himself by lowering the bar to such an extent that fighting sequences will only require a marginal amount of choreography. The camera-work in this film is simply one of the worst I have ever seen. While watching the opening action sequence, for instance, I literally felt like vomiting when exposed to back-and-forth rapid-fire framing that necessitates a warning on the front of the DVD that this film may induce epileptic seizures.Finally, the plot line was horrible and the cinematography sub par for a movie made in the late 90s.Not recommended.

Recently, they released this movie in Occidental under the name of The Big Boss, so check it out. One of Donnie Yen's best. I really feel sorry that he is not as famous as Jet Li. The man has got a much better look than Jet Li and he is just as spectacular. He deserves to be known. If only a good director will give him a chance to be the lead star. He appeared in Blade II as Snowman. About that film, I really think the director underused Donnie Yen. He would be cool playing the bad guy, the vampire. And a fight between him and Weslet Snipes would be super-mega-cool. Other great martial artists : Mark Dacascos(Crying free man, Brotherhood of the Wolf, Drive), Man Cheuk Chiu(another descendant from Shaolin, like Jet Li, movies: Once upon a time in China IV & V). These guys only need a chance to prove to the occidental viewers how great they can be. My greatest dream ever is to have a movie starring :Mark Dacascos,Man Cheuk Chiu, Donnie Yen, Jet Li and Wesley Snipes. YEAH!!! I would pay 100$ a ticket just to see that movie.

(***1/2 out of ****)After first seeing still shots from this in an article in Bey Logans' wonderful Impact magazine, I was really looking forward to the day when I could see this film. I was disheartened to hear that it did very bad box office in Hong Kong. Especially considering it was Donnie Yens' directorial debut. Donnie set out to make a kung fu film. That it certainly is. Not in the traditional sense though with crane and snake stances, but in a Bruce Lee kind of way. If Bruce had been born 2 decades later and approved of a lot of under-cranking, then I can fully imagine him doing this type of film.So, what is it really like? Well, very good actually. The film is told in flashback. Many people have criticised the film for having flashbacks with flashbacks. I disagree with this. Why is it wrong? After all it only shows what the character is thinking. I did not find it confusing, and it bent the rules of film making quite well in my opinion. Anyway, on with the review! The film tells the story of a legendary character called the Wolf (Yen) and his sidekick. In the beginning we are introduced to an un-named character who is looking for the Wolf in the present day. He is brought to the Wolfs' 'office' where we see him as an old man sleeping. Donnies' sidekick starts to tell the stranger the story of how they met and the legend was born. To give too much of the plot away would be silly considering how sparsely told it is. Nothing about the way the story is told is 'in your face'. Everything is very subtle. Again, something I disagree with that most people have said about the film! Yen has certainly mastered the art of cinematography. The camera angles, colour and editing is very well done. As far as the fighting is concerned, could we expect anything less than brilliant from the Yenster? He seems to be paying homage to kung fu stars past and present. He tips his hat to Tan Tao Liang by putting hopping kicks into modern fight choreography, he moves around and side kicks like Bruce Lee, does his trademark multi-kick jumps and then puts in what seems to be a new type of choreographic brilliance. This involves some quite close in shots of the two opponents arms flailing as they block and parry. So blurred are the movements that only the sound effects give us clues as to the blocking and hitting. It works very well. Donnie shows that he can take choreographing of the martial arts another step towards, and beyond an artform. A few reviews I have seen on this film have said that there isn't much fighting. If ever there was a totally false statement, that is it. Much like Mr Nice Guy, Legend has action by the bucket load. All of it hand to hand fighting. There is one forest fight about a third of the way in to the film that could easily be a prelude to Yen facing up to the main fighting villain of the film at the end. Another fight not long afterwards could very easily be an end fight on its own! A few more fights are just as big. This film has no less than 3 big fights at the end. One against multiple opponents in a village and a forest, then there is the fight against a man known as Monkey which is probably one of the best screen fights I have seen. The last fight is very brutal.For people who hate wires (me included), this film stays well away from them. Extreme under-cranking is used only on occasion rather than all of the time. This lets in more traditional choreography. Its surreal and uses dialogue sparingly. I think that this is one film that although people are criticising the hell out of it at the moment. In the future it will get its due.